BayCon 2022 Panel Schedule

by Lillian Csernica on June 15, 2022

I am delighted to announce that I will be appearing in person at BayCon 2022! It’s been a long three years. I can’t wait to participate in these panels. BayCon has some really exciting programming this year!

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Discover Your Process

1 Jul 2022, Friday 14:30 – 16:00, Synergy 4 (San Mateo Marriott)

You have ideas. You want to get them out of your mind and into the physical world. How do you do that? Join the panel as they discuss how they came to understand their creative processes.

Lillian Csernica (Sense of Wonder Press) (M), Steven Barnes, M. Todd Gallowglas (Gallowglas Army) (M), Scott Bradley

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Autism/Gender States

1 Jul 2022, Friday 16:00 – 17:30, Synergy 1 (San Mateo Marriott)

New work suggests there’s a correlation between Autism Spectrum Disorder and Transgender/Nonbinary flavors of gender. But correlation is not causation. So is a link? And it now looks like female autistics are massively underdiagnosed, so what does that mean for nonbinary folks who may need help with ‘subclinical’ ASD issues? What about ADHD? Is there another link there that’s been overlooked?

Lillian Csernica (Sense of Wonder Press), Pat MacEwen (M), John Blaker

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Confessions of a Slush Pile Reader

2 Jul 2022, Saturday 10:00 – 11:30, Connect 5 (San Mateo Marriott)

Editors and slush readers discuss what gets a story rejected and what they look for in a story to be considered for publications. Does and don’ts of cover and query letters can also be covered.

Rebecca Inch-Partridge (M), Emerian Rich (Self and HorrorAddicts), Lillian Csernica (Sense of Wonder Press)

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Experiencing pestilence, war, and other significant trauma affects our lives in multiple ways.

3 Jul 2022, Sunday 10:00 – 11:30, Synergy 1 (San Mateo Marriott)

How does it affect what we write? Can harnessing personal sorrow and stress help us write closer to our main characters?

Matt Maxwell (Highway 62 Press), Laurel Anne Hill (M), Lillian Csernica (Sense of Wonder Press), Scott Bradley

Handicapped Parking

3 Jul 2022, Sunday 11:30 – 13:00, Engage (San Mateo Marriott)

From the invalid chair to the mobile exoskeleton, people have needed mobility devices to replace abilities lost to birth defects, disease, accidents and war.

Lillian Csernica (Sense of Wonder Press) (M), Gideon Marcus (Galactic Journey), Colin Fisk

We’re Not In Kansas Anymore

4 Jul 2022, Monday 10:00 – 11:30, Convene 1 (San Mateo Marriott)

Exotic locales challenge writers to get readers up to speed while keeping the story going. What weird settings have our panelists used and how did they solve the problem—well enough for the editor to buy, anyway.

Jay Hartlove (JayWrites Productions), C. Sanford Lowe (C Sanford Lowe) (M), Lillian Csernica (Sense of Wonder Press)

Come find me at BayCon and get a sticker for your badge!

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X is for Xenophile

by Lillian Csernica on April 28, 2022

“A person attracted to that which is foreign, especially to foreign peoples, manners, or cultures.” YourDictionary.com

In Kyoto you will find 400 shrines and 1600 temples.  Of the many larger and more famous temples, Kiyomizu-dera is truly one of a kind.  If I had to name just one single reason for going to Kyoto, I would say I had to visit Kiyomizu-dera.  This was the number one item on my bucket list.  Thanks to my husband’s kindness and generosity, this dream came true.

I’ve been a lot of places and I’ve seen a lot of things, and I’ve written about many of them.  This is the first time I have deliberately gone to visit a location where I have already set four short stories.  My steampunk short fiction, which appears in 12 Hours Later and the forthcoming 30 Days After, centers around Kiyomizu-dera.  If there’s such a thing as a literary pilgrimage, I made one, and it stands out as one of the highlights of my strange and adventuresome life.

