Category Archives: steampunk

#nanoprep Why Writing Buddies Are So Important


by Lillian Csernica on September 25, 2019

 

Writing is lonely work. We sit there and spend a big chunk of time with no company other than our imaginary friends. National Novel Writing Month is 30 solid days of writing, roughly 7 pages a day, all the way to 200 pages or 50,000 words.

That’s a long haul, even longer when you’re all by yourself.

I have written four novels during my years participating in NaNoWriMo. Believe me when I tell you more than once my Writing Buddies were the reason I made it all the way to the daily quota. I know how hard this is. Nobody understands a writer as well as other writers do.

On the NaNoWriMo site you can have official Writing Buddies. This is a great way to make new friends, meet new writers, and expand your network or, if you prefer, your tribe. It’s a wonderful feeling to log on, update my word total and seeing messages from my Writing Buddies in my NaNo mail. I cheer them on, they cheer me on, and we all race together toward the finish line.

A key element of #nanoprep is finding yourself some Writing Buddies. Here’s why:

Accountability — Stern word, right? It’s been proven that we will work harder to live up to other people’s expectations than we will just for our own good. When I know my Writing Buddies are waiting to see me post my daily word count, I can push past the excuses and avoidance behavior and the other self-defeating behaviors. That’s because having Writing Buddies creates a strong sense of community.

Comfort — Knowing that we are not alone does a lot to improve morale and keep us going in stressful circumstances. During NaNoWriMo I encourage the participants in my region to remember we’re all here to lift each other up and keep our writing spirits strong. During NaNoWriMo we strive to achieve our own goals, challenging ourselves to stretch a little bit farther each day.

Feedback — Comments from our fellow writers don’t have to come in the form of a critique. Some days we might get stuck. Other days we might get overrun by a herd of plot bunnies. In the forums on the NaNoWriMo site, writers of like mind and similar genres can look for the help they need. We can reach out to our Writing Buddies for comments and support.

Play — Writing 50,000 words in just 30 days sounds like hard work. It most certainly is. It can also be a whole lot of fun. Go to the Kick-Off Party. Go to the write-ins. Go to the Thank God It’s Over Party. Being part of an online community is great. Meeting fellow writers brought together by the courage to take on NaNoWriMo is even better. The joy of shared laughter will do a lot to recharge your writing batteries.

When all else fails, remember, caffeine is always there for you.

 

 

 

 

 

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Filed under creativity, fantasy, Fiction, Goals, historical fiction, romance, science fiction, steampunk, worry, Writing

#nanoprep How to Choose Your Project


by Lillian Csernica on September 11, 2019

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I am one of two Municipal Liaisons for my region, which is Santa Cruz County in California. In the spirit of helping this year’s participants, both the new folks and those returning, allow me to offer some ideas based on how I get ready for the mad dash from one end of NaNoWriMo to the other.

National Novel Writing Month is all about writing 50,000 words in 30 days. That’s 200 pages. 1667 words each day. Half a novel. A full roughdraft, maybe. Whatever you want to write, in whatever way you want to write it. Everybody’s creative process is unique. Feel free to do whatever gets you to the 50k mark by November 30.

Last year I wrote Silk & Steam, the first novel in my Kyoto Steampunk universe. It took me some time after the end of NaNoWriMo to come up with an ending that was really strong. Now I’m rewriting to make the whole manuscript live up to that ending. I want that novel to be the only novel in my head right now, so for this year’s writing project, I need to go in a different direction.

For the 20th Anniversary of NaNoWriMo, I plan to write short stories. Six short stories, 1700 words each. That’s more than a story a week, so this is going to be a real challenge. My best time up to now has been  total of three weeks for writing a short story start to finish with editing and polishing. During NaNoWriMo I’m going for six complete first drafts. This means I have to do a lot of planning before November 1.

Where do I start my planning for six brand new short stories?

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I start with the monsters. The yokai, which more accurately translates as “bewitching apparition,” are the supernatural creatures of Japanese folklore. Each of the seven stories in the Kyoto Steampunk series features a particular yokai. So I need six new yokai, and I’m thinking about a location where Dr. Harrington and his family would be likely to find all six.

I already have subplots in motion given the seven other stories already published. A quick list of where all of my main characters are at the end of the novel provides a starting point for each of them. At the moment I’m considering the possibility of writing each story from a different character’s viewpoint. If I create one basic story and then provide each character’s personal stakes in those events, I might be able to create quite a mosaic that brings the world of Kyoto Steampunk to life.

And so the new stories begin to grow!

