A-Haunting We Will Go!

by Lillian Csernica on October 1, 2023

It’s October! Let’s kick off the 30 Days of Scary Fun with a ghost story.

I once had the delightful experience of volunteering in my younger son John’s seventh grade Creative Writing Class. On Back to School Night I’d been chatting with John’s teacher and she discovered that I write for a living. John’s Reading 180 workbook, which included a unit on Edgar Allen Poe. With Halloween right around the corner, I thought a writing lesson about something spooky might be fun. And then the real inspiration struck. What could be more perfect for Halloween than a haunted house story? We’d start out by thinking up all the different kinds of places a haunted house might be. A grass hut on the beach in Tahiti, an igloo in Alaska, a hotel or a camping tent or the traditional shabby manor house with strange lights and weird noises. Then we’d explore the basic idea using the journalist’s five questions: Who, What, Where, Why, When, and How!

The Haunted House

I asked the students what makes a classic haunted house. I encouraged them to think beyond what they’d already seen on TV or read about in books. What other kinds of buildings could be haunted? What other places where people could live might have ghosts? One young lady suggested a haunted fort. That was a great idea and I said so. One of the quieter boys spoke up about a space station. Another wonderful idea. When the students caught on to my enthusiasm and encouragement, more and more of them started speaking up.

Who

Who would be the main character? Would it be a living person? A ghost? Maybe even the house itself? I talked about each of these options, doing my best to keep it simple so the students had clear choices. It’s best to keep the number of characters small when writing a short story. This led to another major step in fiction writing, giving the main character a name. I spent a few minutes on the importance of names, where to find them, and how to make them up in a way that makes sense and sounds right.

What

What’s haunting the house? Is it a traditional ghost? One boy had chosen a pyramid as his “house.” The clear choice there: a mummy. The students were quick to mention the classic monsters such as werewolves, vampires, and Frankenstein. Cara, the student teacher, asked about different types of ghosts. I collect ghost story anthologies from the turn of the century. I’ve read about the mournful ghost, the vengeful ghost, the banshee, the Black Coach and the poltergeist. We focused on the poltergeist, the “noisy ghost,” a favorite element in scary movies. Once I explained this ghost’s talent for throwing dishes and furniture around, I saw the face of one boy light up. He wanted that kind of ghost. He started scribbling on his notepaper with a speed I recognized. Inspiration had struck!

Where

“Where?” is multifaceted question. There’s the location of the haunted house itself. The students talked about clifftops and deserts and swamps and the main street of a big city. I explained how the different countries and cultures where the story was set in are also key elements. A haunted house in Japan would be very different from a haunted house in New York City. Again I saw that faraway look in the eyes of the boys and girls as the wheels of their imaginations kept turning.

Why

Of all the five W Questions, “Why?” is my favorite. I asked the students to think about why the ghost was haunting that particular place. The young lady who chose a haunted fort told me her ghost was a soldier who wanted to go on guarding the fort. I said that made sense to me. The soldier had been dedicated to his duty in life, and that dedication remained even after he died in the line of duty. I asked for more ideas about why a ghost would haunt a particular place. We came up with buried treasure, some business the ghost hadn’t finished before he or she died, and the frequent motivation of revenge.

When

The question of when requires some complex thinking. When does the ghost do its haunting? At sunset? Midnight? When could also be the time of year. There are summertime ghosts, but the most dramatic time of year is the long winter night. I told the students about some of the greatest ghost stories ever written by such enduring names as A.M. Burrage, M.R. James and E.F. Benson. On the subject of winter, I used Hugh Walpole‘s “Snow” as my example. A truly chilling story, in many senses.

How

Every good story starts with a problem the main character has to solve. If the main character is the ghost, the question becomes how is the ghost haunting the house and how is that going to solve the problem? The kids had some great ideas, from scary noises and faces at the window to seeing weird things in mirrors. One of the boys really got into his story. He must have filled in at least three notebook pages and showed no sign of slowing down.

The students had done well, paying attention and participating. Then came time to bring out the art supplies. Construction paper, fuzzy black spiders, Halloween pumpkin stickers, googly eyes, and a big bag of cotton balls. I challenged the kids to tell me how many ways they could use the cotton balls to create a picture of their haunted houses. John himself suggested clouds. Another boy said spiderwebs. Someone else said ghosts. I showed the kids how to stretch the cotton very thin and glue it along the ground level to make the kind of low-lying mist you might see in graveyards. Those kids went at it with such energy and pleasure, making their visions become real before their eyes. The pyramid was marvelous. The space station was terrific. And John’s hotel looked positively grand.