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 The Pure Water Temple stands halfway up Mt. Otowa, near the Otowa Falls.  Primarily a shrine to Kannon (aka Kwan Yin), the Goddess of Mercy, the main hall is home to the Eleven-Headed and Thousand-Armed Kannon Boddhisatva.  There’s a lot to know about Kiyomizu-dera.  Please follow the links to discover fascinating facts about this temple and Kyoto itself, both ancient and modern.

http://www.kiyomizudera.or.jp

There must have been hundreds of people visiting the temple the day Pat and I were there.  People were dressed in traditional kimono or yukata, modern street wear, or school uniforms.  When a tour group of high school boys passed by, a dozen manga sprang to mind.

The best times of the year to visit Kiyomizu-dera are springtime for the cherry blossoms and autumn for the maple leaves.  Few things are more beautiful to me than the sight of late afternoon sunshine seen through the red leaves of a Japanese maple.

Here I stand on the veranda overlooking a thirteen meter drop.  Known as the Stage, the veranda is built from over four hundred cypress boards.  The Stage contains not a single nail.  Wooden pegs were used instead.

In “A Demon in the Noonday Sun,” this is the spot where Dr. Harrington must protect the Abbot against the anger of Amatsu Mikaboshi, the Japanese god of chaos.  The Abbot is sitting in a steampunk wheelchair at the time.  Amatsu Mikaboshi keeps blasting it with black fire.  Poor Dr. Harrington, a scientist to the bone, has to make a rather sudden adjustment to the reality of Japanese gods and monsters!

This is the view of the Stage from the opposite direction.  I stood at the corner on the center left.

There are several shrines on the temple grounds.  This is an excellent example of a shrine to Inari, god of rice/wealth.  I love those fox figurines.  Strangely enough, I could not find a shop that sold them.

Kiyomizu-dera is known for its shrine to Okuninushi, the god of romance and matchmaking.  The statue of him makes him look like a tough samurai.  Standing beside him is a rabbit that could give the one in “Donnie Darko” a run for its money.  The rabbit holds a haraegushi, a “lightning staff” decorated with those paper zigzags called shide.

Now for the rather chilling part of this expedition.  The sign below explains the history of the god whose name is never spoken, the one who will punish playboys and heartbreakers.  A wronged woman can take a straw figure that represents the man who hurt her and nail it to the cypress tree behind this particular shrine.  The god-with-no-name will then bring down some hard karma on the man responsible.

Note, please, that the second thing to scare me in the Haunted House at Toei Kyoto Studio Park was a falling tree.  Pat told me later she noticed it was a cypress with a straw figure nailed to it.  We didn’t understand that at the time.  Now we do!

The ema plaques below give one insight into the hopes and dreams of many people.  I was surprised to discover some of them had English writing on them, not just kanji.  Pilgrims come to Kiyomizu-dera from all over the world.  Most of the plaques we saw had a sheep on them.  Still not sure what that was all about.

Here are the three waterfalls that grant particular blessings.  On the far right, wisdom.  In the center, long life.  On the left, success in scholarship.  I meant to drink from the water of longevity.  Turns out I drank the water for wisdom instead.  I suspect that’s probably what I really need!

Soon it was time to head back down the mountain.  This took us back along the Sannen-zaka, a narrow lane lined with shops selling maneki neko, fans, mochi, dango, all sorts of postcards and cell phone charms and the items pilgrims might need such as prayer beads.

I bought a hat embroidered with a battle between the God of Wind and the God of Lightning.  Pat found a number of items on her souvenir wish list.    If you love shopping, you simply must visit the Sannen-zaka.  We also enjoyed a singular snack: pickled cucumber on a stick.  Legend has it that cucumbers are the favorite food of Japan’s most famous monster from folklore, the kappa.  I have to say the giant pickle on a stick was crunchy and refreshing, right up until the moment when I bit into the stick.

