Category Archives: Kyoto

Doin’ the BayCon Boogie!


by Lillian Csernica on June 8, 2019

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It’s taken me more time than usual to recover from the wonders of BayCon. This year’s amazing spectacle had so much going on I wanted to be in at least two different places in every time slot. Here are the highlights of one of the better con weekends I’ve enjoyed.

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How diverse is diversity?

Gregg Castro (Salinan T’rowt’raahl) (M), Dr. yvonne white (Hayward High School), Lillian Csernica (Sense of Wonder Press), Jean Battiato

I added another layer to the definition of diversity by speaking for those who have disabilities, whether physical or psychological. While some physical disabilities are obvious and others are not, most psychological problems are not immediately apparent. Thanks to the expanding realm of neurodiversity, more and more people are aware of the prevalence of autism, of clinical depression, of chronic pain, and other conditions that create daily challenges on several levels.

Teen Guided-Storytelling Workshop

Host: Margaret McGaffey-Fisk

John wanted to attend this event. He’s been drawing for years and has taken at least two ceramics classes in school. Now he’s interested in learning how to tell a good story to go along with his illustrations and sculptures. Margaret did a wonderful job of explaining the techniques of oral storytelling. There was a young lady present as well. Margaret encouraged both John and this young lady to use their own original characters as part of practicing the techniques she discussed. I am delighted to say I learned quite a lot also! Margaret’s techniques came in very handy for the Spontaneous Storytelling panel on Sunday.

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Altered Beast

Werewolves and other shapeshifters in mythology and literature.

Kevin Andrew Murphy (M), Lillian Csernica (Sense of Wonder Press), Pat MacEwen

I have written and published three stories with Kevin and one  (so far) with Pat. We all have extensive libraries on folklore and shapeshifters, so we took the audience on a round-the-world tour of the beliefs and manifestations of the “werewolf” tradition.When we three are together, you will hear some of the weirdest facts and fancies you could imagine!

Spontaneous Storytelling

Panelists developing a story developed by multiple choice suggestions from audience members.

Jeff Warwick (M), David Brin, Lillian Csernica (Sense of Wonder Press), Mark Gelineau (Gelineau and King)

Jeff is brilliant. Get somebody who was in the audience for this panel to tell you about the illustrations he drew while the story evolved, most notably The Harmonicat. This critter has now entered into the annals of A Shot Rang Out folklore right up there with Darth Tetra. I found a way for our protagonist to speak Japanese to the cat. David Brin picked right up on that and easily blew my tourist doors off with his accent and much better grammar. Mark Gelineau caught some of the stranger audience suggestions and turned them to his advantage. A good time was had by all!

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The Ink That Rushes From Your Heart

Dorothy Parker wrote “Never never dip your quill/In ink that rushes from your heart.” Being willing to do exactly that is what will bring the deepest meaning to our writing. How do we bring ourselves to be that honest and vulnerable in our stories?

Lillian Csernica (Sense of Wonder Press) (M), Jay Hartlove (JayWrites Productions), Ms. Maya Kaathryn Bohnhoff (Book View Café)

It’s not easy to talk about one’s creative process, but the three of us gave it a solid try. Jay described how the combination of his acting training and his directing skills help him render authentic emotion on the page. Maya gave us some very personal insights into how she transforms personal pain into dynamic action in her stories. Me? I keep digging deeper and deeper into the hearts of my characters to find the pain that drives them onward, that won’t let them sleep, that gives them strength in the face of crushing opposition. Pain is supposed to be Nature’s way of telling us to stop doing something. For writers, it’s what keeps us writing.

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#atozchallenge Reflections


by Lillian Csernica on May 6, 2019

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Greetings! After all the labors of April, we have come to the post-game analysis. I’m going with the official suggested list of questions because they’re mighty fine for providing insights.

