Category Archives: steampunk

#atozblogchallenge L is for Location


by Lillian Csernica on April 13, 2019

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One of the key ideas in retail success is “Location, location, location.” Put your business in the right place, where the right customer base will find you, and you stand a much better chance of making a profit.

When writing stories, your setting is a vital element. I see a lot of stories with complex worldbuilding, but the setting is more like stage scenery or a rack of props. Where you locate your story, or which locations appear in your story, can be just as powerful a story element as plot or character.

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Consider some famous settings:

Mars — The Martian

A train — Murder on the Orient Express, Strangers on a Train

A bus — Speed

A deserted islandRobinson Crusoe, Lord of the Flies

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These settings have crucial aspects in common:

  • The physical location is very limiting, requiring quick thinking and immediate adaptation.
  • The main character is trapped in that setting. There is no easy way out.
  • The stakes are life or death.

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When I write historical fiction, location encompasses not just the physical setting but the time period as well:

Fallen Idol starts out in a mall food court, an ordinary, modern, nonthreatening setting. The main character, a photographer, notices a girl with elaborate and dramatic makeup. The rest of her skin is completely covered up by layers of clothing. The photographer follows this girl to a creepy abandoned factory, full of strange foreign folk art, where the rest of the story, rooted in a famous historical conflict, takes place.

Saving Grace is set in a chateau on a pilgrimage route in 14th Century France. The main character fled Russia during the Tatar invasion. She is a vampire. That makes daily living hard enough. She is also a member of the Russian Orthodox Church. At this time most of the Western world was controlled by the Pope of Rome. That puts my heroine in constant danger of arrest as a heretic and schismatic. That meant being burned at the stake.

The Kyoto Steampunk stories take place in Kyoto 1880. Dropping a Victorian physician into an Oriental environment where he can’t speak the language and knows nothing about the social protocol makes every problem I give him twice as difficult.

Make the most of your fictional location. It can make a huge difference!

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I is for Instinct


by Lillian Csernica on April 10, 2019

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Today let’s talk about our creative instincts.

A lot of the creative process takes place on the intuitive level. I sit there in the creative trance, groping for the right word, waiting for my mind to zoom through all the possibilities until the word that feels right arrives. That one I grab and write down. There are times when I have to go look something up, especially if I want the foreign language equivalent of that right word.

Sometimes we come to a fork in the road. Which project do I pursue now? There are several business factors that will influence that decision such as contractual obligations, marketing, and agent advice. Many times it will all boil down to that intuitive push.

I once stood at that creative crossroads, torn between a medieval romance and a contemporary romantic suspense. I chose the latter, which prompted me to track down a martial arts star purely for the purpose of finding out where to get some of his promotional photos. (I like to work from photos of real people who resemble my heroes and heroines.) That led to a phone conversation that resulted in two screenplays.

It’s essential to feed the mind a strong and varied diet. If you’re going to have a compost heap in your imagination, you have to build it up, aerate it, turn it over, and let the natural processes achieve the decomposition. Only then will you get the transformed substance that will help you grow those prize roses or melons.

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My latest short story release is The Badger Epidemic in Next Stop on the #13. The key elements in the story are badgers, cholera, and steam trains. What could badgers and cholera have in common that could possibly bring them together in the context of Japan’s Industrial Revolution? Steam trains and telegraph lines.

Because I read so much, because I feed my mind so much history and folklore and strange news items, all of those ideas came together in a single short story.
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#atozchallenge E is for Experience


by Lillian Csernica on April 5, 2019

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One of the first rules of writing is “Write what you know.” Draw on your life experiences to bring fresh, original detail to your stories. I agree with this. I also believe it’s very important to write about what we don’t know. I am not Japanese. I was not born into the Japanese cultural matrix. That means in order to write about Japan, I have had to do a whole lot of research as well as visiting both Yokohama and Kyoto.

