The wonderful folks at Dragon Soul Press have accepted my story The Katana Matrix for the Honor anthology.
Creating this story was a lot of fun. It’s set in the Darkover universe. I thought to myself, what’s the one thing that will really upset a Comyn lord? Answer: a woman who knows how to use a sword. Enter Nakatomi Madoka, born in the Japanese enclave on Samarra, one of the moons of Darkover. Madoka hires out as a mercenary to Gavin Alton, a Comyn lord who is up to something he doesn’t want other Comyn to hear about. This shady business involves the first matrix crystal discovered on Darkover in a very long time. The power it contains is worth killing for. Madoka must move fast and strike hard to make sure she’s not the one who ends up dead.
I love this cover art so much I plan to have it made into a T shirt. Come see me at BayCon 2023! I’ll be wearing the T shirt there!
When I set out to write The Wheel of Misfortune (Best Indie Speculative Fiction, Volume One), I asked myself what if one of the spirits of Japanese folklore who punish the wicked came after Dr. Harrington? How could the hero of my Kyoto Steampunk series possibly be wicked? This was a great opportunity to explore the early days of Dr. Harrington’s career as a member of the Royal College of Physicians. A serious error in judgment comes back to haunt Dr. Harrington ten years later in the form of the wanyudo, the Soul Eater.
Some people think plotting your story before writing it takes all the spontaneity and adventure out of the process. I disagree. I need at least some idea of where I want to go, if only for that day’s writing. I need a target to focus my aim and build momentum. There’s still a whole lot of adventure to be had just getting from one end to the other in a single scene.
When I began writing fiction, the how-to book that gave me the best advice suggested completing a first draft, then literally cutting apart and pasting together chunks of text. That seems ridiculous now in the age of Scrivener and Evernote. I’m a hands-on kind of person. Crafting provides me with much-needed occupational therapy. This tendency has led me to rely on scene cards for building plots for my longer projects.
Time This can be the century, the year, the season, the hour, whatever you need.
Place Where does this scene occur? You can be as general as galaxy or as specific as a patch of sand on the beach.
Point Of View (POV) Which character’s head is the reader inside? Change of time and/or place requires a scene break. The same is true for a change of POV.
Goal What does the POV want to accomplish during this scene? This can also be whatever the POV wants to avoid doing.
Opposition What prevents the POV from achieving the scene goal? Another character? A natural disaster?
Inciting Incident This is also referred to as the Problem Situation, the change in the POV’s life that sets the story in motion.
Resolution How does the scene end? Is the goal achieved?
Disaster This is one word for the end of scene hook, the twist that raises the stakes and heightens tension and suspense. This is what will keep your reader turning pages.
I find using 4 x 6 notecards gives me the most flexibility when it comes to lining up scenes in different ways. Wondering where to put that exposition? Trying to figure out where a flashback won’t ruin your pace? Scene cards are your friend. Scrivener provides something similar, but I can tolerate only so much screen time. Notecards don’t put you at risk for the dangers of digital eyestrain.
It’s OK if you can’t fill in all the info on every card right away. Story ideas evolve. That’s part of the fun, and another big advantage of scene cards. You can create several variations on the same scene card. Play around with the possibilities. Be sure to keep the cards you don’t use. You never know when those ideas might come in handy!
I am delighted to announce that I will be appearing in person at BayCon 2022! It’s been a long three years. I can’t wait to participate in these panels. BayCon has some really exciting programming this year!
You have ideas. You want to get them out of your mind and into the physical world. How do you do that? Join the panel as they discuss how they came to understand their creative processes.
Lillian Csernica (Sense of Wonder Press) (M), Steven Barnes, M. Todd Gallowglas (Gallowglas Army) (M), Scott Bradley
New work suggests there’s a correlation between Autism Spectrum Disorder and Transgender/Nonbinary flavors of gender. But correlation is not causation. So is a link? And it now looks like female autistics are massively underdiagnosed, so what does that mean for nonbinary folks who may need help with ‘subclinical’ ASD issues? What about ADHD? Is there another link there that’s been overlooked?
Lillian Csernica (Sense of Wonder Press), Pat MacEwen (M), John Blaker
Editors and slush readers discuss what gets a story rejected and what they look for in a story to be considered for publications. Does and don’ts of cover and query letters can also be covered.
