Category Archives: Goals

Available Now on Smashwords!


by Lillian Csernica on August 15, 2017

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Horror can be anything from the most elegant ghost story to the total freak-out of a bloodthirsty serial killer. The Fright Factory can show you how to make the most of your story ideas. Choose the best setting. Build a better monster. Learn the fine art of creating suspense! It’s all here, including an essential list of the worst horror cliches no editor wants to see.

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Want to find out if I really do know what I’m talking about? Fallen Idol appeared in DAW’s The Year’s Best Horror Stories XX. Just 99 cents from Digital Fiction Publishing!

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The #1 Question All Writers Should Ask


by Lillian Csernica on August 11, 2017

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Stories grow out of two questions: What if? and What next?

If you’re like me, your stories tend to start out as a sudden flash of action or dialogue. Maybe you think of a character first, and then the problem. Either way, once you’ve got your basic idea on paper and it’s time to think about story structure, there’s one essential question you must answer:

Why now?

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In Dickens’ A Christmas Carol, Ebenezer Scrooge has to change his ways right now or he won’t live to see another Christmas.

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In The Hunger Games, when Katniss’ little sister is chosen to represent their District, Katniss has to take action right now to save her sister’s life. The only acceptable way is to volunteer and take her place.

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In Andy Weir’s novel The Martian, astronaut Mark Watney has to come up with some kind of life support system right now. Maybe NASA will mount a successful rescue mission.  Maybe Watney’s team will do it. That’s all off in the land of What Then? When you’re stuck on Mars with no hope in sight, right now means right now!

Answering the Why now? question will raise your stakes, heighten your action, and give your readers a story they’ll remember!

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Reblog: How to Stop Making Problems for Yourself


One of the most helpful mental health techniques I’ve learned is the importance of knowing how to get out of my own way. This article explains that technique in excellent detail.

‘You make problem, you have problem.’ – Jon Kabat-Zinn When it comes to problems, we all have them. Many problems, however, are self-imposed. Startling thought? It’s meant to be. If you want to narrow the list of problems you have, start with a firm decision to stop making problems in the first place. Already, the objections start, beginning with the problems that others create that have a direct effect on you. Surely, you didn’t create them. So, how can you stop those problems? Nice try, but that’s a weasel-out excuse that won’t work. While you don’t have control over the problems others create, you very much have control over your response, action or inaction. In other words, it’s what you do that counts, not what the problem is that you face. It’s the same with problems that you manufacture. Indeed, it’s all in how you regard the situation. If you think it’s a problem, it’s going to be a problem. If you view it in a more positive light, the problem is no longer a problem, but an

Source: How to Stop Making Problems for Yourself

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The Writer’s Spellbook


by Lillian Csernica on August 1, 2017

AVAILABLE NOW ON SMASHWORDS!

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One of the most important elements of a fantasy novel or a game world is the magic system. A logical and consistent magic system will do a lot to help improve the quality of the story… A better magic system means a better story, and a better story means more readers!

PLENTY OF FORMATS TO CHOOSE FROM!

EPUB MOBI PDF IRL PDB TXT HTML

Whether you’re a writer or a gamer, a graphic novelist or an historical reenactor, The Writer’s Spellbook will give you step by step guidance in making the crucial decisions that will bring your fantasy world to life.

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How Bad Movies Help Us Write Good Stories


by Lillian Csernica on July 29, 2017

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The Blair Witch Project and the first Paranormal Activity movies launched a new sub-genre of horror: found footage. Sometimes the people who find the footage know its original purpose. Sometimes the footage is simply discovered and viewing it can provide answers, deepen the mystery, drive you insane, and/or get you killed.

The problem with the success of these two movies is how often and how badly other filmmakers keep trying to imitate them.

This happens in the world of books as well. Charlaine HarrisSookie Stackhouse series began appearing close to the start of the vampire craze. Their popularity and the subsequent HBO series True Blood did a lot to prompt the already growing industry of vampire-based novels. Some of these are quite good. Others are not. (cough cough Twilight cough.)

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Really bad books and movies can serve as practical guides for What Not to Do. This brings me back to those found footage movies. I love a good ghost story. Now and then I go trawling through Netflix and Amazon, hoping to find a movie that doesn’t just shuffle together the same tiresome people, camera equipment, Ouija boards, and insane asylums. I have found a few gems, but it’s appalling how many mediocre wannabes clutter up the genre.

Let’s have a look at how such a movie provides a check list for What Not To Do.

PLOT — Familiar, contrived, predictable, unrealistic, and not all that scary. What is the opposite of all that? Strange, natural, unexpected, realistic, and terrifying. Guillermo del Toro’s Crimson Peak is all that and more.

