Tag Archives: diamond

Z is for Zoo (Art Nouveau – #AtoZChallenge)


by Lillian Csernica on April 30, 2017

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And so we come to the final letter in the A to Z Challenge. I have chosen Zoo in order to present some of the gorgeous but less commonly seen creatures that have inspired works of Art Nouveau craftsmanship.

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tademagallery.com

Jugendstil Eagle Pendant

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tademagallery.com

Cat Purse Pendant. Silver plique-a-jour enamel. Meyer and Meyle, circa 1900.

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vandenbosch.co,uk

A silver, pearl, and plique-à-jour enamel pendant modeled as a duck in flight, by Meyle & Mayer, circa 1900.

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vsemart.com

Sterling Silver Art Nouveau Frog Brooch.

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Art Nouveau Cat Comb

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etsy.com

Art Nouveau Horse Pendant. Vintage Brass.

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Les Trois Crabes – An important Art Nouveau brooch, by Georges Fouquet. Composed of gold, plique-à-jour enamel, diamonds and pearl. Signed GF twice on brooch frame and pin. French, circa 1900.

Creatures of mythology also figure prominently in art nouveau motifs.

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langantiques.com

18k Art Nouveau Dragon Pendant.

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fashionistatattoos.com

“Gargoyle” pendant/brooch. Gold, enamel, baroque pearl. Rene Lalique, 1989.

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joiencis.com

French carved gold and diamond gryphon brooch.

Thank you so much for joining me on this adventure into the world of Art Nouveau. I’m very grateful for your likes, comments, and follows.

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Filed under #atozchallenge, Art Nouveau, artists, Blog challenges, cats, creativity, fairy tales, fantasy, history, legend, nature, sword and sorcery

U is for Unlucky (Art Nouveau – #AtoZChallenge)


by Lillian Csernica on April 25, 2017

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The number thirteen produces strong reactions in people. Many believe the number is unlucky. Much to my surprise, I’ve discovered why many other people insist on believing thirteenth brings good luck. For excellent examples of both sides, click here.

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“Lucky” 13  heart charm. Silver and enamel. Germany circa 1900.

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18k gold decorated with papyrus leaves and platinum set with tiny rose-cut diamonds. France, circa 1900.

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Rose wreath charm with “lucky” 13 inside. Sterling silver, from France.

Sterling silver crescent moon “lucky” 13 charm. Victorian.

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18k gold with diamond, ruby, and aquamarine. Late 19th Century.

 

 

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S is for Snakes (Art Nouveau – #AtoZChallenge)


by Lillian Csernica on April 22, 2017

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Gold, enamel, emerald, and diamond. French, 1900.

Art Nouveau 18kt Gold, Opal, and Demantoid Garnet Necklace, designed as writhing serpents with five bezel-set opals, the central opal with demantoid garnet accents.

Double snake belt buckle in sterling silver, set with a garnet.

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By Philippe Wolfers. Belgium, 1898.

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Snake hand bag. Chased silver, antelope skin, silk, and metallic thread. Rene Lalique, circa 1903.

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graysantiques.com

A serpent drinking from a basin. 18k gold, platinum, emerald, and diamond.

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rialique.com

A female profile bordered by serpents. Plique-a-jour enamel, gold, opal, and pearl. Rene Lalique, circa 1900.

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Art nouveau gold and enamel ear pendants by Rene Lalique, 1900-1902.

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rocaille.it

Medusa paperweight. Rene Lalique.

 

 

 

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R is for Rings (Art Nouveau – #AtoZChallenge)


by Lillian Csernica on April 21, 2017

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14k pearl and large cabochon moonstone ring. 1915, Brandt and Son.

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A bee/wasp ring. Plique-a-jour enamel, diamond, and peridot.

Rose quartz cabochon set in sterling silver leaves. This ring is very unusual in that rose quartz is an uncommon stone in art nouveau jewelry.

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langantiques.com

From Lang Antiques:

“A placid pale-blue elongated oval aquamarine floats inside a fanciful and feminine openwork frame accented with twinkling diamond crescents and a pair of golden flowers. This extra-lovely and highly individualistic jewel measures 1 1/16 inches long by just over 5/8 inch wide.”

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pixgood.com

Egyptian Revival subset of art nouveau. 18k yellow gold, polychrome enamel, opal and rose-cut diamonds.

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liveinternet.ru

Georges Fouquet. Gold, enamel, opal, and pearl.

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A gold and enamel “Fuschia” ring by Rene Lalique.

 

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Q is for Queen (Art Nouveau – #AtoZChallenge)


by Lillian Csernica on April 20, 2017

q

 

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Queen Matilde of Belgium’s diamond art nouveau brooch.

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1907 Diadem by Cartier Paris. Ordered by Princess Marie Bonaparte for her marriage to Prince George of Greece and Denmark.

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After the Empress Josephine was divorced from Napoleon, she ordered this tiara from Faberge in 1890. The briolette diamonds were a gift to her from Tsar Alexander I.

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Chaumet, 1908. Made for the Marquise de Talhouet. Classic scrolling foliate tiara. A larger, cushion-cut diamond sits atop the large circular diamonds at the center.

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wartski.com

Imperial Russian heart brooch by Faberge, circa 1895. An asymmetrical heart frames a gold trellis work, each intersection set with a brilliant-cut diamond, all surmounted by a diamond-set forget-me-not.

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forbes.com

Faberge strikes again! An openwork trellis of white gold set with truly stunning emeralds. The choker can be detached from the collar, allowing the two necklaces to be worn separately.

 

 

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P is for Pocket Watch (Art Nouveau – #AtoZChallenge)


by Lillian Csernica on April 19, 2017

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Swiss Gold Diamond and Pearl Pendant Watch circa 1905.