Rebecca Inch-Partridge (M), Emerian Rich (Self and HorrorAddicts), Lillian Csernica (Sense of Wonder Press)
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Experiencing pestilence, war, and other significant trauma affects our lives in multiple ways.
From the invalid chair to the mobile exoskeleton, people have needed mobility devices to replace abilities lost to birth defects, disease, accidents and war.
Lillian Csernica (Sense of Wonder Press) (M), Gideon Marcus (Galactic Journey), Colin Fisk
Exotic locales challenge writers to get readers up to speed while keeping the story going. What weird settings have our panelists used and how did they solve the problem—well enough for the editor to buy, anyway.
Jay Hartlove (JayWrites Productions), C. Sanford Lowe (C Sanford Lowe) (M), Lillian Csernica (Sense of Wonder Press)
Come find me at BayCon and get a sticker for your badge!
I enjoy writing by hand. I keep a personal journal along with writing first drafts in my work notebook. As satisfying as this is, there are two drawbacks to this approach. First, if I’m doing a timed free writing session where the goal is to blow past the internal editor, I often can’t read my own handwriting afterward. Second, I then have to spend the time typing in all those pages. That makes a drastic difference in terms of getting stories polished and out to market.
Last week I decided to plow through all the notebooks I’ve been piling up. That meant organizing the ideas and random scenes and large chunks of developing stories. I was delighted to discover quite a few I’d forgotten about writing. This prompted me to indulge in two of my favorite activities: shopping at the Dollar Tree and buying office supplies. Here’s the new binder for the various bits and pieces related to my Kyoto Steampunk stories.
I’ve got more stacks of notebooks to go through. That means more binders, more dividers, and the hunt for more stickers and whatnot to do the decorating. Dollar Tree, here I come!
“A person attracted to that which is foreign, especially to foreign peoples, manners, or cultures.” YourDictionary.com
In Kyoto you will find 400 shrines and 1600 temples. Of the many larger and more famous temples, Kiyomizu-dera is truly one of a kind. If I had to name just one single reason for going to Kyoto, I would say I had to visit Kiyomizu-dera. This was the number one item on my bucket list. Thanks to my husband’s kindness and generosity, this dream came true.
I’ve been a lot of places and I’ve seen a lot of things, and I’ve written about many of them. This is the first time I have deliberately gone to visit a location where I have already set four short stories. My steampunk short fiction, which appears in 12 Hours Later and the forthcoming 30 Days After, centers around Kiyomizu-dera. If there’s such a thing as a literary pilgrimage, I made one, and it stands out as one of the highlights of my strange and adventuresome life.
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The Pure Water Temple stands halfway up Mt. Otowa, near the Otowa Falls. Primarily a shrine to Kannon (aka Kwan Yin), the Goddess of Mercy, the main hall is home to the Eleven-Headed and Thousand-Armed Kannon Boddhisatva. There’s a lot to know about Kiyomizu-dera. Please follow the links to discover fascinating facts about this temple and Kyoto itself, both ancient and modern.
There must have been hundreds of people visiting the temple the day Pat and I were there. People were dressed in traditional kimono or yukata, modern street wear, or school uniforms. When a tour group of high school boys passed by, a dozen manga sprang to mind.
The best times of the year to visit Kiyomizu-dera are springtime for the cherry blossoms and autumn for the maple leaves. Few things are more beautiful to me than the sight of late afternoon sunshine seen through the red leaves of a Japanese maple.
Here I stand on the veranda overlooking a thirteen meter drop. Known as the Stage, the veranda is built from over four hundred cypress boards. The Stage contains not a single nail. Wooden pegs were used instead.
In “A Demon in the Noonday Sun,” this is the spot where Dr. Harrington must protect the Abbot against the anger of Amatsu Mikaboshi, the Japanese god of chaos. The Abbot is sitting in a steampunk wheelchair at the time. Amatsu Mikaboshi keeps blasting it with black fire. Poor Dr. Harrington, a scientist to the bone, has to make a rather sudden adjustment to the reality of Japanese gods and monsters!
This is the view of the Stage from the opposite direction. I stood at the corner on the center left.
There are several shrines on the temple grounds. This is an excellent example of a shrine to Inari, god of rice/wealth. I love those fox figurines. Strangely enough, I could not find a shop that sold them.