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V is for Verisimilitude

by Lillian Csernica on April 26, 2022

“Aside from being fun to say, verisimilitude (pronounced ‘VAIR-ih-sih-MILL-ih-tude’) simply means ‘the quality of resembling reality.’ A work of art, or any part of a work of art, has verisimilitude if it seems realistic.” — literaryterms.net

And now for another story from the days when I worked the Northern Renaissance Faire. My husband and I both worked for the fencing booth which was done up like a pirate ship privateer vessel. The booth was quite popular. At any given time we’d have at least six students out “on deck” receiving their half hour fencing lessons from members of our crew. Out front there was a seating area with hay bales where guests could sit in the shade of our “sails” and watch competition-level fencers have bouts on the stage/strip. A crow’s nest rose high above the audience where one of the hawkers or even the Captain himself might stand.

The crow’s nest plays a key role in this story. Every morning our day began with Roll Call. Depending on how big a crowd had already gathered, the person up in the crow’s nest might be the First Mate or one of the other officers. Roll Call was a lot of fun. The audience got to see us all called on by our Faire names and replying in character. On this particular day the fellow calling roll was one of the hawkers, a man with a gift for jokes and word play. Somebody had the bright idea of turning the tables on him. The idea was passed around among the crew. Instead of the usual “Aye aye!” or “I be ‘ere, sir!’ or “Shut yer gob, ye sniveling mumblecrust!”, we replied with a bit more creativity and respect.

“Aye aye, Yer Vastness!”

“Right ‘ere, Your Garrulity!”

“Present, Yer Delightfulness!

“Right you are, Your Splendor!

The hawker up in the crow’s nest kept snorting and chuckling and trying to get a grip. We had a good two dozen people on crew, so Roll Call took a little time. y turn came.

“Mistress Andalyn Fortune!”

I took a deep breath, readied my best projection, and stepped forward.

“At your service, Your Verisimilitude!”

That one did it. The hawker burst out laughing, dropped his clip board, crossed hid arms on the railing of the crow’s nest, and rested his forehead on his arms.

It was fun playing a pirate. People expected you to steal the show.

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T is for Travel

by Lillian Csernica on April 23, 2022

When I was eighteen, my father sent me to spend the summer in Holland with the family of the exchange student who had been my Physics lab partner during my senior year of high school. Thanks to my Eurail Pass, I traveled all over Holland, including the amazing city of Amsterdam. With the help of my Dutch parents, I also made arrangements to take a weekend bus trip all the way to Paris. When they took me to the bus station, my Dutch parents were careful to explain to the driver that I didn’t speak the language. Fortunately, the driver spoke excellent English. Unfortunately, just after my Dutch parents left, the English-speaking driver told me his shift was over. His replacement was a cheerful little man named Ott. Ott’s English wasn’t just broken, it was smashed.

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The bus soon filled up with the other passengers, mostly older folks with a few couples, and two girls about my age. Ott had me sit in the tour guide’s seat, the one right across the aisle from him. I felt like a bug plastered up against the big front windows. I did have an excellent view as we drove across Holland, passed through part of Belgium, and entered France. While I was in Paris I saw many of the highlights, the Louvre, the Eiffel Tower, Notre Dame, Sacre Coeur, and the Monmarte. I ran into a bit of trouble on my way into one of the museums. I had already paid the fee to enter the museum, but the tour guide made a fuss about how I still needed to pay it. At that point we had a French woman tour guide who made it plain she did not care for me, purely because I was American. The Dutch ladies on the bus weren’t having any of that. They told me to give my age as seventeen because only people eighteen and over had to pay the fee. Then they rallied round me quite literally as they escorted me into the museum. The tour guide didn’t cause me any more trouble.