BayCon 2023: Stars and Stripes and Spaceships, Oh My!

Saturday, July 1 through Tuesday, July 4th

Santa Clara Marriott

This year’s BayCon promises to be marvelous. So many fun things to do, so many wonderful people participating. The Programming Ninjas have given me quite an exciting schedule!

SATURDAY

Readings

1 Jul 2023, Saturday 13:00 – 14:30, CA Ballroom 8 (Santa Clara Marriott)

I’ll be reading from my new short story, To Reach For The Stars, from Jewels Of Darkover.

Running Away From Home

1 Jul 2023, Saturday 14:30 – 16:00, Portland (Santa Clara Marriott)

Travel is more complicated and risky than ever. What should writers do? Take readers away to foreign cultures and alien worlds? Or show readers what a forbidding landscape exists right outside the front door?

Medicated And Motivated

1 Jul 2023, Saturday 16:00 – 17:30, CA Ballroom 8 (Santa Clara Marriott)

How do you keep writing when you have to face the daily battle of chronic pain?

*****

SUNDAY

Why Movies Mean So Much to Us

2 Jul 2023, Sunday 10:00 – 11:30, CA Ballroom 4 and 5 (Santa Clara Marriott)

From “Help me Obi-Wan Kenobi, You’re my only hope!” to “I’m gonna make him an offer he can’t refuse,” we all can quote lines from our favorites.   Movies have been a deep and enduring part of our entire lives. What good do they do for us?  What bad?

What Every Editor Wished Authors Knew

2 Jul 2023, Sunday 11:30 – 13:00, Sedona Room (Santa Clara Marriott)

At some time in your writing career chances are you are going to work with an editor, but many authors know next to nothing about the field of editing. Copyeditors, acquisition editors, managing editors, line editors, developmental editors—What do they do? How do you know what kind of editor you need? How do you find a good editor? How do you work with an editor of a magazine, anthology or publishing house? Everything you need to know but were afraid to ask.

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Signing: Lillian Csernica

2 Jul 2023, Sunday 13:00 – 14:00, Autograph Table (Santa Clara Marriott)

The dealer’s room will probably have at least some of the anthologies where you can find my short fiction. If all goes well, I will have book cover postcards available for $5 each, suitable for signing.

*****

MONDAY

Let’s Build a Monster!

3 Jul 2023, Monday 13:00 – 14:30, Portland (Santa Clara Marriott)

Panelists choose audience members to help them build the best beastie.

Short Sighted

3 Jul 2023, Monday 14:30 – 16:00, CA Ballroom 8 (Santa Clara Marriott)

A discussion of the new opportunities for publishing novellas and other non-novel-length work.

Hope to see you there!

A New Short Story!

by Lillian Csernica on March 15, 2023

I am delighted to announce the appearance of my new short story To Reach For The Stars in JEWELS OF DARKOVER, the latest anthology set in the Darkover universe. The anthology is now available for pre-order in both ebook. The trade paperback edition will become available on the release date, May 2, 2023.

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This is the story of an elaborate jewel heist that may have consequences for not just the galaxy but all life in the universe. It’s such a thrill to create my own heist story. I grew up watching movies such as The Italian Job, Diamonds Are Forever, The Bank Job, Thief, and of course The Pink Panther and its sequels.

Appearing in this anthology marks a new milestone in my writing career. Way back when I was in high school, I read BRISINGAMEN by Diana L. Paxson. “The gift of an ancient necklace, the legendary Brisingamen, gives Karen Ingold the extraordinary powers of the goddess Freyia and leads her into a perilous confrontation with the evil Loki.” I’d already been a big fan of sword & sorcery, so this blew my mind. This novel introduced me to the genre now known as urban fantasy. I wrote a fan letter to Diana Paxson. Much to my astonishment and joy, she replied with a kind and gracious note on stationery that featured a pen and ink drawing of Hildisvini, Frejya’s boar or “battle swine.”

Years later, after I’d begun to publish my own fantasy stories, I had the honor and the pleasure of appearing alongside Diana Paxson on panels at SF/F conventions.

Now, almost forty years after reading BRISINGAMEN, I’m proud to say my story To Reach For The Stars appears on the same Table of Contents with Fire Seed by Diana L. Paxson.

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Staying The Course

by Lillian Csernica on February 14, 2023

Hello, folks. I hope you are all safe and well. I’ve been doing my best to keep on keeping on.

One of the biggest challenges a writer can face is the problem of chronic pain. Back in the days when I was younger and stronger, I was in a car accident that damaged my left knee. I can still walk, thank God, but time has taken its toll. My right knee has been taking up the slack ever since the accident. The result is Degenerative Joint Disorder in both knees.