Kiyomizu-dera is known for its shrine to Okuninushi, the god of romance and matchmaking. The statue of him makes him look like a tough samurai. Standing beside him is a rabbit that could give the one in “Donnie Darko” a run for its money. The rabbit holds a haraegushi, a “lightning staff” decorated with those paper zigzags called shide.
Now for the rather chilling part of this expedition. The sign below explains the history of the god whose name is never spoken, the one who will punish playboys and heartbreakers. A wronged woman can take a straw figure that represents the man who hurt her and nail it to the cypress tree behind this particular shrine. The god-with-no-name will then bring down some hard karma on the man responsible.
Note, please, that the second thing to scare me in the Haunted House at Toei Kyoto Studio Park was a falling tree. Pat told me later she noticed it was a cypress with a straw figure nailed to it. We didn’t understand that at the time. Now we do!
The ema plaques below give one insight into the hopes and dreams of many people. I was surprised to discover some of them had English writing on them, not just kanji. Pilgrims come to Kiyomizu-dera from all over the world. Most of the plaques we saw had a sheep on them. Still not sure what that was all about.
Here are the three waterfalls that grant particular blessings. On the far right, wisdom. In the center, long life. On the left, success in scholarship. I meant to drink from the water of longevity. Turns out I drank the water for wisdom instead. I suspect that’s probably what I really need!
Soon it was time to head back down the mountain. This took us back along the Sannen-zaka, a narrow lane lined with shops selling maneki neko, fans, mochi, dango, all sorts of postcards and cell phone charms and the items pilgrims might need such as prayer beads.
I bought a hat embroidered with a battle between the God of Wind and the God of Lightning. Pat found a number of items on her souvenir wish list. If you love shopping, you simply must visit the Sannen-zaka. We also enjoyed a singular snack: pickled cucumber on a stick. Legend has it that cucumbers are the favorite food of Japan’s most famous monster from folklore, the kappa. I have to say the giant pickle on a stick was crunchy and refreshing, right up until the moment when I bit into the stick.
“When you nitpick, you focus on small, specific mistakes.” — Vocabulary.com
Writing about history gives me an opportunity to get the big picture on how different countries have tried to make different strategies work. Economic strategies, military strategies, and the more cultural and artistic strategies that come under the heading of fashion. There is one particular occupational hazard to becoming an historical writer. One can develop an obsession with historical accuracy that appears to people outside one’s own head as relentless nitpicking.
A good example is Scotland. Not the wealthiest of countries, Scotland has a long history of internal clan conflicts and the border wars with England. The weather in Scotland tends toward clouds and rain. Sheep do well on the landscape of Scotland, so you see a lot of wool in their clothing styles, especially the kilt. I know a lot of people who have spent a great deal of time looking up their family tartans. When in the company of such people, I’ve learned to keep my knowledge of history to myself. The truth is, clan tartans are an invention of the Victorian period. This is one of those nasty facts that bursts the romantic bubble of many an amateur historian.
I’ve written often about my fondness for Japan. Feudal Japan was an era of strict social classes, laws about fashion, and precise rules about social etiquette. While the tyranny of the Tokugawa Shogunate was eventually its own undoing, I must confess I find a certain comfort in having so many matters of culture spelled out for me. Modern Japanese also enjoy the two-edged sword of knowing exactly who they are and where they stand in whatever social context they find themselves. In the time of the Tokugawa, clothing, hairstyles, personal ornamentation, and weaponry were the indicators of social position. I find it one of history’s most humorous moments to see all that grandeur reduced to the business card. That has become the crucial indicator of status and context for the Japanese. Westerners are advised to bring plenty of their own. Otherwise there are business available to produce cards very quickly with one side in English and the other in Japanese. Context is everything, and Japan is a high-context society.
I write romance novels, so I get to take a close look at the techniques of wooing in various times and places. Medieval Europe had the concept of the Court of Chivalry. Eleanor of Aquitaine was largely responsible for this idea. Knights were measured against the Code of Chivalry to see if they met the beau ideal of those times. The real purpose of the Courts of Chilvary was to keep the women occupied while the men were off on Crusade or fighting battles closer to home. Bored noblewomen can be dangerous noblewomen, as Eleanor of Aquitaine herself proved more than once.
Novels from the Regency and Victorian periods entertain me because they’re all about clothes and money. Social position is the bottom line, and so many of the characters are looking to trade up. Finding someone you can love for the rest of your life is nowhere near as important as finding someone with a respectable income of so many hundreds or thousands of pounds per year. Love might be a nice side effect of marriage. Nobody expected it to be the whole point.
