A-Haunting We Will Go!

by Lillian Csernica on October 1, 2023

It’s October! Let’s kick off the 30 Days of Scary Fun with a ghost story.

I once had the delightful experience of volunteering in my younger son John’s seventh grade Creative Writing Class. On Back to School Night I’d been chatting with John’s teacher and she discovered that I write for a living. John’s Reading 180 workbook, which included a unit on Edgar Allen Poe. With Halloween right around the corner, I thought a writing lesson about something spooky might be fun. And then the real inspiration struck. What could be more perfect for Halloween than a haunted house story? We’d start out by thinking up all the different kinds of places a haunted house might be. A grass hut on the beach in Tahiti, an igloo in Alaska, a hotel or a camping tent or the traditional shabby manor house with strange lights and weird noises. Then we’d explore the basic idea using the journalist’s five questions: Who, What, Where, Why, When, and How!

The Haunted House

I asked the students what makes a classic haunted house. I encouraged them to think beyond what they’d already seen on TV or read about in books. What other kinds of buildings could be haunted? What other places where people could live might have ghosts? One young lady suggested a haunted fort. That was a great idea and I said so. One of the quieter boys spoke up about a space station. Another wonderful idea. When the students caught on to my enthusiasm and encouragement, more and more of them started speaking up.

Who

Who would be the main character? Would it be a living person? A ghost? Maybe even the house itself? I talked about each of these options, doing my best to keep it simple so the students had clear choices. It’s best to keep the number of characters small when writing a short story. This led to another major step in fiction writing, giving the main character a name. I spent a few minutes on the importance of names, where to find them, and how to make them up in a way that makes sense and sounds right.

What

What’s haunting the house? Is it a traditional ghost? One boy had chosen a pyramid as his “house.” The clear choice there: a mummy. The students were quick to mention the classic monsters such as werewolves, vampires, and Frankenstein. Cara, the student teacher, asked about different types of ghosts. I collect ghost story anthologies from the turn of the century. I’ve read about the mournful ghost, the vengeful ghost, the banshee, the Black Coach and the poltergeist. We focused on the poltergeist, the “noisy ghost,” a favorite element in scary movies. Once I explained this ghost’s talent for throwing dishes and furniture around, I saw the face of one boy light up. He wanted that kind of ghost. He started scribbling on his notepaper with a speed I recognized. Inspiration had struck!

Where

“Where?” is multifaceted question. There’s the location of the haunted house itself. The students talked about clifftops and deserts and swamps and the main street of a big city. I explained how the different countries and cultures where the story was set in are also key elements. A haunted house in Japan would be very different from a haunted house in New York City. Again I saw that faraway look in the eyes of the boys and girls as the wheels of their imaginations kept turning.

Why

Of all the five W Questions, “Why?” is my favorite. I asked the students to think about why the ghost was haunting that particular place. The young lady who chose a haunted fort told me her ghost was a soldier who wanted to go on guarding the fort. I said that made sense to me. The soldier had been dedicated to his duty in life, and that dedication remained even after he died in the line of duty. I asked for more ideas about why a ghost would haunt a particular place. We came up with buried treasure, some business the ghost hadn’t finished before he or she died, and the frequent motivation of revenge.

When

The question of when requires some complex thinking. When does the ghost do its haunting? At sunset? Midnight? When could also be the time of year. There are summertime ghosts, but the most dramatic time of year is the long winter night. I told the students about some of the greatest ghost stories ever written by such enduring names as A.M. Burrage, M.R. James and E.F. Benson. On the subject of winter, I used Hugh Walpole‘s “Snow” as my example. A truly chilling story, in many senses.

How

Every good story starts with a problem the main character has to solve. If the main character is the ghost, the question becomes how is the ghost haunting the house and how is that going to solve the problem? The kids had some great ideas, from scary noises and faces at the window to seeing weird things in mirrors. One of the boys really got into his story. He must have filled in at least three notebook pages and showed no sign of slowing down.

The students had done well, paying attention and participating. Then came time to bring out the art supplies. Construction paper, fuzzy black spiders, Halloween pumpkin stickers, googly eyes, and a big bag of cotton balls. I challenged the kids to tell me how many ways they could use the cotton balls to create a picture of their haunted houses. John himself suggested clouds. Another boy said spiderwebs. Someone else said ghosts. I showed the kids how to stretch the cotton very thin and glue it along the ground level to make the kind of low-lying mist you might see in graveyards. Those kids went at it with such energy and pleasure, making their visions become real before their eyes. The pyramid was marvelous. The space station was terrific. And John’s hotel looked positively grand.