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On Sunday we were allowed two hours to go shopping. My shopping list was very simple. In addition to a few items for my friends and family, I wanted to buy my mother a gold Eiffel Tower charm. It took me some time to locate the jewelry department, with many “Parlez-vous Anglais?” along the way. Most of the staff were polite enough about saying they did not speak English. Then I found the jewelry department and the arrogant Catherine Deneuve-wannabe in charge. It was clear I wasn’t going to get anywhere with her. I gave the situation some thought, then returned to the attack with new strategy. Just as the saleswoman prepared to dismiss me again, I held up my traveler’s checks, fanned them out, and said, “Parlez-vous American Express?” The saleswoman vanished, replaced by Raoul, who spoke perfect British English. He was quite happy to bring out the case that held the Eiffel Tower charms in a staggering range of sizes. I chose the one I wanted, changed my traveler’s checks for francs, and left that department. Mission accomplished.

By a strange coincidence there was another American girl on the tour bus. She was visiting her Dutch grandmother, who had brought both the American girl and her teenage Dutch cousin along for a wonderful weekend in Paris. When I crossed paths with them in the department store, it was clear to me the girls were dying to run off by themselves. The grandmother looked rather tired. Since my shopping was complete, I invited the grandmother to join me in the restaurant on the top floor of the store. The girls could go do as they liked, then we’d all meet back at the bus at the appointed time. Everybody was happy. The grandmother looked relieved to sit down for a while. While she drank her coffee and I had a bite to eat, she told me all about her family and showed me photos. Later, she was kind enough to take a photo of me in front of the Eiffel Tower and mailed it to me where I lived with my Dutch family. That photo was the gift I wanted to give to my father.

I keep that photo in my office. Every time I look at it, I remember the kindness of those wonderful Dutch people and my many adventures in the City of Lights, all thanks to my father.

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O is for Ouija

by Lillian Csernica on April 18, 2022

In 1967 a toy manufacturer came out with the Ouija board most people are familiar with. A few years ago, a whole new world of bad taste and spiritual danger was unleashed when the latest model of the Ouija board was unveiled. Made in bright, pretty colors, it was aimed at girls eight to twelve, marketed as the perfect sleepover entertainment. So much criticism about this candy-coated abomination has arisen from so many different sources that the manufacturer pulled it from the shelves. That company will no longer be making any of them. Unfortunately, human nature being the way it is, that turn of events made that particular Ouija board a collector’s item.

Many religions forbid talking to the dead. Many cultures forbid even speaking of the dead because it’s disrespectful and might disturb their rest. And yet there are some parents out there who see no problem with exposing their grade school daughters to what could be used as a tool for necromancy. If people are going to trivialize the occult and dress it up in such seemingly harmless colors, what do they think is going to happen once those children turn into teenagers with no sense of danger and rebellious streaks a mile wide? I know what could happen. I was a stupid teenager once.

I pray for the safety of any child who comes into contact with this horrible “toy.” It’s one more example of evil hiding in plain sight.

N is for Nitpicking

“When you nitpick, you focus on small, specific mistakes.” — Vocabulary.com

Writing about history gives me an opportunity to get the big picture on how different countries have tried to make different strategies work. Economic strategies, military strategies, and the more cultural and artistic strategies that come under the heading of fashion. There is one particular occupational hazard to becoming an historical writer. One can develop an obsession with historical accuracy that appears to people outside one’s own head as relentless nitpicking.

A good example is Scotland. Not the wealthiest of countries, Scotland has a long history of internal clan conflicts and the border wars with England. The weather in Scotland tends toward clouds and rain. Sheep do well on the landscape of Scotland, so you see a lot of wool in their clothing styles, especially the kilt. I know a lot of people who have spent a great deal of time looking up their family tartans. When in the company of such people, I’ve learned to keep my knowledge of history to myself. The truth is, clan tartans are an invention of the Victorian period. This is one of those nasty facts that bursts the romantic bubble of many an amateur historian.