Oddly enough, ancient history holds little appeal for me. The mysteries of ancient Egypt focus so much on the afterlife. I know more than I ever wanted to about the process of mummification. I find it interesting that the Egyptian gods have animal heads, also found in the Hindu pantheon. What does this similarity mean? What exchange of culture might have gone on that modern archaeologists have yet to discover? As with so many cultures, the most noteworthy people are the upper classes, especially the royalty. The lower classes, especially the slaves, had a hard life. Not a lot of romance there for me. I’m not fond of desert climates.
One of the most fascinating aspects of history is food. For the first romance novel I ever wrote, I had to go looking for Basque cookbooks because that novel is set in Navarre. I finally discovered what my heroine would have for breakfast: chestnuts boiled in milk and sprinkled with nutmeg. In Egypt the custom of having many festal days where the upper classes distributed beer and bread to the lower classes was based as much on pragmatism as piety. If not for that custom, many members of the lower classes in Egypt would have starved to death. The key difference in culinary art between the Middles Ages and the Renaissance came down to the use of spices. The Middle Ages saw lots of spices thrown in for rich flavors. Renaissance cooking became more selective, creating unique dishes centered around particular flavor combinations. My research in this area taught me the delights of chicken prepared with cinnamon.
Then there’s jewelry. I could go on and on about dressing up my heroes and heroines in the bijouterie of their particular time periods. From the hair ornaments of the geisha to the mourning rings of the Victorian period, from the carnelian combs of early Russia to the prayer ropes of the Middles Ages called paternosters made from ivory beads or garnets or even pearls, the treasure chests of history are overflowing with splendor and detail. I once had the pleasure of visiting the Smithsonian Institution and seeing the earrings of Marie Antoinette. I had to wonder how she avoided ending up with earlobes stretched like King Tut’s.
History is full of little questions like this, alongside the larger mysteries. And so with every novel I go exploring!
If you’re interested in experiencing the wonders of both ancient and modern Japan, then you must visit Kyoto. I live in California. It took one car, three planes, a bus, and a taxi to get me from my home to the hotel in Kyoto. Does that sound exhausting? It was, but what I found in Kyoto made it all worthwhile.
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Kyoto Station
It’s huge and beautiful. In addition to the train station, you’ll find a theater, two malls, a museum, a bus station, a 540-room hotel, and at least two dozen restaurants. Kyoto Station has its own zip code. No wonder! It’s a city unto itself.
There’s always someone ready to help, both official and everyday folks. At Kyoto Station they’re used to helping foreigners find their way around. Many of the taxi drivers are eager to practice their English language skills.
The clerk at my hotel (across the street) assured me I could find whatever I wanted inside Kyoto Station, and she was right. Isetan Department Store, free wifi, even a yen store, which is the equivalent of our Dollar Tree.
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Imperial Palace
A train ride and a short hike brought us to the Imperial Gardens that are part of the Palace Grounds. We had made a reservation for one of the tours given in English. The Imperial Household Agency runs these tours. We were directed to arrive twenty minutes ahead of time at a specific outer gate. There we found something of a staging area in the form of a gift shop with tables outside and the usual array of vending machines offering a variety of drinks.
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Toei Kyoto Studio Tour
Toei Kyoto Studio Park is not an amusement park in the sense we Americans understand it, i.e. a lot of carnival rides that will make you want to throw up. Instead, it’s living history much like the Renaissance Faire. The actors I spoke to knew their history and were more than happy to pose for photos. I consider this adventure to be one of the high points of my visit to Kyoto.
Toei Studios is behind quite a diverse selection of entertainment, including Battle Royale, Kamen Rider, and Super Sentai, the origin of the Mighty Morphin Power Rangers. In the 1950s, samurai movies were hugely popular, as proven by Akira Kurosawa’s Rashomon, Seven Samurai, and Yojimbo, just to name a few.
The park also features a Haunted House. I avoid haunted house attractions because they’re usually more gory than scary. When Pat suggested going through the Haunted House, I had to do it. After all, Japanese ghosts and monsters are very different from the frights we find in the West. First stop: the Haunted Forest. I knew there was a person in the trees off to my left. It must have been a woman, to judge from the creepy ululating cry. That distracted me just enough so I didn’t see the tree until it started to fall on me. Well, that got the adrenalin pumping. I’m just going to come right out and admit I was so scared I could hardly make myself keep moving forward. By the time I got to the room where all the dolls had bleeding eyes, I was ready to run for it.