BayCon 2022 Panel Schedule

by Lillian Csernica on June 15, 2022

I am delighted to announce that I will be appearing in person at BayCon 2022! It’s been a long three years. I can’t wait to participate in these panels. BayCon has some really exciting programming this year!

shutterstock.com

Discover Your Process

1 Jul 2022, Friday 14:30 – 16:00, Synergy 4 (San Mateo Marriott)

You have ideas. You want to get them out of your mind and into the physical world. How do you do that? Join the panel as they discuss how they came to understand their creative processes.

Lillian Csernica (Sense of Wonder Press) (M), Steven Barnes, M. Todd Gallowglas (Gallowglas Army) (M), Scott Bradley

istockphoto.com

Autism/Gender States

1 Jul 2022, Friday 16:00 – 17:30, Synergy 1 (San Mateo Marriott)

New work suggests there’s a correlation between Autism Spectrum Disorder and Transgender/Nonbinary flavors of gender. But correlation is not causation. So is a link? And it now looks like female autistics are massively underdiagnosed, so what does that mean for nonbinary folks who may need help with ‘subclinical’ ASD issues? What about ADHD? Is there another link there that’s been overlooked?

Lillian Csernica (Sense of Wonder Press), Pat MacEwen (M), John Blaker

cartoonstock.com

Confessions of a Slush Pile Reader

2 Jul 2022, Saturday 10:00 – 11:30, Connect 5 (San Mateo Marriott)

Editors and slush readers discuss what gets a story rejected and what they look for in a story to be considered for publications. Does and don’ts of cover and query letters can also be covered.

Rebecca Inch-Partridge (M), Emerian Rich (Self and HorrorAddicts), Lillian Csernica (Sense of Wonder Press)

istockphoto.com

Experiencing pestilence, war, and other significant trauma affects our lives in multiple ways.

3 Jul 2022, Sunday 10:00 – 11:30, Synergy 1 (San Mateo Marriott)

How does it affect what we write? Can harnessing personal sorrow and stress help us write closer to our main characters?

Matt Maxwell (Highway 62 Press), Laurel Anne Hill (M), Lillian Csernica (Sense of Wonder Press), Scott Bradley

Handicapped Parking

3 Jul 2022, Sunday 11:30 – 13:00, Engage (San Mateo Marriott)

From the invalid chair to the mobile exoskeleton, people have needed mobility devices to replace abilities lost to birth defects, disease, accidents and war.

Lillian Csernica (Sense of Wonder Press) (M), Gideon Marcus (Galactic Journey), Colin Fisk

We’re Not In Kansas Anymore

4 Jul 2022, Monday 10:00 – 11:30, Convene 1 (San Mateo Marriott)

Exotic locales challenge writers to get readers up to speed while keeping the story going. What weird settings have our panelists used and how did they solve the problem—well enough for the editor to buy, anyway.

Jay Hartlove (JayWrites Productions), C. Sanford Lowe (C Sanford Lowe) (M), Lillian Csernica (Sense of Wonder Press)

Come find me at BayCon and get a sticker for your badge!

clipart-library.com

Q is for Quandary

by Lillian Csernica on April 20, 2022

Lexico.com defines quandary as “A state of perplexity or uncertainty over what to do in a difficult situation.” This is a perfect description of the difficulties I’ve faced when trying to balance a career as a professional writer with being the mother of two special needs boys.

In 1993 I joined the Science Fiction and Fantasy Writers Association as an Active Member. In 1998 my older boy Michael came into the world at only 23 weeks. That he survived the next three and a half months in the hospital is nothing short of miraculous. The writing I accomplished during that time consisted mainly of the notes I kept in pretty hardback journals, documenting Michael’s growth, his tiny but meaningful milestones, the tests and surgeries and growing list of medications. Once Michael was allowed to come home, life became crowded with doctor appointments and physical therapy sessions. I tried to make the best use of the time available, editing manuscripts while in transit to the various appointments.