CHARACTER — Shallow, annoying, not sympathetic, and their motivations are often forced. They do really stupid things that anybody with a shred of survival instinct wouldn’t even consider. We want characters who are complex, endearing, sympathetic, and genuine. Above all, make your characters intelligent with at least some common sense.

SETTING — Not realistic. Never mind the question of whether or not ghosts actually exist. Let’s think about the fact that laws about private property, trespassing, and public health are very real and rigorously enforced. Abandoned medical facilities with a history of death, disease, torture, horrible medical experiments, and abuse of the patients by the staff were often built back when asbestos and other toxins were a regular part of the construction business. Professional paranormal investigators know about contacting property managers, getting the appropriate permits, and avoiding lawsuits.

TONE — They’re going for creepy and atmospheric, but when the filmmakers abide by the trite formula of dead cell phones, flickering lights, poltergeist antics, etc. etc., there’s no suspense. Instead, it all becomes laughable. Remember how Professor Lupin taught Harry Potter and the gang how to get the upper hand with the Boggart, the creature that would take on the appearance of a person’s worst fear? Just find a way to make it funny, and that takes all the fear out of it.

THEME — This depends on the particular variations present in a specific movie. Most of the time, it boils down to “People who refuse to listen to multiple warnings about the Haunted Madhouse deserve whatever happens to them.” That brazen band of party animal college students is so annoying I’ve ended up cheering on the monsters.

PACE — Such movies usually kick off with an info dump about the setting, the main characters, or both. This is the movie version of a Prologue, and it contains every reason why smart people don’t go near the setting even in broad daylight. Too Much Information ruins the movie because now we have a good idea about what horrible fates will befall the characters. Place your bets, because once the Ouija board is out and the candles are lit, the bodies are going to start piling up.

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In the spirit of fairness, I will mention a few of those gems I’ve found:

Grave Encounters

Session 9

Cabin in the Woods

Boo

Find Me

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Three Top Tips to Put New Power in Your Writing


by Lillian Csernica on July 9, 2017

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When we’re in the process of writing, we sometimes reach a point where despite having a complete list of story elements on board, we feel like something is still missing. What we’ve written so far is good, but we want more. More depth. More intensity. More power.

Here are three simple, effective techniques to bring more power to your ideas and the ways you write about them.

 

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CHARACTER ORCHESTRATION

There are two parts to  proper character orchestration.

First, you make the protagonist and antagonist very different from each other. Create strong contrast with opposing traits, whether physical, emotional, spiritual, financial or all of the above!

Author James N. Frey provides an excellent explanation of this technique in How To Write A Damn Good Thriller.

Second, the events of your story leave these two characters tied together in what’s known as the “unity of opposites.” In his blog The Story Element, Paul Nelson explains:

The two opposite characters who are in conflict must be forced together, and neither of them can be allowed to leave the battle. For example, if Gandalf gives up and the ring isn’t destroyed, then Sauron wins and turns Middle Earth into hell. If Sauron gives up and lets the ring be destroyed, then he is also destroyed. Both Gandalf and Sauron are in danger of being destroyed, so they must destroy the other. They cannot both exist at the same time.

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JUXTAPOSITION

From Writing Explained:

What does juxtaposition mean? Juxtaposition is a rhetorical device that places two elements in close relationship for comparative purposes. Juxtaposition is a type of comparison. Typically, the two elements being juxtaposed have differences and the juxtaposition is meant to highlight contrasting effects.

In the long-awaited Wonder Woman movie, the juxtaposition of Diana and Steve Trevor serves to highlight the many layers of meaning in the story. Diana is a strong, independent warrior at a time when Steve Trevor sees a woman as being weak, needing his protection and guidance. Diana sees victims of the war who need help right now, while Steve knows they have to complete the mission to save the greatest number of people. Steve expects Diana to learn how to follow the rules of his world. Diana is committed to her sacred duty and says so in one of the movie’s best lines: “What I do is not up to you.”

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ASYMMETRY

Let’s start with symmetry. From Dictionary.com:

noun, plural symmetries.
1. the correspondence in size, form, and arrangement of parts on opposite sides of a plane, line, or point; regularity of form or arrangement in terms of like, reciprocal, or corresponding parts.
2. the proper or due proportion of the parts of a body or whole to one another with regard to size and form; excellence of proportion.
3. beauty based on or characterized by such excellence of proportion.

Sounds good, right? Symmetry has its value, but in writing a good story, asymmetry can be even more useful. Find out why here:

How to Blow Your Own Mind in Just Five Minutes

These three techniques can help you make the most out of any story idea. Write with power!