Kiyomizudera
In Kyoto you will find 400 shrines and 1600 temples. Of the many larger and more famous temples, Kiyomizu-dera is truly one of a kind. If I had to name just one single reason for going to Kyoto, I would say I had to visit Kiyomizu-dera. This was the number one item on my bucket list. Thanks to my husband’s kindness and generosity, this dream came true. I致e been a lot of places and I致e seen a lot of things, and I致e written about many of them. This is the first time I have deliberately gone to visit a location where I have already set four short stories. My steampunk short fiction, which appears in the Later series of anthologies from Clockwork Alchemy, centers around Kiyomizu-dera. If there’s such a thing as a literary pilgrimage, I made one, and it stands out as one of the highlights of my strange and adventuresome life.
The Pure Water Temple stands halfway up Mt. Otowa, near the Otowa Falls. Primarily a shrine to Kannon (aka Kwan Yin), the Goddess of Mercy, the main hall is home to the Eleven-Headed and Thousand-Armed Kannon Boddhisatva. There’s a lot to know about Kiyomizu-dera. Please follow the links to discover fascinating facts about this temple and Kyoto itself, both ancient and modern.
Kiyomizu-dera is known for its shrine to Okuninushi, the god of romance and matchmaking. The statue of him makes him look like a tough samurai. Standing beside him is a rabbit that could give the one in Donnie Darko a run for its money. The rabbit holds a haraegushi, a “lightning staff” decorated with those paper zigzags called shide.
Most people think a Crazy Cat Lady is someone who gets fixated on cats, loses all sense of smell thanks to all the litter boxes, and sits around all day in their bathrobe and jammies. The truth is, Crazy Cat Lady Disorder (CCLD) is a spectrum disorder. The popular image of the Crazy Cat Lady is an example of someone at the extreme end of the spectrum. CCLD can manifest in milder forms, such as a compulsive need to collect Hello Kitty items or the tendency to wear cat ears and a tail when attending certain social events. Some of us are born with CCLD, some of us achieve CCLD, and some of us have CCLD thrust upon us. I fall into the third category. I was born a cat magnet.
The night I met Spice: I came home late from work. That meant I had to park on the street and cross the lawn to my front door. Out of nowhere this little marmalade tabby cat came zooming up to me and wrapped himself around my leg. I was still living with my mother at that time. Spice would sleep inside my car at night, then I’d let him out in the morning. After I got married, I took Spice with me when I moved to Northern California. He lived with friends of ours for two years until we moved into an apartment where we could have a cat. Spice lived to be eighteen years old.
The feral tabby: I’d been at a writer’s group meeting hosted by Jerry, a member of the group. Outside I saw this calico cat who looked rather thin and skittish. After a few minutes of coaxing, the cat came over to me and let me pet her. The poor creature hadn’t been eating well. Some fur was missing due to mange. Jerry and my husband stood at a distance down the sidewalk. Jerry looked perplexed while my husband stood there grinning. Jerry said he’d been trying to get the cat to accept food from him, but all he could do was put the dish down and go away. My husband explained my “cat magnet” powersmuch to Jerry’s chagrin. Jerry considered himself good with animals. When it comes to feral cats, the relationship is entirely on their terms.
The calico at the Cloisters: On our honeymoon, my husband and I went to the East Coast so I could meet all the in-laws who couldn’t make it to California for the wedding. We spent some time in New York seeing the museums and a Broadway show. At the Cloisters, it was a quiet day and the parking lot wasn’t very full. We parked around back by the kitchen door of the museum’s restaurant. I noticed a little calico cat hanging out by the kitchen door, clearly hoping for some food. As soon as I got out of the car, the cat spotted me and came running across the parking lot, meowing up a storm. The cat ran right up to me and just kept meowing away. Whatever the message was, it was urgent. (I now make a habit of carrying cat treats. At that time, I had no such thing so it’s not like the cat could smell food on me.) I felt so bad that I couldn’t understand what the cat was trying to tell me! All I could do was thank the cat for the message and tell her I’d be sure to pass it along. The cat meowed once more then ran back to the bushes near the kitchen door. During the rest of our honeymoon, my husband kept telling his family about this incident. That cat definitely wanted to talk to me!