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Gold, cabochon emerald, diamond and green enamel lapel watch. Marcus & Co., circa 1900.

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Museum Quality Enamel and Gem set Lapel Watch by Haas Neveux. 18K Yellow Gold with Fine enamel, gold chasing and accented with numerous Rose cut Diamonds. Stem set Jeweled Nickel lever movement. Porcelain Dial with sunk seconds chapter and Gold hands. Matching case and Movement Numbers and also having the name of Boston Retailer Smith Patterson & co engraved on the movement.

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dupuis.ca

Gold and enamel lapel watch, circa 1900.

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Art Nouveau 18kt Gold, Enamel, and Diamond Open Face Pendant Watch, the case with enamel flowers and rose-cut diamonds, the cuvette with guilloche enamel, hammered gold accents, the white enamel dial with Arabic numeral indicators and subsidiary seconds dial, stem-wind and stem-set, 27 mm, and suspended from a conforming watch pin, total lg. 2 1/2 in.

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Antique art nouveau Moon Celestial Pocket Watch holder stand. Solid bronze.

 

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O is for Owl (Art Nouveau – #AtoZChallenge)


by Lillian Csernica on April 18, 2017

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Owl pendant in gold, silver, and enamel, clutching a pearl. Faberge, Moscow, Russia, 1916-1917.

 

Green and rose enamel. The gemstone is likely amethyst.

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masterpiecefair.com

Ladies’ evening bag. Leather with textured detailing back and front. Banded agate eyes with rubies surrounding them. Diamond-set beak and claws.

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heaveninawildflower.tumblr.com

Hair comb by Paul and Henri Vever, circa 1900. Honey-colored horn embellished with jewels.

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loupiosity.com

Stomacher brooch by Cartier, 1907. Platinum, diamonds, eight sapphires.

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Art Nouveau owl bookends.

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French art nouveau brooch by Gautrait. Enameled gold, diamond, sapphire and opal.

 

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L is for Leaves (Art Nouveau – #AtoZChallenge)


by Lillian Csernica on April 14, 2017

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A gold brooch with emerald drops, old European-cut diamonds, and green and light pink plique-a-jour enamel. Marcus & Co., circa 1900.

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drouot-estimations.com

A sterling silver ring with two ginko leaves holding a mother of pearl. Dumont, circa 1900.

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christies.com

A brooch in the shape of Birch leaves and seedlings, made of enamel and horn.

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li.ru

Gold, enamel, diamond and peridot “Ivy” brooch. Likely Austrian, circa 1900.

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sothebys.com

Leaf Brooch by Lalique. Gold, plique-a-jour enamel, and sapphire. 2 1/8 x 1 inch.

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ellyap.blogspot.com

Water Lily leaf hair combs in green tinted horn with moonstones.

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redrobinantiques.com

Iridescent enamel leaves accented with fresh water pearls. This pendant is likely the work of Meyle and Mayer, a German firm.

 

 

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K is for Archibald Knox (Art Nouveau – #AtoZChallenge)


by Lillian Csernica on April 13, 2017

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From Wikipedia:

Knox’s hundreds of designs for Liberty‘s made his style widely known,[8] (though not his name, as Liberty’s kept their designers anonymous) as did his watercolours, graphic designs and fonts. His design talent covered a wide range of objects, ornamental and utilitarian, and included silver and pewter tea sets, jewellery, inkwells, boxes, gravestones and even bank cheques,[9] much for Liberty’s Tudric (pewter) and Cymric (precious metals) ranges. The gravestone of Liberty’s founder, Arthur Lasenby Liberty, was designed by Knox.

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Composed of platinum, gold, diamond, enamel, and opal. In this pendant for Liberty & Co., Knox used opal mosaic to depict a painterly scene of a boat outlined by a fiery sunset on London’s River Thames.

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achome.co.uk

Collection of silver buckles. Cymric, circa 1901-1911.

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artnet

White gold, platinum, fire opal, and diamond.

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sothebys.com

Gold and opal brooch by Archibald Knox for Liberty & Co. The oval stone within a whiplash mount.

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tademagallery.com

Pendant, gold, silver, peridot, pearl, and diamond.

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1stdibs.com

Art Nouveau design copper humidor by Archibald Knox.

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I is for Insect (Art Nouveau – #AtoZChallenge)


by Lillian Csernica on April 11, 2017

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lisak.net.pl

A butterfly with a cushion-cut aquamarine and cabochon opal body, extending blue and green plique-a-jour enamel wings, enhanced by cabochon rubies and calibre-cut emeralds, accented by a collet-set diamond and gold wirework detail, mounted in gold. Boucheron, 1900.

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Bentley & Skinner

A Victorian moonstone and diamond beetle brooch, the body of the beetle brooch set with cabochon-cut moonstones, the head and central streak of the body set with old brilliant-cut diamonds, estimated to weigh a total of 0.6 carats, with cabochon-cut ruby eyes, all set to a yellow gold back and sword with pearl set to the handle. Circa 1890.

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jewelry-sale

An Art Nouuveau gold, enamel, and opal scarf clip. Georges Fouquet, 1900s. Centering on an opal cicada set between open work enamel ivy leaves.

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sothebys.com

Sprigs of mistletoe set with circular and rose-cut diamonds, highlighted with pearls, to a central knife edge work web with a spider, its head a circular-cut diamond and its abdomen a similarly cut diamond of brown tint.

If you like spider jewelry (shudder!), you might enjoy this.

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1stdibs.com

Brooch with stylized bees. Natural pearls, green enamel, and 18k gold.

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V and A Collections

Gold and enamel brooch in the shape of a flower and a hornet, made by Georges Fouquet and designed by Charles Desrosiers. Paris, France, 1901.

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