Category Archives: editing

#nanoprep How to Choose Your Project


by Lillian Csernica on September 11, 2019

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I am one of two Municipal Liaisons for my region, which is Santa Cruz County in California. In the spirit of helping this year’s participants, both the new folks and those returning, allow me to offer some ideas based on how I get ready for the mad dash from one end of NaNoWriMo to the other.

National Novel Writing Month is all about writing 50,000 words in 30 days. That’s 200 pages. 1667 words each day. Half a novel. A full roughdraft, maybe. Whatever you want to write, in whatever way you want to write it. Everybody’s creative process is unique. Feel free to do whatever gets you to the 50k mark by November 30.

Last year I wrote Silk & Steam, the first novel in my Kyoto Steampunk universe. It took me some time after the end of NaNoWriMo to come up with an ending that was really strong. Now I’m rewriting to make the whole manuscript live up to that ending. I want that novel to be the only novel in my head right now, so for this year’s writing project, I need to go in a different direction.

For the 20th Anniversary of NaNoWriMo, I plan to write short stories. Six short stories, 1700 words each. That’s more than a story a week, so this is going to be a real challenge. My best time up to now has been  total of three weeks for writing a short story start to finish with editing and polishing. During NaNoWriMo I’m going for six complete first drafts. This means I have to do a lot of planning before November 1.

Where do I start my planning for six brand new short stories?

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I start with the monsters. The yokai, which more accurately translates as “bewitching apparition,” are the supernatural creatures of Japanese folklore. Each of the seven stories in the Kyoto Steampunk series features a particular yokai. So I need six new yokai, and I’m thinking about a location where Dr. Harrington and his family would be likely to find all six.

I already have subplots in motion given the seven other stories already published. A quick list of where all of my main characters are at the end of the novel provides a starting point for each of them. At the moment I’m considering the possibility of writing each story from a different character’s viewpoint. If I create one basic story and then provide each character’s personal stakes in those events, I might be able to create quite a mosaic that brings the world of Kyoto Steampunk to life.

And so the new stories begin to grow!

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Is there such a thing as too much preparation? The answer to that depends on whether you’re a planner, a pantser, or somewhere in between. I identify as a plantser. I need a certain amount of planning to get the shape of the story. Then I set the timer and throw myself into the scene. On the days when the words won’t come out easily, a word sprint is your best friend.

What do you do to get ready? How do you decide what project you want to work on? I’d be delighted to hear about your process. We’re all here to help each other through the 30 day marathon that is NaNoWriMo.

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How Do You #nanoprep?


by Lillian Csernica on Wednesday, September 4, 2019

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November is coming. That means National Novel Writing Month, or NaNoWriMo!

This year is the 20th anniversary of NaNoWriMo. Twenty years of hot ideas, hard work, and tanker trucks full of coffee! If you’ve always wanted to try your hand at writing a novel, or you really need group support to get you through that first draft, then NaNoWriMo is waiting for you.

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“Where do I start?” That is the question I hear most often from people who really want to write but don’t know what to do first. The answer is simple: Find what gets you most excited about your project. Is it the main character? Is it the dialogue? Is it the glorious victory of the Good Guys stomping the Bad Guys into the dirt? Whatever gets you all fired up, that’s the key to Writing Every Single Day.

Here’s how I do my #nanoprep:

Pick an idea. For me this means choosing a genre, a time period, and the major location.

  •  Write down a bunch of details about my main character.
  • Do the same for my villain.
  • Brainstorm a rough plot outline.
  • Keep making notes as the ideas start crossbreeding with every new detail I imagine. I try to keep organized from the very beginning. Index cards, Scrivener, a spiral notebook, whatever works. The important thing is to get all those details recorded hot and fresh without thinking too much.

If you’re starting from scratch with a new idea, you need to create a lot of the basic information about plot, character, and setting. I liken this part of the writing process to the way a sculptor begins a new piece. First you have to get your hands on some clay, right? Once you have the clay, then you can start shaping it into a story. Brainstorming all those details is how writers create the clay from which we shape our stories.

If you’re starting with a work-in-progress, that’s great! You’re already ahead of the game. I suggest you come up with a specific goal you want to achieve during NaNoWriMo. Some examples:

  • Finish your draft
  • Flesh out the relationship(s) between the main character and the sidekick, the love interest, the mentor, or the villain. Depending on the type of story you’re after, you can have the main character working on a better understanding of that person’s own mind and motivations. Do be careful to dramatize what happens. Pages of interior monologue are fine when you’re working out the details of an idea. Too much of that can kill your pace and leave your reader hungry for real action.
  • Familiarize yourself with your setting and test the dramatic possibilities of some key locations. If you’re using a well-known setting such as Paris or London, make sure you get the details right.