  1. What did you love about the challenge this year? I had a good time drawing on the less familiar moments of my writing life. I’ve been a lot of places and I’ve done a lot of things. Finding a subject for each day’s letter made me sift through all that for material that was both entertaining and edifying.
  2. What would you change about it? Maybe plan a brainstorming event a month ahead that would get me off the starting block with my posts. That way I could stay a week or so ahead and not fall into the last minute pressure cooker.
  3. What was the best moment for you during this year’s challenge? When it was time to write something for the letter U, I got stuck. I looked up words, pondered angles, and started to overthink the post. Then I realized I could write about one of my greatest sources of inspiration: my mother. That’s when I decided to tell the story of the best Halloween costume Mom ever created, starring her Utility Belt.
  4. What is the best comment your blog got during the challenge, and who left the comment? “Vintage also comes with a connotation of good, as in the good old days, not the parts nobody wants to remember or return to. In wines, it refers to aging in carefully controlled conditions so as to add both character and subtlety to the final product.” — Pat MacEwen, in response to V is for Vintage
  5. Will you do the challenge again? Can’t wait! Every year is an adventure. My previous themes have included Chocolate, Bad Sword & Sorcery Movies, Art Nouveau jewelry, and my Kyoto Steampunk universe!
  6. Was it well organized and were the hosts helpful? (Did you fill out the after survey?) Yes indeed! A particular shout-out to J Lenni Dorner.
  7. How did you and your blog grow, change, or improve as a result of this challenge? In opening up my own mind to areas of my life I don’t normally mention in my blog posts, I think I’ve given myself permission to write with a deeper level of meaning. Both the positive experiences and the negative ones provide useful perspective.  Did you find new blogs out there to enjoy? Yes I did! 
  8. Were you on the Master List? (If you did the challenge last year, was it better this time without the daily lists?) I was on the Master List, yes. The daily lists are helpful to me. Last year I’d go to the Facebook page and browse the links. That made it easier for me to roam around. I regret not getting as much roaming time in this year.
  9. Any suggestions for our future? Keep up the good work! This is easily one of the highlights of my blog year.
  10. Any notes to the co-host team? A word of thanks to Jeremy for all his hard work on the graphics? A thousand thank-yous to all the folks who make the A to Z Blog Challenge happen. I’ve made some great online friends by participating and I’ve discovered some brilliant people.

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#atozchallenge X is for Xenophilia


by Lillian Csernica on April 27, 2019

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Welcome to one of the more unusual days in the A to Z Blog Challenge. X is a tricky letter.

My apologies for this post going up a bit later than the others. My in-laws from back east have been visiting and I got a bit behind.

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I have a confession to make: I am a Xenophile. This will come as no surprise to folks who have read this far in my A to Z. I love foreign people, places, and things.

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When did this start? I was in first grade. A family from Japan moved into the apartment across the big grassy yard from where I lived. Hiro Takahashi joined my class. Getting to know him, his sisters, and his parents gave me my first glimpse into a whole new world.

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From age 16 to 18, I worked as a professional Turkish-Moroccan belly dancer. My teacher, a marvelous lady from Saragossa, Spain, taught me so much about her part of the world. I still have the coin belt made for me by a Turkish man. 144 diamond-shaped silver coins, all stamped with the Venus di Milo.

As my high school graduation gift, my father sent me to the Netherlands. I spent the summer with the family of the girl who had been my Physics lab partner on a student exchange program. While I was there I took a weekend bus tour to Paris, France. I am now all the more grateful for that trip, given that it allowed me to see Our Lady of Notre Dame cathedral in its full glory.

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My fiction has been translated into German and Italian. (Ship of Dreams became In the Spell of the Pirate.) I’m looking for someone to translate a novella into Japanese. If you know anybody, drop me a line, won’t you?

And of course I’ve had some adventures in Yokohama and Kyoto.

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Why am I so attracted to the Other? People fascinate me. How they think, what they think, and why they think it. Just the single concept of life after death has given rise to so many different schools of thought. The pursuit of happiness involves such a broad spectrum of effort depending on how one defines happiness.

Writing allows me to take apart some aspect of life and put the pieces back together in a new way. Am I trying to make some sense of what I’ve experienced? Probably. Am I trying to bring order to a chaos that leaves me frightened and bewildered? Probably. It’s not all one-for-one, of course. By the time I get to the final edit of a story, the pieces of me I’ve used undergo quite a process of transformation.

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#atozchallenge T is for Talisman


by Lillian Csernica on April 23, 2019

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Most writers I know keep meaningful items on their desks, keepsakes associated with inspiration, good luck, or some method of coaxing the Muse into delivering the day’s word quota. While these may not be talismans in the classic sense of rings or pendants of precious stone inscribed with mystic words, these keepsakes are talismanic in that they stir up our imaginations in positive and productive ways.

My most treasured talismans include:

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The inkwell given to me at my first book signing by the owner of the store.

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The Mixy Award given to me by Steve Mix at BayCon 2015.

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The enamel pin showing the main building of the Imperial Palace in Kyoto which I bought from the gift shop when I visited the palace.

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A note sent to me by the parents of a little girl whose letter to Santa Claus I answered, thanking me for keeping their daughter’s “dream and belief” alive.

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The clay pendant bearing my name in cuneiform made for me by a dealer at WorldCon 75 in Finland, brought all the way home to me by my best friend, Patricia H. MacEwen. I would show you the pendant itself, but I’m fine-tuning my wire wrap jewelry skills so I can wear the piece at BayCon next month!

 

 

 

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I is for Instinct


by Lillian Csernica on April 10, 2019

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Today let’s talk about our creative instincts.