I’ve written often about my fondness for Japan. Feudal Japan was an era of strict social classes, laws about fashion, and precise rules about social etiquette. While the tyranny of the Tokugawa Shogunate was eventually its own undoing, I must confess I find a certain comfort in having so many matters of culture spelled out for me. Modern Japanese also enjoy the two-edged sword of knowing exactly who they are and where they stand in whatever social context they find themselves. In the time of the Tokugawa, clothing, hairstyles, personal ornamentation, and weaponry were the indicators of social position. I find it one of history’s most humorous moments to see all that grandeur reduced to the business card. That has become the crucial indicator of status and context for the Japanese. Westerners are advised to bring plenty of their own. Otherwise there are business available to produce cards very quickly with one side in English and the other in Japanese. Context is everything, and Japan is a high-context society.

I write romance novels, so I get to take a close look at the techniques of wooing in various times and places. Medieval Europe had the concept of the Court of Chivalry. Eleanor of Aquitaine was largely responsible for this idea. Knights were measured against the Code of Chivalry to see if they met the beau ideal of those times. The real purpose of the Courts of Chilvary was to keep the women occupied while the men were off on Crusade or fighting battles closer to home. Bored noblewomen can be dangerous noblewomen, as Eleanor of Aquitaine herself proved more than once.

Novels from the Regency and Victorian periods entertain me because they’re all about clothes and money. Social position is the bottom line, and so many of the characters are looking to trade up. Finding someone you can love for the rest of your life is nowhere near as important as finding someone with a respectable income of so many hundreds or thousands of pounds per year. Love might be a nice side effect of marriage. Nobody expected it to be the whole point.

Oddly enough, ancient history holds little appeal for me. The mysteries of ancient Egypt focus so much on the afterlife. I know more than I ever wanted to about the process of mummification. I find it interesting that the Egyptian gods have animal heads, also found in the Hindu pantheon. What does this similarity mean? What exchange of culture might have gone on that modern archaeologists have yet to discover? As with so many cultures, the most noteworthy people are the upper classes, especially the royalty. The lower classes, especially the slaves, had a hard life. Not a lot of romance there for me. I’m not fond of desert climates.

One of the most fascinating aspects of history is food. For the first romance novel I ever wrote, I had to go looking for Basque cookbooks because that novel is set in Navarre. I finally discovered what my heroine would have for breakfast: chestnuts boiled in milk and sprinkled with nutmeg. In Egypt the custom of having many festal days where the upper classes distributed beer and bread to the lower classes was based as much on pragmatism as piety. If not for that custom, many members of the lower classes in Egypt would have starved to death. The key difference in culinary art between the Middles Ages and the Renaissance came down to the use of spices. The Middle Ages saw lots of spices thrown in for rich flavors. Renaissance cooking became more selective, creating unique dishes centered around particular flavor combinations. My research in this area taught me the delights of chicken prepared with cinnamon.

Then there’s jewelry. I could go on and on about dressing up my heroes and heroines in the bijouterie of their particular time periods. From the hair ornaments of the geisha to the mourning rings of the Victorian period, from the carnelian combs of early Russia to the prayer ropes of the Middles Ages called paternosters made from ivory beads or garnets or even pearls, the treasure chests of history are overflowing with splendor and detail. I once had the pleasure of visiting the Smithsonian Institution and seeing the earrings of Marie Antoinette. I had to wonder how she avoided ending up with earlobes stretched like King Tut’s.

History is full of little questions like this, alongside the larger mysteries. And so with every novel I go exploring!

K is for Kyoto

by Lillian Csernica on April 12, 2022

If you’re interested in experiencing the wonders of both ancient and modern Japan, then you must visit Kyoto. I live in California. It took one car, three planes, a bus, and a taxi to get me from my home to the hotel in Kyoto. Does that sound exhausting? It was, but what I found in Kyoto made it all worthwhile.

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Kyoto Station

It’s huge and beautiful. In addition to the train station, you’ll find a theater, two malls, a museum, a bus station, a 540-room hotel, and at least two dozen restaurants. Kyoto Station has its own zip code. No wonder! It’s a city unto itself.