Remember, no first draft comes out letter perfect. The first draft is where you get to play around, chase ideas up blind allies, start a character off with one motivation and see where that takes you. This is where you get to find out which ideas fit together and which ones tend to muddle up the story.

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Give yourself permission to write badly at first. That doesn’t mean your writing will be bad. It just means you take the pressure off of yourself so you can just enjoy the act of writing. All that really matters during NaNoWriMo is that you WRITE. Just do it. Just get the daily word quota out of your head and onto the paper, screen, bedroom wall, whatever. Just WRITE.

Watch for more tips on getting ready for National Novel Writing Month!

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Doin’ the BayCon Boogie!


by Lillian Csernica on June 8, 2019

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It’s taken me more time than usual to recover from the wonders of BayCon. This year’s amazing spectacle had so much going on I wanted to be in at least two different places in every time slot. Here are the highlights of one of the better con weekends I’ve enjoyed.

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How diverse is diversity?

Gregg Castro (Salinan T’rowt’raahl) (M), Dr. yvonne white (Hayward High School), Lillian Csernica (Sense of Wonder Press), Jean Battiato

I added another layer to the definition of diversity by speaking for those who have disabilities, whether physical or psychological. While some physical disabilities are obvious and others are not, most psychological problems are not immediately apparent. Thanks to the expanding realm of neurodiversity, more and more people are aware of the prevalence of autism, of clinical depression, of chronic pain, and other conditions that create daily challenges on several levels.

Teen Guided-Storytelling Workshop

Host: Margaret McGaffey-Fisk

John wanted to attend this event. He’s been drawing for years and has taken at least two ceramics classes in school. Now he’s interested in learning how to tell a good story to go along with his illustrations and sculptures. Margaret did a wonderful job of explaining the techniques of oral storytelling. There was a young lady present as well. Margaret encouraged both John and this young lady to use their own original characters as part of practicing the techniques she discussed. I am delighted to say I learned quite a lot also! Margaret’s techniques came in very handy for the Spontaneous Storytelling panel on Sunday.

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Altered Beast

Werewolves and other shapeshifters in mythology and literature.

Kevin Andrew Murphy (M), Lillian Csernica (Sense of Wonder Press), Pat MacEwen

I have written and published three stories with Kevin and one  (so far) with Pat. We all have extensive libraries on folklore and shapeshifters, so we took the audience on a round-the-world tour of the beliefs and manifestations of the “werewolf” tradition.When we three are together, you will hear some of the weirdest facts and fancies you could imagine!

Spontaneous Storytelling

Panelists developing a story developed by multiple choice suggestions from audience members.

Jeff Warwick (M), David Brin, Lillian Csernica (Sense of Wonder Press), Mark Gelineau (Gelineau and King)

Jeff is brilliant. Get somebody who was in the audience for this panel to tell you about the illustrations he drew while the story evolved, most notably The Harmonicat. This critter has now entered into the annals of A Shot Rang Out folklore right up there with Darth Tetra. I found a way for our protagonist to speak Japanese to the cat. David Brin picked right up on that and easily blew my tourist doors off with his accent and much better grammar. Mark Gelineau caught some of the stranger audience suggestions and turned them to his advantage. A good time was had by all!

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The Ink That Rushes From Your Heart

Dorothy Parker wrote “Never never dip your quill/In ink that rushes from your heart.” Being willing to do exactly that is what will bring the deepest meaning to our writing. How do we bring ourselves to be that honest and vulnerable in our stories?

Lillian Csernica (Sense of Wonder Press) (M), Jay Hartlove (JayWrites Productions), Ms. Maya Kaathryn Bohnhoff (Book View Café)

It’s not easy to talk about one’s creative process, but the three of us gave it a solid try. Jay described how the combination of his acting training and his directing skills help him render authentic emotion on the page. Maya gave us some very personal insights into how she transforms personal pain into dynamic action in her stories. Me? I keep digging deeper and deeper into the hearts of my characters to find the pain that drives them onward, that won’t let them sleep, that gives them strength in the face of crushing opposition. Pain is supposed to be Nature’s way of telling us to stop doing something. For writers, it’s what keeps us writing.

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BayCon 2019 Panel Schedule


by Lillian Csernica on May 22, 2019

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It’s that time of year again! As Memorial Day Weekend approaches, I’m packing up my copies of my latest anthology appearances, my panel notes, and my younger son with an eye to having a wonderful time at this year’s BayCon!