In 1998 John came along. Now I had two babies to care for. At that time it was just me while my husband was at work during the day. This is when I developed the habit of writing at night after the boys were asleep. Not the best plan when I wasn’t getting much sleep anyway. John was getting better and better at climbing out of his crib. At age two Michael developed seizure disorder, so I lived with one ear listening for any strange sound that might indicate John had escaped or Michael might be in distress. It’s very difficult to achieve the state of creative trance necessary for writing when one’s attention is constantly divided.

When Michael turned three and was eligible for the Early Start program, one of the benefits was nursing care. Thanks to the RNs who helped out and the support of my family, I wrote Ship Of Dreams. Getting that manuscript research took two solid years, then writing it meant daily labor. I suffered a disk crash that cost me two months’ work. (Words of wisdom: “Finish it!” and “Back it up!”) I found a literary agent who sold the book to a publisher. I’d been having some success with selling short stories and writing nonfiction pieces.

This might sound wonderful, and it was, but it meant struggling against my own fatigue, emotional exhaustion, and what I later learned were the symptoms of PTSD. When your brain already feels like dead coral, it’s almost impossible to summon up the energy needed to string words together. By that I meant just making sense when you’re talking to another person, never mind the effort required for creative writing. How was I going to keep writing? How was I going to complete projects, edit them, and do the marketing work?

There have been many times when I’ve wanted to “do it later.” As many wise people have said, later never comes. Today is tomorrow. I asked myself, “How badly do you want this? How badly do you want to work toward a Hugo, a Nebula, a World Fantasy Award?” The answers to those questions drove me to find ways to do the work even while attending doctor appointments, during hospital stays for Michael, and then facing John’s difficulties.

John had been hitting all the developmental milestones up until age four. We knew he had speech delay. The speech therapist was the first one to suggest we get John evaluated by a neurologist. The neurologist diagnosed John with Autistic Spectrum Disorder. At that time I knew nothing about “autism” other than the really drastic examples most people think of when they heard that word. Mind you, this was twenty years ago when a lot less was known about neurodiversity. I was in shock, frightened, depressed, and overwhelmed. Managing Michael’s care was already a complex challenge. Now John’s doctor and therapist appointments would have to be shoehorned into an already tight schedule. How on earth was I going to maintain a writing career when I couldn’t even manage a regular night’s sleep?

So I learned how to write whenever I had a few minutes. Free writing. Word sprints. Call it what you will. These bursts of writing are manageable, fun, and can be fit into a car ride, sitting in a waiting room, while having a meal in the hospital cafeteria. It’s not always comfortable, and it’s not easy, but practice promotes adaptation. I’ve written a total of seven novels and quite a few short stories. Now that some family issues and the first shock of the pandemic have settled down somewhat, I hope to move forward with editing and polishing these novels.

Living in today’s world makes it even harder to maintain a creative life. So many of us have had to take on the role of caregiver to a family member. Believe me when I tell you it’s essential to carve out some time for yourself, and for your creative work. Somewhere in your waking hours there will be fifteen minutes, thirty minutes, maybe even a whole hour. Use it. Sit down and take a good look at your daily schedule. You may find you have more time than you realize, it’s just a matter of making choices about what you spend that time doing.

Creative success. How badly do you want it?

A Thousand Thanks

by Lillian Csernica on April 8, 2020

April is Autism Awareness Month. As you can see, I’ve “gone blue” in support of ASD children and adults everywhere. As the T shirt says:

It takes a special mom to know what a child cannot say.

Both of my sons have difficulties with their verbal skills. John has speech delay. Michael doesn’t not speak at all, aside from some vigorous vocalizing. I am fortunate in that words seem to be what I’m good at in this life. Public speaking, sales, writing fiction and nonfiction. I had no idea my ability with words would stand me in such good stead given how hard it is for both of my boys to communicate.

What really keeps me going right now is the generosity and support of my community. By that I mean all of you folks reading this. All the folks who have donated to the GoFundMe, Safeguarding My Special Needs Sons. As of today, the total amount donated is over $3,000. In these strange, stressful, and scary times, the weight of enduring the divorce process is crushing me. I have to stay strong for my boys, to help them make the most of each day.

Thank you. Thank you so much. If I could do it, I would hug every single one of you.

Please keep sharing the link to the GoFundMe. Being able to pay a good lawyer to protect my interests and my boys’ future will do so much to keep all three of us strong until we get to that brighter future we all are hoping for.