Chronic pain is exhausting. It sucks away all energy and the power to concentrate. It makes sleep difficult and medication necessary. I know that my writing is different now than it was when I first began selling my work and seeing it published. That is so frustrating. If not for the pain, maybe I could write more and write better. Maybe I could endure the endless labor of online self-promotion more successfully. I am a mother of two boys, so what little time and energy I have to write is precious to me. Chronic pain robs me of that.

And yet…. The need to write continues. The desire to publish continues. Compulsive behavior? Maybe, but for me it’s a good thing. On the bad days when I just don’t have it in me to do the work, I ask myself, “How bad do you want this?” Days go by so fast now, running into months and years. There is no “later.” There is no “tomorrow.” If I don’t get something done right now, today, when will I get it done? It’s so hard. When I can’t stand up, when I can’t walk across the room, it seems impossible.

That’s when doing it matters the most.

Yes, there are times when I cut myself some slack and accomplish whatever I can actually manage to do that day. There are times when I look at my To Do list and just start laughing. As Dirty Harry once said, “A man’s got to know his limitations.” I interpret that statement not as knowing what you can’t do, but knowing how much or how little you can do on that particular day. It’s the habit of making the effort that matters. If I don’t bother to make the effort, it gets easier and easier to just leave the work for some other day.

Dorothy Parker once said, “I hate writing. I love having written.” That sums it up. The labor of writing feels dreadful, but the satisfaction of knowing you did the work is immense. My favorite unit of writing is a twenty minute free write. Keep that pen moving. Just get the words down. The great part about free writes is the way I can just keep plowing forward, and not stop to think until the timer goes off. Then I get to bask in the pleasure of having written.

In the past week I sent three short stories out to market. Write, edit, submit. Rinse and repeat. Yes, my body aches and my mind get worn out, but I won’t give up. Each moment of success adds to all the ones that have come before it.

#nanoprep What If? What Next?

by Lillian Csernica on October 7, 2022

When I set out to write The Wheel of Misfortune (Best Indie Speculative Fiction, Volume One), I asked myself what if one of the spirits of Japanese folklore who punish the wicked came after Dr. Harrington? How could the hero of my Kyoto Steampunk series possibly be wicked? This was a great opportunity to explore the early days of Dr. Harrington’s career as a member of the Royal College of Physicians. A serious error in judgment comes back to haunt Dr. Harrington ten years later in the form of the wanyudo, the Soul Eater.

Some people think plotting your story before writing it takes all the spontaneity and adventure out of the process. I disagree. I need at least some idea of where I want to go, if only for that day’s writing. I need a target to focus my aim and build momentum. There’s still a whole lot of adventure to be had just getting from one end to the other in a single scene.

When I began writing fiction, the how-to book that gave me the best advice suggested completing a first draft, then literally cutting apart and pasting together chunks of text. That seems ridiculous now in the age of Scrivener and Evernote. I’m a hands-on kind of person. Crafting provides me with much-needed occupational therapy. This tendency has led me to rely on scene cards for building plots for my longer projects.

Time This can be the century, the year, the season, the hour, whatever you need.

Place Where does this scene occur? You can be as general as galaxy or as specific as a patch of sand on the beach.

Point Of View (POV) Which character’s head is the reader inside? Change of time and/or place requires a scene break. The same is true for a change of POV.

Goal What does the POV want to accomplish during this scene? This can also be whatever the POV wants to avoid doing.

Opposition What prevents the POV from achieving the scene goal? Another character? A natural disaster?

Inciting Incident This is also referred to as the Problem Situation, the change in the POV’s life that sets the story in motion.

Resolution How does the scene end? Is the goal achieved?

Disaster This is one word for the end of scene hook, the twist that raises the stakes and heightens tension and suspense. This is what will keep your reader turning pages.

I find using 4 x 6 notecards gives me the most flexibility when it comes to lining up scenes in different ways. Wondering where to put that exposition? Trying to figure out where a flashback won’t ruin your pace? Scene cards are your friend. Scrivener provides something similar, but I can tolerate only so much screen time. Notecards don’t put you at risk for the dangers of digital eyestrain.

It’s OK if you can’t fill in all the info on every card right away. Story ideas evolve. That’s part of the fun, and another big advantage of scene cards. You can create several variations on the same scene card. Play around with the possibilities. Be sure to keep the cards you don’t use. You never know when those ideas might come in handy!