As writers we are often painfully aware of how much we don’t know. This can cause a problem referred to as a “poverty mentality.” Most often this term is associated with how we think about money and finance. I first heard the term used by Natalie Goldberg in Writing Down the Bones:

“People often begin writing from a poverty mentality. They are empty and they run to teachers and classes to learn about writing. We learn writing by doing it. That simple. We don’t learn by going outside ourselves to authorities we think know about it… Stay with your original mind and write from it.”(p30-31)

Sit down and make a list of all the experiences you’ve had that you like to talk about. Then list the ones you never talk about. And the ones you refuse to talk about. Don’t worry, nobody will see these lists but you. Just list the experiences in one or two sentences. You’re taking inventory to see what you have to work with. Here’s my list:

  • When I was nine years old, I came face to face with an armed robber in a sewer.
  • I helped some Greek Orthodox nuns go shopping for glasses at a mall in Fresno.
  • I took a battery-powered submarine ride around the coral reefs off Lahaina on Maui.
  • I once died in a car accident. I recovered, but I remember being dead.
  • At a steampunk convention, two identical twin female world class kendo masters taught me how to use a naginata.
  • I worked as a belly dancer from age 16 to age 18. Jobs included Father’s Day at a retirement home where only the men got to see my teacher and the rest of us.
  • When I was 18, I lived in Holland for two months one summer. I met a Dutch soldier at the disco one night. He walked me to the train station. Our goodnight kiss made me miss the last train.
  • I answer letters written to Santa Claus that come to the local post offices.
  • I’ve been through a Japanese haunted house. Much weirder than Western haunted houses.
  • I won a bottle of champagne in a storytelling contest after hours at the Northern Ren Faire.

Part of this is choosing the unusual experiences. Part of this is knowing how to make an experience unusual by the way you write about it. My friends know I have a talent for getting myself into strange circumstances.

Write the stories only you can tell. You will bring fresh wonder to the world!

"My creative writing professor suggested that I write about what I know...from my own experience!"

 

 

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#atozblogchallege A is for Angle


by Lillian Csernica on April 1, 2019

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Welcome to my sixth year of participation in the A to Z Blog Challenge!

How I Learned To Be A Writer

This year I’m going to share with you 26 separate moments from my writing life, moments that taught me something worth remembering. Moments that helped shape my writing style. Moments that taught me how to endure the bad days and celebrate the triumphs.

A is for Angle

 

“Angle” is a term used by journalists when referring to the focus of the article they’re writing. It means which aspect of the subject matter they intend to emphasize as a means of making the article more relevant and interesting to the readers.

The concept of angle is quite useful to fiction writers. As the indie publishing market has exploded and competition for readership continues to increase, it’s becoming more and more essential to find a fresh approach, some new aspect of the stories we want to tell.

In my Kyoto Steampunk series, I chose to leave Victorian England behind and take my protagonist Dr. William Harrington to Kyoto, Japan. Once the Shogunate fell and the Meiji Emperor opened Japan to the West, Japan experienced its own Industrial Revolution, making it an excellent setting for steampunk stories.

Dr. Harrington’s adventures are a mixture of historical science fiction and Japanese fantasy. When I go to conventions to promote the anthologies where my Kyoto Steampunk stories appear, people are often surprised to hear I’ve chosen Japan for my setting. This fresh angle has resulted in a total of seven short stories so far, along with the novel that is my current work in progress.

Find that fresh angle! It will help you on your road to success.

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A to Z Blog Challenge 2019 Theme Reveal!


by Lillian Csernica on March 21, 2019

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Hi there. Yes, I’m a trifle behind schedule on this. Tomorrow I run off to Clockwork Alchemy for the weekend. Con prep is such an adventure!

 

How I Learned To Be A Writer

This year I’m going to share with you 26 separate moments from my writing life, moments that taught me something worth remembering. Moments that helped shape my writing style. Moments that taught me how to endure the bad days and celebrate the triumphs.

Being a writer is not just about mastering the techniques of fiction. Nobody understands writers the way other writers do. That’s because you have to live inside a creative mind that constantly notices odd details and can’t stop thinking about certain exciting problems. Writers are not like everybody else.

Join me and take a look at a level of living that goes so much farther than just “behind the scenes.” You’ll get a glimpse into my creative process. More than that, you might help me figure out some of the mysteries about how my mind works!

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Clockwork Alchemy 2019


by Lillian Csernica on March 13, 2019

 

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Yes, it’s time once again for top hats and goggles, airships and submarines, international intrigue and more! Join me and the rest of my multi-talented colleagues as we celebrate all things steampunk!

Here’s where you can find me on each day of the con. I do hope you will stop by and say hello. It’s always a pleasure to hear what people think of Dr. Harrington’s adventures in Kyoto.