Here’s a list of my panel appearances. Hope to see you there!

Keeping our children involved.

25 May 2019, Saturday 10:00 – 11:30, Connect 3 (San Mateo Marriott)

How do we ENHANCE their education?

Dr. Wanda Kurtcu (Retired Educator) (M), Lillian Csernica (Sense of Wonder Press), Juliette Wade, Sarah Williams (Merrie Pryanksters)

 

How diverse is diversity?

25 May 2019, Saturday 14:30 – 16:00, Synergy 4 (San Mateo Marriott)

As recent events show, this is still a needed discussion. What does diversity and equity look like? How can groups, organizations and communites promote “diversity”, especially when they are not organically positioned to be diverse? What things can be done to attract a more diverse community in whatever you do? (G. Castro)

Gregg Castro (Salinan T’rowt’raahl) (M), Dr. yvonne white (Hayward High School), Lillian Csernica (Sense of Wonder Press), Jean Battiato

 

Why do writers kill characters?

25 May 2019, Saturday 16:00 – 17:30, Connect 5 (San Mateo Marriott)

Does it matter if it’s a main character or a secondary, supporting character?

Fred Wiehe (M), Ms. Jennifer L. Carson (Freelance), Rebecca Inch-Partridge, Lillian Csernica (Sense of Wonder Press)

 

Altered Beast

26 May 2019, Sunday 10:00 – 11:30, Synergy 4 (San Mateo Marriott)

Werewolves and other shapeshifters in mythology and literature

Kevin Andrew Murphy (M), Lillian Csernica (Sense of Wonder Press), Pat MacEwen

 

Spontaneous Story

26 May 2019, Sunday 11:30 – 13:00, Connect 3 (San Mateo Marriott)

Panelists developing a story developed by multiple choice suggestions from audience members.

Jeff Warwick (M), David Brin, Lillian Csernica (Sense of Wonder Press), Mark Gelineau (Gelineau and King), Mrs. Sandra Saidak (Silicon Valley Authors)

 

The Ink That Rushes From Your Heart

27 May 2019, Monday 10:00 – 11:30, Engage (San Mateo Marriott)

Dorothy Parker wrote “Never never dip your quill/In ink that rushes from your heart.” Being willing to do exactly that is what will bring the deepest meaning to our writing. How do we bring ourselves to be that honest and vulnerable in our stories?

Lillian Csernica (Sense of Wonder Press) (M), Jay Hartlove (JayWrites Productions), Ms. Maya Kaathryn Bohnhoff (Book View Cafe)

 

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But Wait! There’s More!


by Lillian Csernica on May 3, 2019

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Hi there. I had to take a small break from blogging to keep up with some other writing commitments. An article for SEARCH Magazine, the latest critiques for my writers group, and a vigorous session at the coffeehouse with my personal journal. If I don’t write in the personal journal with reasonable frequency, internal pressures build up and I get way too stressed out.

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Those of you who are in my general age range will recall those commercials that came on late at night during the really bad horror movies that showed on Channel 13 (I grew up in Southern California). The fast-talking salesman doing the voice-over would tell you all about the wonders of the chef’s knives for one low, low price.

But wait! There’s more!

The voice-over would throw in some amazing device that could peel carrots, slice spuds into French fries, and turn those radishes into roses. All for another rock bottom price!

But wait! There’s more!

Now and then you’d get the third tier offer which usually had to do with jewelry, sterling silver or 18k gold. You just dipped the item into the secret polish and out it came gleaming like the prize treasure from a dragon’s hoard.

I have completed the April 2019 A to Z Blog Challenge. So here I am looking for a May Blog Challenge. Any suggestions?

I could go with an official challenge, or I could devote this month to a subject that you wonderful people would like to see me discuss. I can cover anything in the subject areas I’m known for, or you can send me off on a new adventure.

What new & improved thrills would you like to see me provide here?

You are some mighty clever people. Can’t wait to see what you throw at me!

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innovateuk.blog.gov.uk

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#atozchallenge Z is for Zarf


by Lillian Csernica on April 30, 2019

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Names are powerful. To know the name of a thing is to possess some degree of control over it. Long before I learned about that belief, I had already fallen in love with knowing the names of rocks, seashells, plants, and animals.

Few activities are better for learning new words than reading a lot. You never know what you might come across. That’s one reason I love to read historical fiction and nonfiction. There’s no pleasure like finding the exact word.

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What does all this have to do with the word ZARF?