The gorgeous cat in Japan: On my first trip to Japan I visited Yokohama for Nippon 2007, I the first World Science Fiction Convention in Asia. I took a side trip to Kamakura to see the temple of the Daibutsu, the fifty foot bronze Buddha. On my way back to the bus stop, I met a most unusual cat. Its outer coat was the color of mahogany, its undercoat creamy white, and its eyes were the green of Midori liqueur. The cat lounged in the sunshine of a residential driveway.
“Konnichiwa, Neko-san,” I said. “Daijobu desu ka?”
(“Hello, Mr. Cat. How are you?”)
The cat meowed in reply. I regret to say I couldn’t understand his comment. Being a proper Japanese cat, he wouldn’t allow me to pet him in public. He retreated to a branch in a nearby tree.
Crazy Cat Ladies are known for owning really impressive numbers of cats. My all-time high is fourteen. At that time I lived on an acre of land in a rural area. I had two cats of my own. The lady next door moved out, taking her mama cat with her and leaving the four kittens behind. Three of them adopted me. Two of those three were female and went into heat before I could catch them and have them spayed. And so I ended up with a total of fourteen cats. I did not cherish the vet bills, but I did have lot of fun watching the two mama cats with their eight kittens playing in the grass while the uncle cat looked on.
I have entered the demographic where owning several cats and wearing a bathrobe and slippers all day makes me one of two things: a Crazy Cat Lady or a writer. In my case, I’m both. Whenever gift-giving occasions arise, I often receive something that involves cats. One year my family threw me a surprise birthday party. The theme? Crazy Cat Lady. On a cake done in pink and lavender icing sat the Crazy Cat Lady action figure available from Archie McPhee. The figure has blonde hair. Somebody had colored it to become brunette like me. The cake also feature fancy candles that said “Birthday Girl,” along with various plastic toy cats and even a cardboard cat tree scratching post! On the table sat clusters of plastic toy cats in a variety of breeds and colors, enough to add up to my exact age. Somebody even went to the trouble of wrapping up a birthday present inside the box for a case of Friskies wet food.
My presents included a bathrobe, pajamas, and slippers that match the action figure. Granted, the figure already existed, but I can now say that as a Crazy Cat Lady, I have my own action figure. A purple zebra-striped birthday crown and a brand new pooper scooper scepter completed my royal birthday regalia. Having Crazy Cat Lady Disorder is a mixed blessing, but if it means people throwing me parties like this, I’m all for it.
I am one of two Municipal Liaisons for my region, which is Santa Cruz County in California. In the spirit of helping this year’s participants, both the new folks and those returning, allow me to offer some ideas based on how I get ready for the mad dash from one end of NaNoWriMo to the other.
National Novel Writing Month is all about writing 50,000 words in 30 days. That’s 200 pages. 1667 words each day. Half a novel. A full roughdraft, maybe. Whatever you want to write, in whatever way you want to write it. Everybody’s creative process is unique. Feel free to do whatever gets you to the 50k mark by November 30.
Last year I wrote Silk & Steam, the first novel in my Kyoto Steampunk universe. It took me some time after the end of NaNoWriMo to come up with an ending that was really strong. Now I’m rewriting to make the whole manuscript live up to that ending. I want that novel to be the only novel in my head right now, so for this year’s writing project, I need to go in a different direction.
For the 20th Anniversary of NaNoWriMo, I plan to write short stories. Six short stories, 1700 words each. That’s more than a story a week, so this is going to be a real challenge. My best time up to now has been total of three weeks for writing a short story start to finish with editing and polishing. During NaNoWriMo I’m going for six complete first drafts. This means I have to do a lot of planning before November 1.
Where do I start my planning for six brand new short stories?
I start with the monsters. The yokai, which more accurately translates as “bewitching apparition,” are the supernatural creatures of Japanese folklore. Each of the seven stories in the Kyoto Steampunk series features a particular yokai. So I need six new yokai, and I’m thinking about a location where Dr. Harrington and his family would be likely to find all six.
I already have subplots in motion given the seven other stories already published. A quick list of where all of my main characters are at the end of the novel provides a starting point for each of them. At the moment I’m considering the possibility of writing each story from a different character’s viewpoint. If I create one basic story and then provide each character’s personal stakes in those events, I might be able to create quite a mosaic that brings the world of Kyoto Steampunk to life.