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Friday, March 22

1 p.m. in the  Harbour Room

DIALOGUE IN HISTORICAL FICTION: Nuts and bolts technique for layering characterization into dialogue.

Saturday, March 23

11 a.m. in the Sandpebble Room

MAGIC IN STEAMPUNK: Practical tips for working magic into a storyline where period technology is the hallmark of the genre.
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Sunday, March 24

1 p.m. in Authors’ Alley

Stop by my table and pick up your copy of Next Stop On The #13, which includes The Badger Epidemic. Dr. Harrington is forced to take a train to Osaka, where a cholera epidemic is killing the railway workers. Something is waiting for him en route that could prove even more dangerous than cholera itself!

See you there!

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An All-New Kyoto Steampunk Story!


by Lillian Csernica on January 25, 2019

I am delighted to announce the release of Next Stop on the #13, the fourth steampunk anthology featuring stories by the authors of Clockwork Alchemy.

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In The Badger Epidemic, Dr. Harrington is forced to ride a train bound for Osaka through a region afflicted by a cholera epidemic. The Japanese workers needed for building the railways and telegraph lines believe the cholera is spread by the new technology from the West. The British officials insist Dr. Harrington ride the train and prove the superstition is nonsense.

What awaits Dr. Harrington out in the darkness on those lonely train tracks is a danger even greater than the threat of cholera itself.

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Join us for Clockwork Alchemy 2019. Get your copy of Next Stop on the #13 and have it autographed by the authors of each story, including the master of alternate history, Harry Turtledove!

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How To Edit My NaNoWriMo Roughdraft?


by Lillian Csernica on January 16, 2019

2069836It’s time to clean up the NaNoWriMo novel. I have several intense scenes, some good action, and two or three potential plotlines. How do I clean this up? Where do I start?

First, I have to finish typing in all the handwritten material created during my coffeehouse marathons. That allows me a certain amount of editing, but mostly I just want to get all of the manuscript on disk. It’s comforting, really. I hadn’t realized just how much I did write and from so many different characters’ points of view.

Second, I need to figure out who the hero of my story is. Since this is meant to be a Kyoto Steampunk novel, the obvious choice would be Dr. William Harrington, main character of all but two of the seven short stories in the series. Who changes the most over the course of the story? Is it Dr. Harrington, or is it his daughter Madelaine?

(Yes, I did say seven. The latest Kyoto Steampunk short story, The Badger Epidemic, will appear in Next Stop on the #13, available at Clockwork Alchemy 2019!)

page_1_thumb_largeAt the Night of Writing Dangerously, we all received tote bags which included a copy of Save The Cat! Writes A Novel by Jessica Brody. This book is God’s gift to the novel writer, thanks to Ms. Brody’s skill at breaking down and explaining in detail the fifteen story beats that are essential to a strong, successful story. Given what Ms. Brody demonstrates, I know I face crucial questions in sifting through my roughdraft to find the moments that match some or all of those fifteen story beats.

Having done a bit of flailing around while I did my best to achieve my daily word quota, I’ve written a lot of material that could take the story in at least half a dozen directions. Lining up the scenes I’ve written in something approximating chronological order should point the way toward further complications and rising action. While I often work from plot outlines, this time I’ve been extrapolating from the events occurring in the Kyoto steampunk short stories. The consequences of some of those events are now catching up with Dr. Harrington, Madelaine, Constance, and Nurse Danforth.

The novel length has allowed me to introduce new characters, three human and three non-human. The humans are members of the British expatriate society in Kyoto, all of whom have some degree of power to affect the course of Dr. Harrington’s stay. Of the three non-human characters, two are earthly gods while the third is a monster of uncertain provenance. There are few things I enjoy more than squeezing poor Dr. Harrington between the pressures of Victorian social etiquette and the unfamiliar rules that govern the gods and monsters of Japan.

Third? I don’t know what will happen next. I’m just as excited to find out as I hope my readers will be!

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New Year, New Releases!


by Lillian Csernica on January 2 2019

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Happy New Year!

 

Two of my stories have found new homes which are now available.

In The Power Behind The Throne, Ti Song, Celestial Lady, First Daughter of the Emperor, longs for more than tea, embroidery, and a secluded life. When she discovers the secret of her brother’s success in battle, she knows it’s the key to her freedom.