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Is there such a thing as too much preparation? The answer to that depends on whether you’re a planner, a pantser, or somewhere in between. I identify as a plantser. I need a certain amount of planning to get the shape of the story. Then I set the timer and throw myself into the scene. On the days when the words won’t come out easily, a word sprint is your best friend.

What do you do to get ready? How do you decide what project you want to work on? I’d be delighted to hear about your process. We’re all here to help each other through the 30 day marathon that is NaNoWriMo.

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How Do You #nanoprep?


by Lillian Csernica on Wednesday, September 4, 2019

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November is coming. That means National Novel Writing Month, or NaNoWriMo!

This year is the 20th anniversary of NaNoWriMo. Twenty years of hot ideas, hard work, and tanker trucks full of coffee! If you’ve always wanted to try your hand at writing a novel, or you really need group support to get you through that first draft, then NaNoWriMo is waiting for you.

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“Where do I start?” That is the question I hear most often from people who really want to write but don’t know what to do first. The answer is simple: Find what gets you most excited about your project. Is it the main character? Is it the dialogue? Is it the glorious victory of the Good Guys stomping the Bad Guys into the dirt? Whatever gets you all fired up, that’s the key to Writing Every Single Day.

Here’s how I do my #nanoprep:

Pick an idea. For me this means choosing a genre, a time period, and the major location.

  •  Write down a bunch of details about my main character.
  • Do the same for my villain.
  • Brainstorm a rough plot outline.
  • Keep making notes as the ideas start crossbreeding with every new detail I imagine. I try to keep organized from the very beginning. Index cards, Scrivener, a spiral notebook, whatever works. The important thing is to get all those details recorded hot and fresh without thinking too much.

If you’re starting from scratch with a new idea, you need to create a lot of the basic information about plot, character, and setting. I liken this part of the writing process to the way a sculptor begins a new piece. First you have to get your hands on some clay, right? Once you have the clay, then you can start shaping it into a story. Brainstorming all those details is how writers create the clay from which we shape our stories.

If you’re starting with a work-in-progress, that’s great! You’re already ahead of the game. I suggest you come up with a specific goal you want to achieve during NaNoWriMo. Some examples:

  • Finish your draft
  • Flesh out the relationship(s) between the main character and the sidekick, the love interest, the mentor, or the villain. Depending on the type of story you’re after, you can have the main character working on a better understanding of that person’s own mind and motivations. Do be careful to dramatize what happens. Pages of interior monologue are fine when you’re working out the details of an idea. Too much of that can kill your pace and leave your reader hungry for real action.
  • Familiarize yourself with your setting and test the dramatic possibilities of some key locations. If you’re using a well-known setting such as Paris or London, make sure you get the details right.

Remember, no first draft comes out letter perfect. The first draft is where you get to play around, chase ideas up blind allies, start a character off with one motivation and see where that takes you. This is where you get to find out which ideas fit together and which ones tend to muddle up the story.

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Give yourself permission to write badly at first. That doesn’t mean your writing will be bad. It just means you take the pressure off of yourself so you can just enjoy the act of writing. All that really matters during NaNoWriMo is that you WRITE. Just do it. Just get the daily word quota out of your head and onto the paper, screen, bedroom wall, whatever. Just WRITE.

Watch for more tips on getting ready for National Novel Writing Month!

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Doin’ the BayCon Boogie!


by Lillian Csernica on June 8, 2019

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It’s taken me more time than usual to recover from the wonders of BayCon. This year’s amazing spectacle had so much going on I wanted to be in at least two different places in every time slot. Here are the highlights of one of the better con weekends I’ve enjoyed.

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How diverse is diversity?

Gregg Castro (Salinan T’rowt’raahl) (M), Dr. yvonne white (Hayward High School), Lillian Csernica (Sense of Wonder Press), Jean Battiato

I added another layer to the definition of diversity by speaking for those who have disabilities, whether physical or psychological. While some physical disabilities are obvious and others are not, most psychological problems are not immediately apparent. Thanks to the expanding realm of neurodiversity, more and more people are aware of the prevalence of autism, of clinical depression, of chronic pain, and other conditions that create daily challenges on several levels.

Teen Guided-Storytelling Workshop

Host: Margaret McGaffey-Fisk

John wanted to attend this event. He’s been drawing for years and has taken at least two ceramics classes in school. Now he’s interested in learning how to tell a good story to go along with his illustrations and sculptures. Margaret did a wonderful job of explaining the techniques of oral storytelling. There was a young lady present as well. Margaret encouraged both John and this young lady to use their own original characters as part of practicing the techniques she discussed. I am delighted to say I learned quite a lot also! Margaret’s techniques came in very handy for the Spontaneous Storytelling panel on Sunday.