There’s always someone ready to help, both official and everyday folks. At Kyoto Station they’re used to helping foreigners find their way around. Many of the taxi drivers are eager to practice their English language skills.

The clerk at my hotel (across the street) assured me I could find whatever I wanted inside Kyoto Station, and she was right. Isetan Department Store, free wifi, even a yen store, which is the equivalent of our Dollar Tree.

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Imperial Palace

A train ride and a short hike brought us to the Imperial Gardens that are part of the Palace Grounds. We had made a reservation for one of the tours given in English. The Imperial Household Agency runs these tours. We were directed to arrive twenty minutes ahead of time at a specific outer gate. There we found something of a staging area in the form of a gift shop with tables outside and the usual array of vending machines offering a variety of drinks.

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Toei Kyoto Studio Tour

Toei Kyoto Studio Park is not an amusement park in the sense we Americans understand it, i.e. a lot of carnival rides that will make you want to throw up. Instead, it’s living history much like the Renaissance Faire. The actors I spoke to knew their history and were more than happy to pose for photos. I consider this adventure to be one of the high points of my visit to Kyoto.

Toei Studios is behind quite a diverse selection of entertainment, including Battle Royale, Kamen Rider, and Super Sentai, the origin of the Mighty Morphin Power Rangers. In the 1950s, samurai movies were hugely popular, as proven by Akira Kurosawa’s Rashomon, Seven Samurai, and Yojimbo, just to name a few.

The park also features a Haunted House. I avoid haunted house attractions because they’re usually more gory than scary. When Pat suggested going through the Haunted House, I had to do it. After all, Japanese ghosts and monsters are very different from the frights we find in the West. First stop: the Haunted Forest. I knew there was a person in the trees off to my left. It must have been a woman, to judge from the creepy ululating cry. That distracted me just enough so I didn’t see the tree until it started to fall on me. Well, that got the adrenalin pumping. I’m just going to come right out and admit I was so scared I could hardly make myself keep moving forward. By the time I got to the room where all the dolls had bleeding eyes, I was ready to run for it.

Kiyomizudera

In Kyoto you will find 400 shrines and 1600 temples. Of the many larger and more famous temples, Kiyomizu-dera is truly one of a kind. If I had to name just one single reason for going to Kyoto, I would say I had to visit Kiyomizu-dera. This was the number one item on my bucket list. Thanks to my husband’s kindness and generosity, this dream came true. I致e been a lot of places and I致e seen a lot of things, and I致e written about many of them. This is the first time I have deliberately gone to visit a location where I have already set four short stories. My steampunk short fiction, which appears in the Later series of anthologies from Clockwork Alchemy, centers around Kiyomizu-dera. If there’s such a thing as a literary pilgrimage, I made one, and it stands out as one of the highlights of my strange and adventuresome life.

The Pure Water Temple stands halfway up Mt. Otowa, near the Otowa Falls. Primarily a shrine to Kannon (aka Kwan Yin), the Goddess of Mercy, the main hall is home to the Eleven-Headed and Thousand-Armed Kannon Boddhisatva. There’s a lot to know about Kiyomizu-dera. Please follow the links to discover fascinating facts about this temple and Kyoto itself, both ancient and modern.

Kiyomizu-dera is known for its shrine to Okuninushi, the god of romance and matchmaking. The statue of him makes him look like a tough samurai. Standing beside him is a rabbit that could give the one in Donnie Darko a run for its money. The rabbit holds a haraegushi, a “lightning staff” decorated with those paper zigzags called shide.

G is for Grandma

FAMILY GARDENS, FAMILY TREES

“To be one woman, truly, wholly, is to be all women. Tend one garden and you will birth worlds.”

–Kate Braverman

Springtime with its new growth of plants and flowers always makes me think of my maternal grandmother’s flower garden. They say inherited traits skip a generation. That means we’re more like our grandparents than our parents. This is certainly true of me and both of my grandmothers.