 

 

 

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The Wheel of Misfortune has suddenly appeared on the streets of Kyoto, chasing Dr. William Harrington with lethal intent. With the help of the Abbot of Kiyomizudera, Dr. Harrington must go back to the early days of his career as a physician and right a wrong that has haunted him for ten long years.

 

Best wishes for 2019. May it bring us all much happiness and success!

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Nevertheless, I Persisted


by Lillian Csernica on December 3, 2018

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Hi there. I’ve tried at least twice to write blog posts since last we met. Got interrupted, fell asleep, had family crises. Never a dull moment.

People who aren’t all that familiar with writing think it’s a great job you can do at home whenever you feel like it. For those of us who are regular, habitual writers, it’s often like that one nightmare where no matter how hard you run, you can never quite reach the thing you’re after. We struggle to find or make the time to write. Then we struggle to produce our desired word count. We sit there second-guessing ourselves, and that’s before the actual editing process starts. Then we rinse and repeat, pretty much every single day.

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NaNoWriMo — Yes, I participated this year. What’s more, I am now the Municipal Liaison for the Santa Cruz County Region, along with a nice woman who handles the UCSC campus which is a city unto itself. This meant I hosted the Kick Off Party, I was there for the Tuesday night write-ins at the library, and I organized the final celebration. Details below. Did I win? Yes I did. 50, 141 words written mostly by hand in my notebook at my favorite Peet’s. So now there is indeed a novel in the Kyoto Steampunk universe.

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Training two new aides for Michael — We have been fortunate enough to hire a second RN and two new aides for Michael. Now that he’s out of school, he needs people to help him fill his day. There are no day programs available to accommodate someone as medically fragile as he is. Michael is a grown man now, and my joints aren’t getting any younger. I am deeply grateful for all the assistance we receive.

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Mom in the hospital, then heart surgery — My mother has been in the hospital for weeks now. She has Stage 4 kidney failure. Home dialysis never did go right. The MDs switched her to hemodialysis after the whole ER panic in August. Unfortunately, MRSA is a tenacious affliction. In the course of treating that, the cardiologist discovered Mom had a weak mitral valve in her heart. This led to a twelve hour surgery to replace the valve. Mom is about to turn 82 come January. I have no words to describe how frightened and stressed out I’ve been during all this. Mom is improving, but it’s at an incremental pace.

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The Night Of Writing Dangerously — The big NaNoWriMo fundraiser. Thanks to the generous donations of my writer friends, I raised the required amount to attend NOWD. What a blast. I drove to San Francisco, found my $12 parking space (thank you, SpotHero!), and made it to the Julia Morgan Ballroom on time. The next eight hours were full of writing and food and jokes and prizes and meeting other writers. I needed a great night out and this was definitely it.

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Thanksgiving — With Mom in the hospital, this was a bittersweet event. She wasn’t at her usual seat at the table. She didn’t make us all wait while she took photos of the food sitting there on the table getting cold. She didn’t make us pose and then sit there until our smiles wilted, resulting in the usual expressions of mild sedation. Those habits might annoy me, but they’re still part of our family tradition, dysfunctional though it may be. We did have a great dinner, cooked by my husband. And I am very thankful Mom is still with us.

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John’s cake looked better.

John’s birthday — Given that we were running back and forth to the hospital and taking care of Michael (fewer caregivers on the weekend, especially major holidays), we stretched John’s birthday out from Friday through Sunday. Chris took him to Dave & Buster’s on Friday. I took him to see Fantastic Beasts: The Crimes of Grindelwald on Saturday along with various other fun stops. On Sunday we had his party with his custom made birthday cake and a pile of presents. My baby is now 20 years old. Next year, Chris plans to take John to Las Vegas.

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The Thank God It’s Over party (NaNoWriMo) — Once again I dressed up and headed out with my bag of NaNoWriMo swag and the prizes for the Bingo sheets we all filled out and various other little mementoes of the month’s adventures. Woodstock Pizza in Santa Cruz is great. The heaters out on the patio kept us cozy while we ate and drank and read from our novels and made the people sitting nearby wonder who all these crazy people were. NaNoWriMo is my happy place in the midst of all the stress I live with daily.

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Mercury might be in retrograde right now, but we did it. Every single one of us who did our best during NaNoWriMo is a winner. I’m exhausted, and I’m still worried, of course, but life is good.

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Coming up next: It’s time to answer this year’s letters to Santa Claus! I already have eight waiting for me!
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