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Altered Beast

Werewolves and other shapeshifters in mythology and literature.

Kevin Andrew Murphy (M), Lillian Csernica (Sense of Wonder Press), Pat MacEwen

I have written and published three stories with Kevin and one  (so far) with Pat. We all have extensive libraries on folklore and shapeshifters, so we took the audience on a round-the-world tour of the beliefs and manifestations of the “werewolf” tradition.When we three are together, you will hear some of the weirdest facts and fancies you could imagine!

Spontaneous Storytelling

Panelists developing a story developed by multiple choice suggestions from audience members.

Jeff Warwick (M), David Brin, Lillian Csernica (Sense of Wonder Press), Mark Gelineau (Gelineau and King)

Jeff is brilliant. Get somebody who was in the audience for this panel to tell you about the illustrations he drew while the story evolved, most notably The Harmonicat. This critter has now entered into the annals of A Shot Rang Out folklore right up there with Darth Tetra. I found a way for our protagonist to speak Japanese to the cat. David Brin picked right up on that and easily blew my tourist doors off with his accent and much better grammar. Mark Gelineau caught some of the stranger audience suggestions and turned them to his advantage. A good time was had by all!

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The Ink That Rushes From Your Heart

Dorothy Parker wrote “Never never dip your quill/In ink that rushes from your heart.” Being willing to do exactly that is what will bring the deepest meaning to our writing. How do we bring ourselves to be that honest and vulnerable in our stories?

Lillian Csernica (Sense of Wonder Press) (M), Jay Hartlove (JayWrites Productions), Ms. Maya Kaathryn Bohnhoff (Book View Café)

It’s not easy to talk about one’s creative process, but the three of us gave it a solid try. Jay described how the combination of his acting training and his directing skills help him render authentic emotion on the page. Maya gave us some very personal insights into how she transforms personal pain into dynamic action in her stories. Me? I keep digging deeper and deeper into the hearts of my characters to find the pain that drives them onward, that won’t let them sleep, that gives them strength in the face of crushing opposition. Pain is supposed to be Nature’s way of telling us to stop doing something. For writers, it’s what keeps us writing.

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BayCon 2019 Panel Schedule


by Lillian Csernica on May 22, 2019

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It’s that time of year again! As Memorial Day Weekend approaches, I’m packing up my copies of my latest anthology appearances, my panel notes, and my younger son with an eye to having a wonderful time at this year’s BayCon!

Here’s a list of my panel appearances. Hope to see you there!

Keeping our children involved.

25 May 2019, Saturday 10:00 – 11:30, Connect 3 (San Mateo Marriott)

How do we ENHANCE their education?

Dr. Wanda Kurtcu (Retired Educator) (M), Lillian Csernica (Sense of Wonder Press), Juliette Wade, Sarah Williams (Merrie Pryanksters)

 

How diverse is diversity?

25 May 2019, Saturday 14:30 – 16:00, Synergy 4 (San Mateo Marriott)

As recent events show, this is still a needed discussion. What does diversity and equity look like? How can groups, organizations and communites promote “diversity”, especially when they are not organically positioned to be diverse? What things can be done to attract a more diverse community in whatever you do? (G. Castro)

Gregg Castro (Salinan T’rowt’raahl) (M), Dr. yvonne white (Hayward High School), Lillian Csernica (Sense of Wonder Press), Jean Battiato

 

Why do writers kill characters?

25 May 2019, Saturday 16:00 – 17:30, Connect 5 (San Mateo Marriott)

Does it matter if it’s a main character or a secondary, supporting character?

Fred Wiehe (M), Ms. Jennifer L. Carson (Freelance), Rebecca Inch-Partridge, Lillian Csernica (Sense of Wonder Press)

 

Altered Beast

26 May 2019, Sunday 10:00 – 11:30, Synergy 4 (San Mateo Marriott)

Werewolves and other shapeshifters in mythology and literature

Kevin Andrew Murphy (M), Lillian Csernica (Sense of Wonder Press), Pat MacEwen

 

Spontaneous Story

26 May 2019, Sunday 11:30 – 13:00, Connect 3 (San Mateo Marriott)

Panelists developing a story developed by multiple choice suggestions from audience members.