A lot of the creative process takes place on the intuitive level. I sit there in the creative trance, groping for the right word, waiting for my mind to zoom through all the possibilities until the word that feels right arrives. That one I grab and write down. There are times when I have to go look something up, especially if I want the foreign language equivalent of that right word.

Sometimes we come to a fork in the road. Which project do I pursue now? There are several business factors that will influence that decision such as contractual obligations, marketing, and agent advice. Many times it will all boil down to that intuitive push.

I once stood at that creative crossroads, torn between a medieval romance and a contemporary romantic suspense. I chose the latter, which prompted me to track down a martial arts star purely for the purpose of finding out where to get some of his promotional photos. (I like to work from photos of real people who resemble my heroes and heroines.) That led to a phone conversation that resulted in two screenplays.

It’s essential to feed the mind a strong and varied diet. If you’re going to have a compost heap in your imagination, you have to build it up, aerate it, turn it over, and let the natural processes achieve the decomposition. Only then will you get the transformed substance that will help you grow those prize roses or melons.

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My latest short story release is The Badger Epidemic in Next Stop on the #13. The key elements in the story are badgers, cholera, and steam trains. What could badgers and cholera have in common that could possibly bring them together in the context of Japan’s Industrial Revolution? Steam trains and telegraph lines.

Because I read so much, because I feed my mind so much history and folklore and strange news items, all of those ideas came together in a single short story.
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#atozchallenge E is for Experience


by Lillian Csernica on April 5, 2019

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One of the first rules of writing is “Write what you know.” Draw on your life experiences to bring fresh, original detail to your stories. I agree with this. I also believe it’s very important to write about what we don’t know. I am not Japanese. I was not born into the Japanese cultural matrix. That means in order to write about Japan, I have had to do a whole lot of research as well as visiting both Yokohama and Kyoto.

As writers we are often painfully aware of how much we don’t know. This can cause a problem referred to as a “poverty mentality.” Most often this term is associated with how we think about money and finance. I first heard the term used by Natalie Goldberg in Writing Down the Bones:

“People often begin writing from a poverty mentality. They are empty and they run to teachers and classes to learn about writing. We learn writing by doing it. That simple. We don’t learn by going outside ourselves to authorities we think know about it… Stay with your original mind and write from it.”(p30-31)

Sit down and make a list of all the experiences you’ve had that you like to talk about. Then list the ones you never talk about. And the ones you refuse to talk about. Don’t worry, nobody will see these lists but you. Just list the experiences in one or two sentences. You’re taking inventory to see what you have to work with. Here’s my list:

  • When I was nine years old, I came face to face with an armed robber in a sewer.
  • I helped some Greek Orthodox nuns go shopping for glasses at a mall in Fresno.
  • I took a battery-powered submarine ride around the coral reefs off Lahaina on Maui.
  • I once died in a car accident. I recovered, but I remember being dead.
  • At a steampunk convention, two identical twin female world class kendo masters taught me how to use a naginata.
  • I worked as a belly dancer from age 16 to age 18. Jobs included Father’s Day at a retirement home where only the men got to see my teacher and the rest of us.
  • When I was 18, I lived in Holland for two months one summer. I met a Dutch soldier at the disco one night. He walked me to the train station. Our goodnight kiss made me miss the last train.
  • I answer letters written to Santa Claus that come to the local post offices.
  • I’ve been through a Japanese haunted house. Much weirder than Western haunted houses.
  • I won a bottle of champagne in a storytelling contest after hours at the Northern Ren Faire.

Part of this is choosing the unusual experiences. Part of this is knowing how to make an experience unusual by the way you write about it. My friends know I have a talent for getting myself into strange circumstances.

Write the stories only you can tell. You will bring fresh wonder to the world!

"My creative writing professor suggested that I write about what I know...from my own experience!"

 

 

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#atozblogchallege A is for Angle


by Lillian Csernica on April 1, 2019

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Welcome to my sixth year of participation in the A to Z Blog Challenge!

How I Learned To Be A Writer

This year I’m going to share with you 26 separate moments from my writing life, moments that taught me something worth remembering. Moments that helped shape my writing style. Moments that taught me how to endure the bad days and celebrate the triumphs.

A is for Angle

 

“Angle” is a term used by journalists when referring to the focus of the article they’re writing. It means which aspect of the subject matter they intend to emphasize as a means of making the article more relevant and interesting to the readers.

The concept of angle is quite useful to fiction writers. As the indie publishing market has exploded and competition for readership continues to increase, it’s becoming more and more essential to find a fresh approach, some new aspect of the stories we want to tell.

In my Kyoto Steampunk series, I chose to leave Victorian England behind and take my protagonist Dr. William Harrington to Kyoto, Japan. Once the Shogunate fell and the Meiji Emperor opened Japan to the West, Japan experienced its own Industrial Revolution, making it an excellent setting for steampunk stories.