My maternal grandmother lived large in a time when that just wasn’t done. Her role model was her own mother, my great-grandmother. Back in the ’30s Nana had gotten a divorce then opened her own modeling agency, two actions way beyond the social norm for women of her time. Nana raised my grandmother in that environment of independence and determination. Grandma became a fashion model. The natural companion for a model is a photographer, right? My grandfather was a professional photographer who later earned a Masters in Cinematography from USC and worked for Universal Studios. I have many of the photos he took of Grandma which show her devilish smile and the wicked sparkle in her eye.

Grandma wrote a society column, full of parties and social events and the kind of good-natured gossip that makes for lively reading. Grandma’s column appeared regularly in the paper, but one day she got her photo in a Mexican newspaper as well. On a trip to Enseñada Grandma donned the traditional traje de luces of the bullfighter, complete with hat and cloak, and fought a bull right there in the bullring. And she won! I now have that “suit of lights” as a treasured reminder of the Grandma who went through the world with high spirits and a fearless heart.

When I think of Grandma’s house, I think of the garden out in the backyard. It might have been the Hall of Flowers at the county fair or the sales floor of an upscale nursery. When I was three years old, we lived with Grandma for a short time. At that age I got into everything, and that included the garden. The roses looked good enough to eat, in sugary pinks, deep golden yellows, and reds even darker than Grandma’s lipstick. Their scents mingled with the delicate fragrance of the night-blooming jasmine and the down-home sweetness of the honeysuckle vines. On hot summer days I liked to sit out there and just breathe.

A lot more grew in Grandma’s garden than just flowers. The towering tree with drooping branches blossomed with thousands of pale lavender petals. This was a “jacaranda.” I loved that word. New and strange, it made me think of spicy food in faraway lands. The raspberry bramble was a dangerous place for little hands and little tummies. The best berries were always deep in the bramble where the birds couldn’t eat them. I had to stick my hand way in there past all the thorns and spiderwebs and bugs. One day my cousin Kevin ate a bunch of berries before they were ripe. His stomach ache taught me the importance of patience, and of letting him go first!

The garden remains a symbol for all of Grandma’s quirks and strengths. What my childhood self remembers the woman I am now can interpret and understand. Grandma was beautiful and exotic and livened up her surroundings. Some days Grandma could be thorny. Some places in her house and in her life little kids just didn’t go. Boundaries are reassuring to a child, even when they provoke unbearable curiosity.

My father’s mother had a much different style. She married my grandfather and set up house as a farm wife, giving him three sons and three daughters. She lived through the Depression and both World Wars. She made a great mulligan stew, played Yahtzee like a pro, and never once commented on the length of my husband’s hair (a ponytail halfway down his back). At eighty-four this Grandma was still going strong and objected strongly to the law taking away her driver’s license.

Grandma lived at the same address throughout my entire life, a trailer park in Ohio. When I think of her garden, I think of the little field beside her trailer, a shaggy patch of weeds and blackberry vines, dandelions and wildflowers, lizards and birds and bumblebees as big as my little kid thumb. It’s a great big happy organic mess. Mother Nature is left to her own devices there. If anybody understands the importance of “If it ain’t broke, don’t fix it,” that was my Grandma.

As you can see, my grandmothers are two very different types of women. From my mother’s mother come my sense of adventure, my fondness for costumes, and my love of travel. From my father’s mother come my cooking skills, my love of board games, and my contentment with less than perfect housekeeping.

From both my grandmothers I’ve inherited the need to locate and preserve photos of every generation of the family back as far as I can find. I want my two sons to at least see the relatives they won’t have the opportunity to meet. These photos have become a garden of memories, one that will show my boys and their children the rootstock that we come from, the sturdy vines and delicate blossoms, the everyday ferns and the hothouse roses. I hope that all the babies yet to come will one day know they are the latest buds to blossom in a garden tended with love.