 

 

Doin’ the BayCon Boogie!

by Lillian Csernica on June 8, 2019

twitter.com

It’s taken me more time than usual to recover from the wonders of BayCon. This year’s amazing spectacle had so much going on I wanted to be in at least two different places in every time slot. Here are the highlights of one of the better con weekends I’ve enjoyed.

justshineon.com

How diverse is diversity?

Gregg Castro (Salinan T’rowt’raahl) (M), Dr. yvonne white (Hayward High School), Lillian Csernica (Sense of Wonder Press), Jean Battiato

I added another layer to the definition of diversity by speaking for those who have disabilities, whether physical or psychological. While some physical disabilities are obvious and others are not, most psychological problems are not immediately apparent. Thanks to the expanding realm of neurodiversity, more and more people are aware of the prevalence of autism, of clinical depression, of chronic pain, and other conditions that create daily challenges on several levels.

Teen Guided-Storytelling Workshop

Host: Margaret McGaffey-Fisk

John wanted to attend this event. He’s been drawing for years and has taken at least two ceramics classes in school. Now he’s interested in learning how to tell a good story to go along with his illustrations and sculptures. Margaret did a wonderful job of explaining the techniques of oral storytelling. There was a young lady present as well. Margaret encouraged both John and this young lady to use their own original characters as part of practicing the techniques she discussed. I am delighted to say I learned quite a lot also! Margaret’s techniques came in very handy for the Spontaneous Storytelling panel on Sunday.

mythicalrealm.com

Altered Beast

Werewolves and other shapeshifters in mythology and literature.

Kevin Andrew Murphy (M), Lillian Csernica (Sense of Wonder Press), Pat MacEwen

I have written and published three stories with Kevin and one  (so far) with Pat. We all have extensive libraries on folklore and shapeshifters, so we took the audience on a round-the-world tour of the beliefs and manifestations of the “werewolf” tradition.When we three are together, you will hear some of the weirdest facts and fancies you could imagine!

Spontaneous Storytelling

Panelists developing a story developed by multiple choice suggestions from audience members.

Jeff Warwick (M), David Brin, Lillian Csernica (Sense of Wonder Press), Mark Gelineau (Gelineau and King)

Jeff is brilliant. Get somebody who was in the audience for this panel to tell you about the illustrations he drew while the story evolved, most notably The Harmonicat. This critter has now entered into the annals of A Shot Rang Out folklore right up there with Darth Tetra. I found a way for our protagonist to speak Japanese to the cat. David Brin picked right up on that and easily blew my tourist doors off with his accent and much better grammar. Mark Gelineau caught some of the stranger audience suggestions and turned them to his advantage. A good time was had by all!

clinicalpsychreading.blogspot.com

The Ink That Rushes From Your Heart

Dorothy Parker wrote “Never never dip your quill/In ink that rushes from your heart.” Being willing to do exactly that is what will bring the deepest meaning to our writing. How do we bring ourselves to be that honest and vulnerable in our stories?

Lillian Csernica (Sense of Wonder Press) (M), Jay Hartlove (JayWrites Productions), Ms. Maya Kaathryn Bohnhoff (Book View Café)

It’s not easy to talk about one’s creative process, but the three of us gave it a solid try. Jay described how the combination of his acting training and his directing skills help him render authentic emotion on the page. Maya gave us some very personal insights into how she transforms personal pain into dynamic action in her stories. Me? I keep digging deeper and deeper into the hearts of my characters to find the pain that drives them onward, that won’t let them sleep, that gives them strength in the face of crushing opposition. Pain is supposed to be Nature’s way of telling us to stop doing something. For writers, it’s what keeps us writing.

emilyclarkcounseling.com

BayCon 2019 Panel Schedule

by Lillian Csernica on May 22, 2019

It’s that time of year again! As Memorial Day Weekend approaches, I’m packing up my copies of my latest anthology appearances, my panel notes, and my younger son with an eye to having a wonderful time at this year’s BayCon!

Here’s a list of my panel appearances. Hope to see you there!

Keeping our children involved.

25 May 2019, Saturday 10:00 – 11:30, Connect 3 (San Mateo Marriott)

How do we ENHANCE their education?

Dr. Wanda Kurtcu (Retired Educator) (M), Lillian Csernica (Sense of Wonder Press), Juliette Wade, Sarah Williams (Merrie Pryanksters)

 

How diverse is diversity?