Dr. Harrington’s adventures are a mixture of historical science fiction and Japanese fantasy. When I go to conventions to promote the anthologies where my Kyoto Steampunk stories appear, people are often surprised to hear I’ve chosen Japan for my setting. This fresh angle has resulted in a total of seven short stories so far, along with the novel that is my current work in progress.

Find that fresh angle! It will help you on your road to success.

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Clockwork Alchemy 2019


by Lillian Csernica on March 13, 2019

 

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Yes, it’s time once again for top hats and goggles, airships and submarines, international intrigue and more! Join me and the rest of my multi-talented colleagues as we celebrate all things steampunk!

Here’s where you can find me on each day of the con. I do hope you will stop by and say hello. It’s always a pleasure to hear what people think of Dr. Harrington’s adventures in Kyoto.

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Friday, March 22

1 p.m. in the  Harbour Room

DIALOGUE IN HISTORICAL FICTION: Nuts and bolts technique for layering characterization into dialogue.

Saturday, March 23

11 a.m. in the Sandpebble Room

MAGIC IN STEAMPUNK: Practical tips for working magic into a storyline where period technology is the hallmark of the genre.
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Sunday, March 24

1 p.m. in Authors’ Alley

Stop by my table and pick up your copy of Next Stop On The #13, which includes The Badger Epidemic. Dr. Harrington is forced to take a train to Osaka, where a cholera epidemic is killing the railway workers. Something is waiting for him en route that could prove even more dangerous than cholera itself!

See you there!

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An All-New Kyoto Steampunk Story!


by Lillian Csernica on January 25, 2019

I am delighted to announce the release of Next Stop on the #13, the fourth steampunk anthology featuring stories by the authors of Clockwork Alchemy.

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In The Badger Epidemic, Dr. Harrington is forced to ride a train bound for Osaka through a region afflicted by a cholera epidemic. The Japanese workers needed for building the railways and telegraph lines believe the cholera is spread by the new technology from the West. The British officials insist Dr. Harrington ride the train and prove the superstition is nonsense.

What awaits Dr. Harrington out in the darkness on those lonely train tracks is a danger even greater than the threat of cholera itself.

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Join us for Clockwork Alchemy 2019. Get your copy of Next Stop on the #13 and have it autographed by the authors of each story, including the master of alternate history, Harry Turtledove!

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How To Edit My NaNoWriMo Roughdraft?


by Lillian Csernica on January 16, 2019

2069836It’s time to clean up the NaNoWriMo novel. I have several intense scenes, some good action, and two or three potential plotlines. How do I clean this up? Where do I start?

First, I have to finish typing in all the handwritten material created during my coffeehouse marathons. That allows me a certain amount of editing, but mostly I just want to get all of the manuscript on disk. It’s comforting, really. I hadn’t realized just how much I did write and from so many different characters’ points of view.

Second, I need to figure out who the hero of my story is. Since this is meant to be a Kyoto Steampunk novel, the obvious choice would be Dr. William Harrington, main character of all but two of the seven short stories in the series. Who changes the most over the course of the story? Is it Dr. Harrington, or is it his daughter Madelaine?

(Yes, I did say seven. The latest Kyoto Steampunk short story, The Badger Epidemic, will appear in Next Stop on the #13, available at Clockwork Alchemy 2019!)

page_1_thumb_largeAt the Night of Writing Dangerously, we all received tote bags which included a copy of Save The Cat! Writes A Novel by Jessica Brody. This book is God’s gift to the novel writer, thanks to Ms. Brody’s skill at breaking down and explaining in detail the fifteen story beats that are essential to a strong, successful story. Given what Ms. Brody demonstrates, I know I face crucial questions in sifting through my roughdraft to find the moments that match some or all of those fifteen story beats.

Having done a bit of flailing around while I did my best to achieve my daily word quota, I’ve written a lot of material that could take the story in at least half a dozen directions. Lining up the scenes I’ve written in something approximating chronological order should point the way toward further complications and rising action. While I often work from plot outlines, this time I’ve been extrapolating from the events occurring in the Kyoto steampunk short stories. The consequences of some of those events are now catching up with Dr. Harrington, Madelaine, Constance, and Nurse Danforth.

The novel length has allowed me to introduce new characters, three human and three non-human. The humans are members of the British expatriate society in Kyoto, all of whom have some degree of power to affect the course of Dr. Harrington’s stay. Of the three non-human characters, two are earthly gods while the third is a monster of uncertain provenance. There are few things I enjoy more than squeezing poor Dr. Harrington between the pressures of Victorian social etiquette and the unfamiliar rules that govern the gods and monsters of Japan.

Third? I don’t know what will happen next. I’m just as excited to find out as I hope my readers will be!

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