Tag Archives: Kevin Andrew Murphy

Doin’ the BayCon Boogie!


by Lillian Csernica on June 8, 2019

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It’s taken me more time than usual to recover from the wonders of BayCon. This year’s amazing spectacle had so much going on I wanted to be in at least two different places in every time slot. Here are the highlights of one of the better con weekends I’ve enjoyed.

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How diverse is diversity?

Gregg Castro (Salinan T’rowt’raahl) (M), Dr. yvonne white (Hayward High School), Lillian Csernica (Sense of Wonder Press), Jean Battiato

I added another layer to the definition of diversity by speaking for those who have disabilities, whether physical or psychological. While some physical disabilities are obvious and others are not, most psychological problems are not immediately apparent. Thanks to the expanding realm of neurodiversity, more and more people are aware of the prevalence of autism, of clinical depression, of chronic pain, and other conditions that create daily challenges on several levels.

Teen Guided-Storytelling Workshop

Host: Margaret McGaffey-Fisk

John wanted to attend this event. He’s been drawing for years and has taken at least two ceramics classes in school. Now he’s interested in learning how to tell a good story to go along with his illustrations and sculptures. Margaret did a wonderful job of explaining the techniques of oral storytelling. There was a young lady present as well. Margaret encouraged both John and this young lady to use their own original characters as part of practicing the techniques she discussed. I am delighted to say I learned quite a lot also! Margaret’s techniques came in very handy for the Spontaneous Storytelling panel on Sunday.

mythicalrealm.com

Altered Beast

Werewolves and other shapeshifters in mythology and literature.

Kevin Andrew Murphy (M), Lillian Csernica (Sense of Wonder Press), Pat MacEwen

I have written and published three stories with Kevin and one  (so far) with Pat. We all have extensive libraries on folklore and shapeshifters, so we took the audience on a round-the-world tour of the beliefs and manifestations of the “werewolf” tradition.When we three are together, you will hear some of the weirdest facts and fancies you could imagine!

Spontaneous Storytelling

Panelists developing a story developed by multiple choice suggestions from audience members.

Jeff Warwick (M), David Brin, Lillian Csernica (Sense of Wonder Press), Mark Gelineau (Gelineau and King)

Jeff is brilliant. Get somebody who was in the audience for this panel to tell you about the illustrations he drew while the story evolved, most notably The Harmonicat. This critter has now entered into the annals of A Shot Rang Out folklore right up there with Darth Tetra. I found a way for our protagonist to speak Japanese to the cat. David Brin picked right up on that and easily blew my tourist doors off with his accent and much better grammar. Mark Gelineau caught some of the stranger audience suggestions and turned them to his advantage. A good time was had by all!

clinicalpsychreading.blogspot.com

The Ink That Rushes From Your Heart

Dorothy Parker wrote “Never never dip your quill/In ink that rushes from your heart.” Being willing to do exactly that is what will bring the deepest meaning to our writing. How do we bring ourselves to be that honest and vulnerable in our stories?

Lillian Csernica (Sense of Wonder Press) (M), Jay Hartlove (JayWrites Productions), Ms. Maya Kaathryn Bohnhoff (Book View Café)

It’s not easy to talk about one’s creative process, but the three of us gave it a solid try. Jay described how the combination of his acting training and his directing skills help him render authentic emotion on the page. Maya gave us some very personal insights into how she transforms personal pain into dynamic action in her stories. Me? I keep digging deeper and deeper into the hearts of my characters to find the pain that drives them onward, that won’t let them sleep, that gives them strength in the face of crushing opposition. Pain is supposed to be Nature’s way of telling us to stop doing something. For writers, it’s what keeps us writing.

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#atozchallenge C is for Collaboration


by Lillian Csernica on April 3, 2019

Collaboration is not for the faint of heart. The creative process is a strange and mysterious thing that does not lend itself to easy explanation. To harness your creative process to another person’s method of producing a story requires patience, communication, and a solid commitment to see it through to completion.

If you want to audition somebody for the role of collaborator, take a long road trip with that person. Being stuck in a car together for hours on end will give you a golden opportunity to discuss the project itself, along with finding out whether or not you can tolerate the other person’s quirks. Writers are quirky people.

I have had the good fortune to collaborate on separate projects with two very talented writers.

KEVIN ANDREW MURPHY

Kevin and I have known each other for a very long time, close to thirty years. We have written three stories together and sold every one.

Special Interests

Death for Death

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The Restless Armadillo

Kevin Andrew Murphy writes for many worlds, most notably George R.R. Martin’s Wild Cards series. His story “Find the Lady” just received the Darrell Award for Best Midsouth Novella at MidSouthCon and he has other recent Wild Cards stories in Low Chicago, the expanded reissue of One-Eyed Jacks, and the upcoming (but out in Britain) Knaves Over Queens. He’s also just written “The Golden Cup” for Savage World’s Pantheon super hero game setting.
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PATRICIA H. MACEWEN

Pat and I have known each other since the night I drank the vodka tonic meant for her while hanging out with mutual friends at BayCon. Dragon’s Kiss is Pat’s novel. I was less a collaborator and more of a technical adviser. The hero of the book is based on my son Michael, who is wheelchair-bound with cerebral palsy and seizure disorder. We need more stories of people with special needs who fight the good fight, who continue to strive despite or because of their physical and cognitive limitations.

Pat MacEwen is an anthropologist. She sometimes works on bones from archaeological sites and does independent research on genocide, having worked on war crimes investigations for the International Criminal Tribunal, and done CSI work for a decade. Oddly enough, she was once a marine biologist at the Institute of Marine & Coastal Studies at USC. She has two novels out – Rough Magic, a forensic/urban fantasy, and Dragon’s Kiss, a YA fantasy about a crippled boy who finds he can talk to dragons but people? Not so much. She writes mystery, horror, science fiction, and fantasy. Her work has appeared in a Year’s Best SF anthology. It has also been a finalist for the Sturgeon Award, and made the Tiptree Honors List. Her hobbies include exploring cathedrals, alien-building via nonhuman reproductive biology, and trawling through history books for the juicy bits.

 

Tolstoy and Dostoevsky plan a collaboration - 'War and Punishment'... it'll make us a bundle.

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