And so the new stories begin to grow!
Is there such a thing as too much preparation? The answer to that depends on whether you’re a planner, a pantser, or somewhere in between. I identify as a plantser. I need a certain amount of planning to get the shape of the story. Then I set the timer and throw myself into the scene. On the days when the words won’t come out easily, a word sprint is your best friend.
What do you do to get ready? How do you decide what project you want to work on? I’d be delighted to hear about your process. We’re all here to help each other through the 30 day marathon that is NaNoWriMo.
It’s taken me more time than usual to recover from the wonders of BayCon. This year’s amazing spectacle had so much going on I wanted to be in at least two different places in every time slot. Here are the highlights of one of the better con weekends I’ve enjoyed.
justshineon.com
How diverse is diversity?
Gregg Castro (Salinan T’rowt’raahl) (M), Dr. yvonne white (Hayward High School), Lillian Csernica (Sense of Wonder Press), Jean Battiato
I added another layer to the definition of diversity by speaking for those who have disabilities, whether physical or psychological. While some physical disabilities are obvious and others are not, most psychological problems are not immediately apparent. Thanks to the expanding realm of neurodiversity, more and more people are aware of the prevalence of autism, of clinical depression, of chronic pain, and other conditions that create daily challenges on several levels.
John wanted to attend this event. He’s been drawing for years and has taken at least two ceramics classes in school. Now he’s interested in learning how to tell a good story to go along with his illustrations and sculptures. Margaret did a wonderful job of explaining the techniques of oral storytelling. There was a young lady present as well. Margaret encouraged both John and this young lady to use their own original characters as part of practicing the techniques she discussed. I am delighted to say I learned quite a lot also! Margaret’s techniques came in very handy for the Spontaneous Storytelling panel on Sunday.
mythicalrealm.com
Altered Beast
Werewolves and other shapeshifters in mythology and literature.
Kevin Andrew Murphy (M), Lillian Csernica (Sense of Wonder Press), Pat MacEwen
I have written and published three stories with Kevin and one (so far) with Pat. We all have extensive libraries on folklore and shapeshifters, so we took the audience on a round-the-world tour of the beliefs and manifestations of the “werewolf” tradition.When we three are together, you will hear some of the weirdest facts and fancies you could imagine!
Spontaneous Storytelling
Panelists developing a story developed by multiple choice suggestions from audience members.
Jeff Warwick (M), David Brin, Lillian Csernica (Sense of Wonder Press), Mark Gelineau (Gelineau and King)
Jeff is brilliant. Get somebody who was in the audience for this panel to tell you about the illustrations he drew while the story evolved, most notably The Harmonicat. This critter has now entered into the annals of A Shot Rang Out folklore right up there with Darth Tetra. I found a way for our protagonist to speak Japanese to the cat. David Brin picked right up on that and easily blew my tourist doors off with his accent and much better grammar. Mark Gelineau caught some of the stranger audience suggestions and turned them to his advantage. A good time was had by all!
clinicalpsychreading.blogspot.com
The Ink That Rushes From Your Heart
Dorothy Parker wrote “Never never dip your quill/In ink that rushes from your heart.” Being willing to do exactly that is what will bring the deepest meaning to our writing. How do we bring ourselves to be that honest and vulnerable in our stories?
Lillian Csernica (Sense of Wonder Press) (M), Jay Hartlove (JayWrites Productions), Ms. Maya Kaathryn Bohnhoff (Book View Café)
It’s not easy to talk about one’s creative process, but the three of us gave it a solid try. Jay described how the combination of his acting training and his directing skills help him render authentic emotion on the page. Maya gave us some very personal insights into how she transforms personal pain into dynamic action in her stories. Me? I keep digging deeper and deeper into the hearts of my characters to find the pain that drives them onward, that won’t let them sleep, that gives them strength in the face of crushing opposition. Pain is supposed to be Nature’s way of telling us to stop doing something. For writers, it’s what keeps us writing.
I'm a professional writer living in Northern California with my husband and two sons. Fantasy in various forms is my reading and writing pleasure. I'm a history buff, a Japanophile, and I love to learn about language(s). I enjoy making jewelry, using natural materials such as wood, bone, semiprecious stones, and seashells. I collect bookmarks and wind chimes.
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