25 May 2019, Saturday 14:30 – 16:00, Synergy 4 (San Mateo Marriott)

As recent events show, this is still a needed discussion. What does diversity and equity look like? How can groups, organizations and communites promote “diversity”, especially when they are not organically positioned to be diverse? What things can be done to attract a more diverse community in whatever you do? (G. Castro)

Gregg Castro (Salinan T’rowt’raahl) (M), Dr. yvonne white (Hayward High School), Lillian Csernica (Sense of Wonder Press), Jean Battiato

 

Why do writers kill characters?

25 May 2019, Saturday 16:00 – 17:30, Connect 5 (San Mateo Marriott)

Does it matter if it’s a main character or a secondary, supporting character?

Fred Wiehe (M), Ms. Jennifer L. Carson (Freelance), Rebecca Inch-Partridge, Lillian Csernica (Sense of Wonder Press)

 

Altered Beast

26 May 2019, Sunday 10:00 – 11:30, Synergy 4 (San Mateo Marriott)

Werewolves and other shapeshifters in mythology and literature

Kevin Andrew Murphy (M), Lillian Csernica (Sense of Wonder Press), Pat MacEwen

 

Spontaneous Story

26 May 2019, Sunday 11:30 – 13:00, Connect 3 (San Mateo Marriott)

Panelists developing a story developed by multiple choice suggestions from audience members.

Jeff Warwick (M), David Brin, Lillian Csernica (Sense of Wonder Press), Mark Gelineau (Gelineau and King), Mrs. Sandra Saidak (Silicon Valley Authors)

 

The Ink That Rushes From Your Heart

27 May 2019, Monday 10:00 – 11:30, Engage (San Mateo Marriott)

Dorothy Parker wrote “Never never dip your quill/In ink that rushes from your heart.” Being willing to do exactly that is what will bring the deepest meaning to our writing. How do we bring ourselves to be that honest and vulnerable in our stories?

Lillian Csernica (Sense of Wonder Press) (M), Jay Hartlove (JayWrites Productions), Ms. Maya Kaathryn Bohnhoff (Book View Cafe)

 

 

#atozchallenge K is for Kids

by Lillian Csernica on April 12, 2019

by Lillian Csernica on April 12, 2019

People told me that when I had kids, my life would never be the same.

Those people had no idea how right they were.

My son Michael was born at 23 weeks, weighing 770 grams. That’s one pound, eleven ounces. He was the size of a kitten lying across my palms. This was back in 1996. At that time the age of viability was 24 weeks, because only then would the lungs function. During every single day of the following three and a half months Michael spent in the hospital, we watched and waited to see if our baby would live or die.

Two and a half years later, John arrived. He went full term, a hefty eight pounds, ten ounces. During delivery, John refused to breathe. By then the hospital staff knew our family rather well, so the head of neonatology was on hand to jump start John and make sure he started life in good form. John had to spend the first week of his life in the NICU, which drove me crazy because I wanted my baby. Then, as John missed verbal milestones and showed other unusual behavior, we learned he has Autistic Spectrum Disorder.

Now people tell me I should write about my experiences with both of my sons. I should write about battles with insurance, battles with the school district, battles with the boys themselves. I should write about all the doctors and nurses and teachers and aides I’ve worked with through two decades. I should write about what I’ve learned and what I wish I’d known.

It’s not easy to write about difficult events when you’re still in the process of living through them. Now that my boys are legal adults, they face a sharp decline in services, lack of day programs, and the ongoing insurance battles. Michael is still in just as much danger from every medical crisis. John is still learning how to handle some of his symptoms. I am their mother, their legal guardian, and their primary advocate.

The time is coming when I will write more nonfiction. Right now, I write escapist literature because that’s what I need to write. I don’t travel as much as I’d like to because I simply can’t. In order to hang on to my dented sanity, I run away from home inside my head.

 

 

#atozblogchallenge F is for Finish It!

by Lillian Csernica on April 6, 2019

I can sum up the secrets of writing success in two words: Finish it!

Everybody loves the beginning. Even when it’s difficult and you don’t know where it start. That first flush of creativity, the excitement over a new idea, can be addictive. So addictive, in fact, that when the shine of a new idea wears off and the doldrums of rewriting set in, people often abandon a project for something new.

That way lies disaster.

Most writers have several ideas sitting around in various stages of development. It’s what we do. Successful writers figure out which ideas have the most potential and invest time and effort in developing those projects. Agents won’t look at unfinished manuscripts. Editors don’t buy unfinished stories. Readers don’t read either of these because unfinished projects never get published.