Jeff Warwick (M), David Brin, Lillian Csernica (Sense of Wonder Press), Mark Gelineau (Gelineau and King), Mrs. Sandra Saidak (Silicon Valley Authors)

 

The Ink That Rushes From Your Heart

27 May 2019, Monday 10:00 – 11:30, Engage (San Mateo Marriott)

Dorothy Parker wrote “Never never dip your quill/In ink that rushes from your heart.” Being willing to do exactly that is what will bring the deepest meaning to our writing. How do we bring ourselves to be that honest and vulnerable in our stories?

Lillian Csernica (Sense of Wonder Press) (M), Jay Hartlove (JayWrites Productions), Ms. Maya Kaathryn Bohnhoff (Book View Cafe)

 

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#atozchallenge Reflections


by Lillian Csernica on May 6, 2019

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Greetings! After all the labors of April, we have come to the post-game analysis. I’m going with the official suggested list of questions because they’re mighty fine for providing insights.

  1. What did you love about the challenge this year? I had a good time drawing on the less familiar moments of my writing life. I’ve been a lot of places and I’ve done a lot of things. Finding a subject for each day’s letter made me sift through all that for material that was both entertaining and edifying.
  2. What would you change about it? Maybe plan a brainstorming event a month ahead that would get me off the starting block with my posts. That way I could stay a week or so ahead and not fall into the last minute pressure cooker.
  3. What was the best moment for you during this year’s challenge? When it was time to write something for the letter U, I got stuck. I looked up words, pondered angles, and started to overthink the post. Then I realized I could write about one of my greatest sources of inspiration: my mother. That’s when I decided to tell the story of the best Halloween costume Mom ever created, starring her Utility Belt.
  4. What is the best comment your blog got during the challenge, and who left the comment? “Vintage also comes with a connotation of good, as in the good old days, not the parts nobody wants to remember or return to. In wines, it refers to aging in carefully controlled conditions so as to add both character and subtlety to the final product.” — Pat MacEwen, in response to V is for Vintage
  5. Will you do the challenge again? Can’t wait! Every year is an adventure. My previous themes have included Chocolate, Bad Sword & Sorcery Movies, Art Nouveau jewelry, and my Kyoto Steampunk universe!
  6. Was it well organized and were the hosts helpful? (Did you fill out the after survey?) Yes indeed! A particular shout-out to J Lenni Dorner.
  7. How did you and your blog grow, change, or improve as a result of this challenge? In opening up my own mind to areas of my life I don’t normally mention in my blog posts, I think I’ve given myself permission to write with a deeper level of meaning. Both the positive experiences and the negative ones provide useful perspective.  Did you find new blogs out there to enjoy? Yes I did! 
  8. Were you on the Master List? (If you did the challenge last year, was it better this time without the daily lists?) I was on the Master List, yes. The daily lists are helpful to me. Last year I’d go to the Facebook page and browse the links. That made it easier for me to roam around. I regret not getting as much roaming time in this year.
  9. Any suggestions for our future? Keep up the good work! This is easily one of the highlights of my blog year.
  10. Any notes to the co-host team? A word of thanks to Jeremy for all his hard work on the graphics? A thousand thank-yous to all the folks who make the A to Z Blog Challenge happen. I’ve made some great online friends by participating and I’ve discovered some brilliant people.

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But Wait! There’s More!


by Lillian Csernica on May 3, 2019

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Hi there. I had to take a small break from blogging to keep up with some other writing commitments. An article for SEARCH Magazine, the latest critiques for my writers group, and a vigorous session at the coffeehouse with my personal journal. If I don’t write in the personal journal with reasonable frequency, internal pressures build up and I get way too stressed out.

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Those of you who are in my general age range will recall those commercials that came on late at night during the really bad horror movies that showed on Channel 13 (I grew up in Southern California). The fast-talking salesman doing the voice-over would tell you all about the wonders of the chef’s knives for one low, low price.

But wait! There’s more!

The voice-over would throw in some amazing device that could peel carrots, slice spuds into French fries, and turn those radishes into roses. All for another rock bottom price!

But wait! There’s more!

Now and then you’d get the third tier offer which usually had to do with jewelry, sterling silver or 18k gold. You just dipped the item into the secret polish and out it came gleaming like the prize treasure from a dragon’s hoard.

I have completed the April 2019 A to Z Blog Challenge. So here I am looking for a May Blog Challenge. Any suggestions?

I could go with an official challenge, or I could devote this month to a subject that you wonderful people would like to see me discuss. I can cover anything in the subject areas I’m known for, or you can send me off on a new adventure.

What new & improved thrills would you like to see me provide here?

You are some mighty clever people. Can’t wait to see what you throw at me!