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A standard cardboard coffee cup sleeve. That phrase is a bit of a mouthful, isn’t it?

Clarity and precision are my watchwords. First draft might be all over the place, but a good solid edit will include the right words in the right places. A rose by any other name might smell as sweet, but you won’t get the same mental image!

giphyThis brings us to the end of the 2019 A to Z Blog Challenge. Many thanks to all of you who have been kind enough to stop by, like a post, and leave a comment. I’m always happy to hear from you.

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#atozchallenge T is for Talisman


by Lillian Csernica on April 23, 2019

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Most writers I know keep meaningful items on their desks, keepsakes associated with inspiration, good luck, or some method of coaxing the Muse into delivering the day’s word quota. While these may not be talismans in the classic sense of rings or pendants of precious stone inscribed with mystic words, these keepsakes are talismanic in that they stir up our imaginations in positive and productive ways.

My most treasured talismans include:

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The inkwell given to me at my first book signing by the owner of the store.

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The Mixy Award given to me by Steve Mix at BayCon 2015.

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The enamel pin showing the main building of the Imperial Palace in Kyoto which I bought from the gift shop when I visited the palace.

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A note sent to me by the parents of a little girl whose letter to Santa Claus I answered, thanking me for keeping their daughter’s “dream and belief” alive.

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The clay pendant bearing my name in cuneiform made for me by a dealer at WorldCon 75 in Finland, brought all the way home to me by my best friend, Patricia H. MacEwen. I would show you the pendant itself, but I’m fine-tuning my wire wrap jewelry skills so I can wear the piece at BayCon next month!

 

 

 

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#atozchallenge O is for Opportunity


by Lillian Csernica on April 17,  2019

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There’s a famous saying: “Build a better mousetrap, and the world will beat a path to your door.” That might have been true once, but today the Internet has brought the marketplace to the consumers. They don’t have to “beat a path” anywhere. It’s up to us as the sellers of our writing to get our work in front of the people who will buy it.

How do we do that? By making the most of every opportunity.

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Where are those opportunities? Market listings.

Duotrope — It’s possible to glean some information from this site without paying an annual subscription fee. Me, I have a subscription. Best money I ever spent. I credit this site with improving my acceptance rate.

The Submissions Grinder — This site is free. There is a lot of information available. Do be careful to follow through on the links and make sure you’ve got the latest submission requirements. Many markets, especially anthologies, have limited reading windows on very specific themes.

Remember what I said about building a writing community? That’s another crucial element in finding opportunity. The more writers we know, the more contacts we have in the writing world, the more likelier we are to hear about opportunities.

One day I was at the supermarket. I bumped into Deborah J. Ross, a well-known writer and editor who also lives in my part of the world. We’ve known each other for a while now, mostly meeting up at conventions. Deborah happened to be putting together a new anthology. She said she’d love to see a story from me. Holy cats! I thanked her and got to work right away. That story, The Katana Matrix, will appear in Citadels of Darkover.
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What happens if we can’t find an opportunity that matches what we have to offer?

We take it to the next level by finding ways to create our own opportunities.

Tailor stories we’ve already finished to suit the target market.

When I was in college, I took a fiction course and wrote the original version of Masquerade. The result landed about halfway between literary and genre fiction. Later, when I decided to start submitting the story, I rewrote it and cranked up certain aspects so the story fit into the horror genre. It first appeared in Midnight Zoo, then Karl Edward Wagner accepted it for my second appearance in The Year’s Best Horror Stories.

Push our limits by writing on a subject or in a genre where there are many opportunities.

I started out writing fantasy and horror. I switched to romance because it was easier to break into the novel market there and the money was better. The result? Ship of Dreams. That novel did earn out its advance, and it continues to bring in good royalties.

Ask questions, seek advice, beat the bushes in pursuit of potential opportunities.

Where do we start? Join online writing communities. Join the professional association that suits what you prefer to write. Go to the places where you will meet other writers, editors, and publishers. Conventions, seminars, lectures at the local library. Yes, attending the larger events can get expensive. We have to weigh the potential benefits against the cost. One good pitch session can save a lot of time and effort.

Remember: Be polite. Be considerate. Be grateful. Pass on the kindness to other writers who need help. This is how we grow our community, and how we keep ourselves in the minds of people in a position to alert us to opportunities that could make all the difference to our success.
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#atozchallenge M is for Mentor


by Lillian Csernica on April 15, 2019

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One of the best things a writer can do is find a mentor.