Finish it.

When I wrote my first fantasy novel, I hit a rough patch about 3/4 of the way through. For three solid weeks I thought every word I wrote was worthless. Every single day I had to bully myself through my word quota. Eventually I got through it and completed the manuscript. When I got to that “worthless” section later during the editing process, it wasn’t really all that bad.

When I wrote Ship of Dreams, my boys were both quite young. I wasn’t getting much sleep. There were lots of doctor appointments. When John was around 4 or 5 years old, we discovered he’s autistic. That was heartbreaking on top of all of Michael’s difficulties. Once again I hit that stage at the 3/4 mark where I couldn’t stand the story and wanted to give up. I also had a disk crash that cost me a chunk of work. Even with all this going on, and with the help of my agent, I completed the manuscript. That book sold.

Whatever you’re writing, finish it. Only when you get all the way to what you think is the ending, will you have a better idea of where the story should start. This is why they’re called roughdrafts. Just do it. Get it written. Throw everything at the page until you reach the end. Take a break. Step back. Let it cool. Then begin the edit and the rewrite.

How To Deal With Peculiar People

by Lillian Csernica on March 27, 2019

The Younger Boy (TYB) and I were out running errands the other evening and we stopped in at our favorite pizza parlor. There are six, count ’em, six big flat screen TVs. We’re regulars, so the staff lets us have a remote and watch whatever we like while we’re eating our food. Most often we watch cooking shows or paranormal investigations or whatever YA show TYB prefers at the time.

On this particular evening, I witnessed the ritualistic behavior observed by another regular patron. I’d seen this woman two, maybe three times, but I hadn’t noticed the details that would have cemented her in my memory. That was about to change.

For the sake of both anonymity and clarity, let me call this woman Barbara.

We were sitting in our favorite booth eating pizza and watching a show TYB chose. Most of the flat screens in the pizza parlor are set on sports games, so I’m in the habit of making sure the close captioned subtitles are on. That way I can keep the volume down and still know what the people onscreen are saying. This is important. Bear it in mind.

Barbara comes in, sees us sitting there, and stops dead in her tracks. She looks up at the screen we’re watching, looks back at us, then goes to the register to place her order. She keeps glancing over at us, then chooses one of those bistro tables where the chair and table legs are extra long. From the bag she’s carrying, Barbara takes out a seat cushion, plumps it, sets it on the chair, adjusts the angle, plumps it again. She moves on to the napkin dispenser and pulls out several paper napkins, unfolds them completely, then takes a long time making sure there’s a solid layer covering the tabletop.

This particular pizza parlor is kept in a good state of tidiness. I’ve seen it messy only during the lunch hour all-you-can-eat buffet when turnover is rapid and the staff are busy making more food. The floor is always clean. If I ask, somebody comes out right away to wipe down the table where we like to sit.

Even so, Barbara takes extreme pains to prep her chair and her table.  Then she looks up at the flat screen across from her. It’s the one designated #3. TBY and I are watching #4. Barbara comes around the railing that divides the bistro tables from the booths. She ignores me completely and greets TBY by name. She’s vaguely familiar, so I figure she must be somebody we knew from the years my boys went through the local school system. TBY doesn’t recognize her, and has no interest in doing so. This makes no difference to Barbara, who begins explaining how she’s going to watch a certain show now, she really likes that show, so would that be OK with him? He gives her a polite yes. This is making him uncomfortable. Barbara goes through it again, still not making any eye contact with me.

At that point I realize what’s really going on. When I want to change the channel on #4, I ask anybody who’s sitting in that area if that’s OK with them. Most people aren’t even paying attention, but they do thank me for taking the time to check first. Barbara wasn’t trying to be polite. Barbara was telling TYB what she was going to do. There was a script running inside her head and we weren’t giving her the replies she was after. I suspect we were watching the flat screen Barbara usually watches. The disruption of her ritual might have caused her the predictable rise of anxiety in someone who has OCD or OCPD, which are two separate and distinct diagnoses. I could be wrong. This might have been nothing more than one more garden variety control freak with territorial imperative, which is a lot more common than clinical OCD or OCPD.

teacherspayteachers.com

Barbara had crossed the line into Bothering My Child, so I gave her a smile that didn’t reach my eyes and told her we understood. Translation: Thank you, now go away.