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#nanoprep Where Do I Start?

by Lillian Csernica on October 1, 2022

#NaNoWriMo2022 is coming. 50,000 words in just thirty days. I am an eight year veteran of NaNoWriMo, and I still find the prospect of writing 1,667 words a day quite intimidating. I have number of works-in-progress underway, but this year I choose to start a new novel project. Where do I start?

For me it’s all about the characters. I have written plot-driven stories. (As a matter of fact, I found out just yesterday my latest plot-driven short story has been accepted by an anthology!) When I start a story, I tend to start in the middle of an argument between one main character and the antagonist or a minor character who gets chewed up and spat out. Open with conflict. Show the reader why the main character’s life has just been drastically complicated by the problem situation.

“The only good writing is intuitive writing. It would be a big bore if you knew where it was going. It has to be exciting, instantaneous and it has to be a surprise. Then it all comes blurting out and it’s beautiful. I’ve had a sign by my typewriter for 25 years now which reads, ‘DON’T THINK!’” Ray Bradbury

They key to writing from the heart of your character is to know what that character wants. Sometimes it’s more useful to know what the character does not want. People tend to make more of an effort to avoid something that will cause them pain, whether physical or emotional.

What’s ironic about this is how struggle makes a good story. The survival instinct might compel your main character to avoid what hurts. That’s sensible, but it makes boring reading. Throw your characters into the deep end and make them figure out how to swim. Characters have to learn something in the course of their character arcs. They have to change. If the main character is still the same person at the end of the story, that can be done to good effect, but most readers want to see that character fight hard, fight smart, risk everything, and win. That creates a satisfying reading experience.

Think of your character as a piece of iron hot from the forge. You put that red hot iron on the anvil and you beat on it until it takes on the shape of the tool you need. A wrought iron candle holder. A horseshoe. A sword. Beat on that character. Raise the stakes. Make it hurt. Heat and pressure will turn a lump of molten metal into a work of art.

BayCon 2022 Panel Schedule

by Lillian Csernica on June 15, 2022

I am delighted to announce that I will be appearing in person at BayCon 2022! It’s been a long three years. I can’t wait to participate in these panels. BayCon has some really exciting programming this year!

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Discover Your Process

1 Jul 2022, Friday 14:30 – 16:00, Synergy 4 (San Mateo Marriott)

You have ideas. You want to get them out of your mind and into the physical world. How do you do that? Join the panel as they discuss how they came to understand their creative processes.

Lillian Csernica (Sense of Wonder Press) (M), Steven Barnes, M. Todd Gallowglas (Gallowglas Army) (M), Scott Bradley

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Autism/Gender States

1 Jul 2022, Friday 16:00 – 17:30, Synergy 1 (San Mateo Marriott)

New work suggests there’s a correlation between Autism Spectrum Disorder and Transgender/Nonbinary flavors of gender. But correlation is not causation. So is a link? And it now looks like female autistics are massively underdiagnosed, so what does that mean for nonbinary folks who may need help with ‘subclinical’ ASD issues? What about ADHD? Is there another link there that’s been overlooked?

Lillian Csernica (Sense of Wonder Press), Pat MacEwen (M), John Blaker

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Confessions of a Slush Pile Reader

2 Jul 2022, Saturday 10:00 – 11:30, Connect 5 (San Mateo Marriott)

Editors and slush readers discuss what gets a story rejected and what they look for in a story to be considered for publications. Does and don’ts of cover and query letters can also be covered.

Rebecca Inch-Partridge (M), Emerian Rich (Self and HorrorAddicts), Lillian Csernica (Sense of Wonder Press)

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Experiencing pestilence, war, and other significant trauma affects our lives in multiple ways.

3 Jul 2022, Sunday 10:00 – 11:30, Synergy 1 (San Mateo Marriott)

How does it affect what we write? Can harnessing personal sorrow and stress help us write closer to our main characters?

Matt Maxwell (Highway 62 Press), Laurel Anne Hill (M), Lillian Csernica (Sense of Wonder Press), Scott Bradley

Handicapped Parking

3 Jul 2022, Sunday 11:30 – 13:00, Engage (San Mateo Marriott)

From the invalid chair to the mobile exoskeleton, people have needed mobility devices to replace abilities lost to birth defects, disease, accidents and war.

Lillian Csernica (Sense of Wonder Press) (M), Gideon Marcus (Galactic Journey), Colin Fisk

We’re Not In Kansas Anymore

4 Jul 2022, Monday 10:00 – 11:30, Convene 1 (San Mateo Marriott)

Exotic locales challenge writers to get readers up to speed while keeping the story going. What weird settings have our panelists used and how did they solve the problem—well enough for the editor to buy, anyway.