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innovateuk.blog.gov.uk

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#atozchallenge T is for Talisman


by Lillian Csernica on April 23, 2019

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Most writers I know keep meaningful items on their desks, keepsakes associated with inspiration, good luck, or some method of coaxing the Muse into delivering the day’s word quota. While these may not be talismans in the classic sense of rings or pendants of precious stone inscribed with mystic words, these keepsakes are talismanic in that they stir up our imaginations in positive and productive ways.

My most treasured talismans include:

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The inkwell given to me at my first book signing by the owner of the store.

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The Mixy Award given to me by Steve Mix at BayCon 2015.

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The enamel pin showing the main building of the Imperial Palace in Kyoto which I bought from the gift shop when I visited the palace.

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A note sent to me by the parents of a little girl whose letter to Santa Claus I answered, thanking me for keeping their daughter’s “dream and belief” alive.

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The clay pendant bearing my name in cuneiform made for me by a dealer at WorldCon 75 in Finland, brought all the way home to me by my best friend, Patricia H. MacEwen. I would show you the pendant itself, but I’m fine-tuning my wire wrap jewelry skills so I can wear the piece at BayCon next month!

 

 

 

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#atozblogchallenge L is for Location


by Lillian Csernica on April 13, 2019

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One of the key ideas in retail success is “Location, location, location.” Put your business in the right place, where the right customer base will find you, and you stand a much better chance of making a profit.

When writing stories, your setting is a vital element. I see a lot of stories with complex worldbuilding, but the setting is more like stage scenery or a rack of props. Where you locate your story, or which locations appear in your story, can be just as powerful a story element as plot or character.

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Consider some famous settings:

Mars — The Martian

A train — Murder on the Orient Express, Strangers on a Train

A bus — Speed

A deserted islandRobinson Crusoe, Lord of the Flies

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These settings have crucial aspects in common:

  • The physical location is very limiting, requiring quick thinking and immediate adaptation.
  • The main character is trapped in that setting. There is no easy way out.
  • The stakes are life or death.

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When I write historical fiction, location encompasses not just the physical setting but the time period as well:

Fallen Idol starts out in a mall food court, an ordinary, modern, nonthreatening setting. The main character, a photographer, notices a girl with elaborate and dramatic makeup. The rest of her skin is completely covered up by layers of clothing. The photographer follows this girl to a creepy abandoned factory, full of strange foreign folk art, where the rest of the story, rooted in a famous historical conflict, takes place.

Saving Grace is set in a chateau on a pilgrimage route in 14th Century France. The main character fled Russia during the Tatar invasion. She is a vampire. That makes daily living hard enough. She is also a member of the Russian Orthodox Church. At this time most of the Western world was controlled by the Pope of Rome. That puts my heroine in constant danger of arrest as a heretic and schismatic. That meant being burned at the stake.

The Kyoto Steampunk stories take place in Kyoto 1880. Dropping a Victorian physician into an Oriental environment where he can’t speak the language and knows nothing about the social protocol makes every problem I give him twice as difficult.

Make the most of your fictional location. It can make a huge difference!

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I is for Instinct


by Lillian Csernica on April 10, 2019

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Today let’s talk about our creative instincts.

A lot of the creative process takes place on the intuitive level. I sit there in the creative trance, groping for the right word, waiting for my mind to zoom through all the possibilities until the word that feels right arrives. That one I grab and write down. There are times when I have to go look something up, especially if I want the foreign language equivalent of that right word.

Sometimes we come to a fork in the road. Which project do I pursue now? There are several business factors that will influence that decision such as contractual obligations, marketing, and agent advice. Many times it will all boil down to that intuitive push.

I once stood at that creative crossroads, torn between a medieval romance and a contemporary romantic suspense. I chose the latter, which prompted me to track down a martial arts star purely for the purpose of finding out where to get some of his promotional photos. (I like to work from photos of real people who resemble my heroes and heroines.) That led to a phone conversation that resulted in two screenplays.

It’s essential to feed the mind a strong and varied diet. If you’re going to have a compost heap in your imagination, you have to build it up, aerate it, turn it over, and let the natural processes achieve the decomposition. Only then will you get the transformed substance that will help you grow those prize roses or melons.

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My latest short story release is The Badger Epidemic in Next Stop on the #13. The key elements in the story are badgers, cholera, and steam trains. What could badgers and cholera have in common that could possibly bring them together in the context of Japan’s Industrial Revolution? Steam trains and telegraph lines.

Because I read so much, because I feed my mind so much history and folklore and strange news items, all of those ideas came together in a single short story.
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