Writing is a lonely business. We have to isolate ourselves, otherwise we’d never get any writing done. When it’s time to emerge from that productive isolation, it helps to have a supportive community of other writers. What helps even more is having a someone who’s been there and done that, who is doing it right now, and can offer support and advice about the process.

Joining a writers group can be one way of building a community and perhaps even finding a mentor. I discuss the pros and cons of writers groups here.

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What can a writing mentor do for you?

Writing advice — The best way to find good guidance on how to improve your writing is to ask someone who has achieved at least some publishing success. Call me old-fashioned, but I respect the gatekeepers. Editors and publishers with established track records of professional success. Writers who have had fiction accepted by them have proven their level of skill. Both the Science Fiction and Fantasy Writers of America and the Romance Writers of America have mentor programs. If you’re writing in these genres, give them a look.

Professional etiquette — This can encompass everything from how to approach publishers and agents to coping with the perils of volunteering for a writers workshop. The experience and perspective of a good mentor can alert you to pitfalls and make sure you present your best polished professional demeanor.

Marketing tips — Writers who have a sales record will most likely acquire some familiarity with the tastes of the editors to whom they send their fiction. This familiarity arises in part from the submission process, but it can also be informed by face time at conventions. Getting the inside scoop on marketing trends is a wonderful thing.

Coping with rejection — There are three basic stages: form rejection, checklist rejection, personalized rejection. Given the speed of submission managers and email replies, the odds have gone up somewhat in terms of getting actual comments on submissions. That being said, it still takes experience to read such comments and understand their meaning. I was overjoyed the first time I got a rejection from Fantasy & Science Fiction Magazine that included a comment about looking forward to seeing more stories from me.

Coping with success — This can be worse than rejection. Why? Because while success breeds success, it also breeds anxiety and pressure to perform. Not every idea will turn into a winner. It becomes a numbers game, which means a lot of hard work. In retail, I learned the 80 20 Rule, aka the Pareto Principle, which says 80% of your results will come from 20% of your activities. Having a mentor will help you learn how to spend your available writing time wisely.

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#atozchallenge C is for Collaboration


by Lillian Csernica on April 3, 2019

Collaboration is not for the faint of heart. The creative process is a strange and mysterious thing that does not lend itself to easy explanation. To harness your creative process to another person’s method of producing a story requires patience, communication, and a solid commitment to see it through to completion.

If you want to audition somebody for the role of collaborator, take a long road trip with that person. Being stuck in a car together for hours on end will give you a golden opportunity to discuss the project itself, along with finding out whether or not you can tolerate the other person’s quirks. Writers are quirky people.

I have had the good fortune to collaborate on separate projects with two very talented writers.

KEVIN ANDREW MURPHY

Kevin and I have known each other for a very long time, close to thirty years. We have written three stories together and sold every one.

Special Interests

Death for Death

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The Restless Armadillo

Kevin Andrew Murphy writes for many worlds, most notably George R.R. Martin’s Wild Cards series. His story “Find the Lady” just received the Darrell Award for Best Midsouth Novella at MidSouthCon and he has other recent Wild Cards stories in Low Chicago, the expanded reissue of One-Eyed Jacks, and the upcoming (but out in Britain) Knaves Over Queens. He’s also just written “The Golden Cup” for Savage World’s Pantheon super hero game setting.
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PATRICIA H. MACEWEN

Pat and I have known each other since the night I drank the vodka tonic meant for her while hanging out with mutual friends at BayCon. Dragon’s Kiss is Pat’s novel. I was less a collaborator and more of a technical adviser. The hero of the book is based on my son Michael, who is wheelchair-bound with cerebral palsy and seizure disorder. We need more stories of people with special needs who fight the good fight, who continue to strive despite or because of their physical and cognitive limitations.

Pat MacEwen is an anthropologist. She sometimes works on bones from archaeological sites and does independent research on genocide, having worked on war crimes investigations for the International Criminal Tribunal, and done CSI work for a decade. Oddly enough, she was once a marine biologist at the Institute of Marine & Coastal Studies at USC. She has two novels out – Rough Magic, a forensic/urban fantasy, and Dragon’s Kiss, a YA fantasy about a crippled boy who finds he can talk to dragons but people? Not so much. She writes mystery, horror, science fiction, and fantasy. Her work has appeared in a Year’s Best SF anthology. It has also been a finalist for the Sturgeon Award, and made the Tiptree Honors List. Her hobbies include exploring cathedrals, alien-building via nonhuman reproductive biology, and trawling through history books for the juicy bits.

 

Tolstoy and Dostoevsky plan a collaboration - 'War and Punishment'... it'll make us a bundle.

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