Jay Hartlove (JayWrites Productions), C. Sanford Lowe (C Sanford Lowe) (M), Lillian Csernica (Sense of Wonder Press)

Come find me at BayCon and get a sticker for your badge!

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Gathering My Thoughts

by Lillian Csernica on May 17, 2022

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I enjoy writing by hand. I keep a personal journal along with writing first drafts in my work notebook. As satisfying as this is, there are two drawbacks to this approach. First, if I’m doing a timed free writing session where the goal is to blow past the internal editor, I often can’t read my own handwriting afterward. Second, I then have to spend the time typing in all those pages. That makes a drastic difference in terms of getting stories polished and out to market.

Last week I decided to plow through all the notebooks I’ve been piling up. That meant organizing the ideas and random scenes and large chunks of developing stories. I was delighted to discover quite a few I’d forgotten about writing. This prompted me to indulge in two of my favorite activities: shopping at the Dollar Tree and buying office supplies. Here’s the new binder for the various bits and pieces related to my Kyoto Steampunk stories.

I’ve got more stacks of notebooks to go through. That means more binders, more dividers, and the hunt for more stickers and whatnot to do the decorating. Dollar Tree, here I come!

Z is for Zzzzzz

by Lillian Csernica on April 30, 2022

Hi, folks.

I hope you’ve enjoyed these adventures from my strange and busy life.

I want to thank everybody who has been kind enough to drop by, to leave a comment, to post a link that took me to some great blogs. I had to miss out on the Challenge for a couple of years. I am so glad to be back. The A to Z Blog Challenge rocks!

I write these posts late at night. Now I’m going to put on my fuzzy pajamas, curl up under the covers, and get some sleep.

Be well!

U is for Useful

by Lillian Csernica on April 25, 2022

In Writing Open the Mind, author Andy Couturier describes how asymmetry can help the reader participate in our writing, creating a fresh and dynamic experience. “Since each combination of these dissimilar parts suggests its own meaning, its own interest and power, asymmetry in visual art or in writing encourages participation by the viewer or reader in the fertile process of creation. In a sense, writing asymmetrically is generous, because it gives the reader many different ways to understand, instead of insisting on one, that is only our own.”

I keep all the fortunes I get from fortune cookies. My friends and family know I do this, so they tend to give me theirs as well. Over the years I’ve collected at least two glass jars full of fortunes. I decided to experiment with “writing asymmetrically” by pulling out a dozen fortunes and setting them aside without reading them. I wrote out twelve questions, just going with whatever popped into mind, then printed out that page. I cut up the questions into twelve strips of paper and mixed them up, setting them aside face down in one pile beside the fortunes already waiting in the other pile. I chose a question and typed it in, then chose an answer and typed that below the question. The results can be used for writing prompts, scene dialogue, a personal journal entry, etc.

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Q: What makes life worth living?

A: A goal is a dream with a deadline.

(Sound advice. Failing to plan is planning to fail.)

Q: Who knows the secret of eternal youth?

A: You will soon be crossing desert sands for a fun vacation.

(Why does this make me think of Las Vegas or Palm Springs?)

Q: What advice would you give to your granddaughter?

A: Look closely at your surroundings.

(Furniture? Objet d’art? Choosing the most worthy granddaughter?)

Q: How do you solve the problem of time travel?

A: Good fortune is always on your side.

(So you’ll have a good time wherever you go!)

Q: Where can you find true Paradise on earth?

A: You are always welcome in any gathering.

(Makes sense.)

Q: What did the monkey say to the banana?

A: Look for the dream that keeps coming back. It is your destiny.

(I’m guessing the monkey dreams about really big bananas.)

Q: How do you bring a smile to the sourest face?

A: You must learn to broaden your horizons, day by day.

(Some people bring happiness by arriving, others by departing.)

Q: I’ve lost my car keys and I have no money. Now what?

A: You are a lover of words.

(Talk your way out of that one!)

Q: How does one restore lost innocence?

A: An unexpected payment is coming your way.

(If money can’t buy happiness, it certainly can’t restore lost innocence!)

Q: Why are word problems always so confusing?

A: Laughter shall fuel your spirit’s engine.

(My teacher tended to laugh at a lot of my answers, that’s for sure.)

Q: Why are we told there are always more fish in the sea?

A: Little brooks make great rivers.

(This pairing was an accident, I swear.)

Q: What do you get if you cross a rhino with a stapler?

A: Follow your instincts when making decisions.

(First, don’t cross a rhino. Second, don’t do it with a stapler!)