#nanoprep How to Choose Your Project

by Lillian Csernica on September 11, 2019

 

I am one of two Municipal Liaisons for my region, which is Santa Cruz County in California. In the spirit of helping this year’s participants, both the new folks and those returning, allow me to offer some ideas based on how I get ready for the mad dash from one end of NaNoWriMo to the other.

National Novel Writing Month is all about writing 50,000 words in 30 days. That’s 200 pages. 1667 words each day. Half a novel. A full roughdraft, maybe. Whatever you want to write, in whatever way you want to write it. Everybody’s creative process is unique. Feel free to do whatever gets you to the 50k mark by November 30.

Last year I wrote Silk & Steam, the first novel in my Kyoto Steampunk universe. It took me some time after the end of NaNoWriMo to come up with an ending that was really strong. Now I’m rewriting to make the whole manuscript live up to that ending. I want that novel to be the only novel in my head right now, so for this year’s writing project, I need to go in a different direction.

For the 20th Anniversary of NaNoWriMo, I plan to write short stories. Six short stories, 1700 words each. That’s more than a story a week, so this is going to be a real challenge. My best time up to now has been  total of three weeks for writing a short story start to finish with editing and polishing. During NaNoWriMo I’m going for six complete first drafts. This means I have to do a lot of planning before November 1.

Where do I start my planning for six brand new short stories?

I start with the monsters. The yokai, which more accurately translates as “bewitching apparition,” are the supernatural creatures of Japanese folklore. Each of the seven stories in the Kyoto Steampunk series features a particular yokai. So I need six new yokai, and I’m thinking about a location where Dr. Harrington and his family would be likely to find all six.

I already have subplots in motion given the seven other stories already published. A quick list of where all of my main characters are at the end of the novel provides a starting point for each of them. At the moment I’m considering the possibility of writing each story from a different character’s viewpoint. If I create one basic story and then provide each character’s personal stakes in those events, I might be able to create quite a mosaic that brings the world of Kyoto Steampunk to life.

And so the new stories begin to grow!

Is there such a thing as too much preparation? The answer to that depends on whether you’re a planner, a pantser, or somewhere in between. I identify as a plantser. I need a certain amount of planning to get the shape of the story. Then I set the timer and throw myself into the scene. On the days when the words won’t come out easily, a word sprint is your best friend.

What do you do to get ready? How do you decide what project you want to work on? I’d be delighted to hear about your process. We’re all here to help each other through the 30 day marathon that is NaNoWriMo.

 

But Wait! There’s More!

by Lillian Csernica on May 3, 2019

yourdiamondteacher.com

Hi there. I had to take a small break from blogging to keep up with some other writing commitments. An article for SEARCH Magazine, the latest critiques for my writers group, and a vigorous session at the coffeehouse with my personal journal. If I don’t write in the personal journal with reasonable frequency, internal pressures build up and I get way too stressed out.

Those of you who are in my general age range will recall those commercials that came on late at night during the really bad horror movies that showed on Channel 13 (I grew up in Southern California). The fast-talking salesman doing the voice-over would tell you all about the wonders of the chef’s knives for one low, low price.

But wait! There’s more!

The voice-over would throw in some amazing device that could peel carrots, slice spuds into French fries, and turn those radishes into roses. All for another rock bottom price!

But wait! There’s more!

Now and then you’d get the third tier offer which usually had to do with jewelry, sterling silver or 18k gold. You just dipped the item into the secret polish and out it came gleaming like the prize treasure from a dragon’s hoard.

I have completed the April 2019 A to Z Blog Challenge. So here I am looking for a May Blog Challenge. Any suggestions?

I could go with an official challenge, or I could devote this month to a subject that you wonderful people would like to see me discuss. I can cover anything in the subject areas I’m known for, or you can send me off on a new adventure.

What new & improved thrills would you like to see me provide here?

You are some mighty clever people. Can’t wait to see what you throw at me!

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