by Lillian Csernica on October 7, 2022
When I set out to write The Wheel of Misfortune (Best Indie Speculative Fiction, Volume One), I asked myself what if one of the spirits of Japanese folklore who punish the wicked came after Dr. Harrington? How could the hero of my Kyoto Steampunk series possibly be wicked? This was a great opportunity to explore the early days of Dr. Harrington’s career as a member of the Royal College of Physicians. A serious error in judgment comes back to haunt Dr. Harrington ten years later in the form of the wanyudo, the Soul Eater.
Some people think plotting your story before writing it takes all the spontaneity and adventure out of the process. I disagree. I need at least some idea of where I want to go, if only for that day’s writing. I need a target to focus my aim and build momentum. There’s still a whole lot of adventure to be had just getting from one end to the other in a single scene.
When I began writing fiction, the how-to book that gave me the best advice suggested completing a first draft, then literally cutting apart and pasting together chunks of text. That seems ridiculous now in the age of Scrivener and Evernote. I’m a hands-on kind of person. Crafting provides me with much-needed occupational therapy. This tendency has led me to rely on scene cards for building plots for my longer projects.
Time This can be the century, the year, the season, the hour, whatever you need.
Place Where does this scene occur? You can be as general as galaxy or as specific as a patch of sand on the beach.
Point Of View (POV) Which character’s head is the reader inside? Change of time and/or place requires a scene break. The same is true for a change of POV.
Goal What does the POV want to accomplish during this scene? This can also be whatever the POV wants to avoid doing.
Opposition What prevents the POV from achieving the scene goal? Another character? A natural disaster?
Inciting Incident This is also referred to as the Problem Situation, the change in the POV’s life that sets the story in motion.
Resolution How does the scene end? Is the goal achieved?
Disaster This is one word for the end of scene hook, the twist that raises the stakes and heightens tension and suspense. This is what will keep your reader turning pages.
I find using 4 x 6 notecards gives me the most flexibility when it comes to lining up scenes in different ways. Wondering where to put that exposition? Trying to figure out where a flashback won’t ruin your pace? Scene cards are your friend. Scrivener provides something similar, but I can tolerate only so much screen time. Notecards don’t put you at risk for the dangers of digital eyestrain.
It’s OK if you can’t fill in all the info on every card right away. Story ideas evolve. That’s part of the fun, and another big advantage of scene cards. You can create several variations on the same scene card. Play around with the possibilities. Be sure to keep the cards you don’t use. You never know when those ideas might come in handy!
One response to “#nanoprep What If? What Next?”
I’ve found the 3×5 card approach more useful for non-fiction, personally, but that’s because I can stack the sections I’m developing with the citations I used, and ideas about what else might fit into that place.