I thought that settled the matter. Nope. The staff brought out Barbara’s order. That prompted her to scurry back to her table and begin the process of arranging her plate, drink, plastic cutlery, etc. OK fine. None of my business. Barbara was in my line of sight, so watching her was something I couldn’t really avoid doing. That’s what helped me spot the problem when it happened.

Barbara’s show came on set #3. She cranked up the volume so high it intruded on all the other sets and on general conversation. Other people started giving Barbara annoyed looks. To say she was oblivious is an understatement. The way she sat in her chair, leaning forward and hanging on every word spoken by the main characters, told me this show was really important to her. Again, OK fine. We had the close captioning on our set, so TYB kept watching his show and didn’t seem to mind. He did turn the volume up a little bit.

Barbara aimed the remote she was using at “our set” and dragged the volume down to nothing.

Not OK. Trying to be a grown-up about this, I let myself assume Barbara did not know that each remote can affect the other sets. TYB set the volume at the polite level.

Barbara promptly turned it down again.

When this happened a third time, I was more than ready to tell this woman off.

Fortunately, I’ve learned to take a breath and weigh my options. TYB was done eating. It was time to move on. This particular TV show seemed to be very important to Barbara. Maybe I was witnessing what amounted to a Big Night Out for her. It’s also possible she did not connect turning down the volume on #3 with having any impact on us. Keeping these thoughts in mind, all I did was return the #4 remote to the guy at the register. He glanced over my shoulder at Barbara, sighed, and rolled his eyes. Clearly this was a regular event.

People do have issues. Sometimes those people are also rude. Is it worth it to call them on it? I could see Barbara had a genuine problem of some sort. In all fairness, I must say she did make an effort to be polite and reasonable. Now I know what might happen if and when we cross paths at the pizza parlor again.

Times are hard. In the big picture, this incident was odd and irritating, but really no big deal. It costs me nothing to be charitable to people who are probably just doing the best they can.

 

How To Keep Writing When You’re Drowning in Chaos

by Lillian Csernica on February 18, 2019

http://www.storyblocks.com

Hi there. Today I will tell you how to keep up that word count and move forward with your creative life regardless of how crazy your everyday life has become.

What are my qualifications for this?

• My older boy is an invalid requiring R.N. level care. We have two R.N.s. One has been on vacation. That means I fill in when she can’t be here.
• My younger son has high-functioning Autistic Spectrum Disorder. He attends community college, and he has a lot going for him. Even so, he needs supervision.
• My mother has been having a series of medical crises since last summer. She’s back in the hospital again after having a heart valve replaced. The insurance is running out and time is against us in finding other caregivers for her.
• Me, I have Major Depressive Disorder, I don’t sleep much, and I’m not getting any younger.

Having said all that, I can also say that I keep writing. I have three stories coming out in three different anthologies in the next few months. Marketing my novel proposals continues. When I sold my pirate novel, I did it with the help of an agent through traditional publishing. I liked that a lot and I’d like to do the same with my fantasy novels and my historical romance series. We’ll see what happens.

What is my secret? Simple. The ongoing chaos that I live in every day provokes powerful emotions inside me. Love and hate. Joy and grief. Depression and exultation. I’ve never been a halfway kind of person. These emotions are often so big inside me I have to let them out. I have to get them down on paper, get them out of my head, give them somewhere to go.

And so I write. Maybe not every single day, but three out of five, I write.

Am I angry? My characters fight.

Am I frightened? My characters either hide from or face what frightens them.

Am I sad? My characters talk about it. They fight about it. They do something stupid or something brave or something that just makes it stop hurting for a while.

Whatever emotion is strongest within you, WRITE ABOUT IT.

Personal journal. Vignette. Short story. Chunk of a novel. Whatever size you need.

 

 

No matter how good life is, no matter how bad life gets, WRITE ABOUT IT.

This is how you keep writing. This is how you keep from going under.

Writers commit alchemy every time we put our feelings into words. We take that heavy leaden weight of emotion and through our imaginations we transmute it into the pure gold of storytelling.

P.S. Why are all the quotations from Ray Bradbury? When I was in grade school he was the first writer to set my mind on fire. Dandelion Wine showed me that I could imagine on paper and make use of everything going on inside my head. The day I finished reading Dandelion Wine was the first day I knew I wanted to be a writer.