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How to Keep Writing When Depression Strikes


by Lillian Csernica on June 6, 2017

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Yes, it’s that time again. Life’s daily stressors combined with two or three sudden unwelcome surprises have left me waging guerilla warfare against my own depression. This comes at a particularly bad time. I have writing opportunities to make use of, commitments to fulfill, as well as organizing the celebration of my younger son’s graduation from high school.

These things are very difficult to accomplish when it takes a massive effort of will just to drag myself out of bed every morning.

I am not alone. You are not alone. We are not alone in suffering the crippling effects of depression, whether temporary or chronic. In keeping with the Buddhist philosophy of “taking positive action for the good,” I offer this list of helpful ideas.

Why Writers Are Prone to Depression

Writing Your Way Out of Depression

Neurological Similarities Between Successful Writers and the Mentally Ill.

7 Ways to Help You Write When You’re Depressed.

The Writer and Depression (Chuck Wendig)

The important thing is to keep writing. Make lists. Brainstorm. Letters to your imaginary friends. Anything that keeps the pen moving. Suspend judgment and blow off the Internal Editor. Just write. One day at a time. Just write.

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What do you do when depression gets you down? What helps you keep the pen moving? I would love to hear your ideas and coping strategies. Let’s see how many answers come in before Friday, midnight. I will roll the appropriate die, the winner shall be chosen, and that winner will receive a free ebook copy of either The Writer’s Spellbook or The Fright Factory.

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About that Subtitle….


by Lillian Csernica on June 1, 2017

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Now that I’m home again after the big holiday weekend, I’ve been practicing some stress management by looking through the Amazon giveaways. I’m seeing a lot of books.

I’m also seeing a lot of subtitles. Long, cumbersome, unnecessary subtitles. Heaven knows we all want to win big in the SEO Sweepstakes. Trying to stuff a bunch of keywords into your title, subtitle, and series name is more likely to turn a reader off.

Here is an example of a rather lengthy subtitle:

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Mr. Duswalt might have chosen to say Surviving X Years Touring with Guns N’ Roses. One can assume he felt the marketability of the book would be enhanced by all those details.

Still, tl;dr can be an important factor.

A subtitle is a lot like a prologue. If your story needs one to help the reader figure out what’s happening, then there’s something wrong with your story. Much like an adverb props up a weak verb, a subtitle is propping up a weak title and/or cover art that really doesn’t sell the story’s genre.

Yes, you can have a subtitle if the book is one installment in an ongoing series or you have the same main character. Even so, keep it simple. Book 12 in the Marybelle O’Shaughnessy Cozy Culinary Criminal Capers with Cats is a little much!

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Reblog: 20 Inspiring Pinterest Boards for Writers


by Lillian Csernica on May 13, 2017

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Looking for inspiration? Technique? Some solidarity and comfort? Somewhere on this list you’ll find what you need, along with so much more. Enjoy!

 

Source: 20 Inspiring Pinterest Boards for Writers

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Reflection Post: A to Z Blog Challenge 2017


by Lillian Csernica on May 8, 2017

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Another April has come and gone. I had a blast this year! Plowing through over a thousand items of Art Nouveau jewelry, art, housewares, etc. brought me a great deal of pleasure and lots of new historical information.

Having survived the previous three A to Z Blog Challenges, I came up with a better strategy for participating this year.

I chose a theme that promised plenty of eye candy: Art Nouveau jewelry. That meant more graphics and less text, so the posts would contain the essential information of interest on each item shown.

I made sure I stayed a week ahead on writing the posts. That did wonders for taking the pressure off and helping me really enjoy writing my posts and visiting the blogs of other participants.

Responding to comments and following up on visits make up the core purpose of the Challenge. Some wonderful people turned up to see what I found for each  day’s letter. I regret that I did not manage to visit more participants this year. A business trip did kept me on the road for over a week, but I did manage to follow up with my “regulars.”

My favorite blogs include:

This Old Shelter

Favorite post: Psychoanalysis: (1940s Film Noir)

Sharon E. Cathcart

Favorite post: W is for Wooing

Diary of a Dublin Housewife

Favorite post: Oh Brother

The Doglady’s Den

Favorite post: Je Taime…Mon Non Plus

Outside Perception

Favorite post: All of them, really. As much as I love movies, I had a good time seeing which one OP chose for each letter.

I do have one request for the A to Z Blog Challenge team:

PLEASE BRING BACK THE LINKY LIST!

The list made it so much easier to see where I’d been and where I wanted to go in terms of visiting my fellow bloggers. The categorization codes were also a big help. When I wanted to try a new flavor, I could spot which blogs were new interests for me. If I wanted to hang out with new writing acquaintances, off I went.

Thank you again to the A to Z organizers. I love the Challenge!

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