by Lillian Csernica on May 23, 2018
Friday 1:30 p.m. The Perfect Poison
Is it possible to create a poison that will kill only the target, no matter who else is exposed? Genetic engineering and personalized medicine may well collide in a perfect storm of individually targeted weapons rather than cures. What genetic markers would be most useful? What if you can target families or ethnic groups?
Saturday 1:00 p.m. Getting the Point
Understanding the pros and cons of the various points of view available to the storyteller.
Sunday 1:00 p.m. It Began with a Monster
200 years ago, Mary Shelley published the singular novel that set the stage for modern genre literature: Frankenstein: Or, The Modern Prometheus. In the two centuries since the full-novel’s publication, Shelley’s Frankenstein has flourished as a touchstone for authors and filmmakers across the spectrum, carving out a mythos and a creative playing field to rival the legends of antiquity.
Sunday 5:30 p.m. Religion in Fantasy & Science Fiction
Where are the Gods and churches and when they exist, what purpose do they serve?
Monday 1:00 p.m. Creative Writing for Kids
Come and learn the six basic elements of a good story. Plenty of fun examples and some exercises to help new writers experience professional writing techniques.
Filed under charity, classics, Conventions, cosplay, creativity, editing, fairy tales, fantasy, Fiction, historical fiction, history, Lillian Csernica, neurodiversity, publication, research, science fiction, sword and sorcery, travel, Writing
by Lillian Csernica on December 20, 2017
Write the ending first. It will probably evolve. That’s fine. You can change it. When you have a destination in mind, it’s easier to map the route, right? Same goes for stories. When you know what you’re aiming for, you can figure out how to put the best obstacles in your main character’s way. He or she will fight harder and then win a bigger victory.
Go where the energy is strongest. Listen to your characters. Write down what they want to tell you. They may have ideas that haven’t broken through to your writing mind yet. I know, some days you just can’t figure out what to write next or how it should be written. Find a conversation, a bit of internal narrative, or some big disaster in the story that captures your imagination. Run with it! See where it takes you.
Experiment with POV. Who has the most to lose? Who has nothing to lose and everything to gain? Writing from the antagonist’s POV can provide useful insights. You don’t have to use this writing in the actual story. The better you know what’s going on in the minds of each of your characters, the more precise and vivid their actions and dialog will be on the page.
Go big or go home. Push your action, your characters, your magic, your tech, as far and as hard as you and it can go. Don’t be timid. Readers want powerful writing. Yes, there’s a lot to be said for the brushstroke technique, but when you’re trying to finish that first draft, it’s better to go all out. Throw in everything and the kitchen sink. The editing process is the time for picking and choosing which story ideas to keep.
Finish it. Until you finish it, you can’t submit it. Until you submit it, you can’t sell it. I know that’s obvious, but it’s important to bear all this in mind. Writing is hard work. The initial rush of a new idea wears off and then you have to figure out the rest of the story. It’s easy to get swept up in a new idea and leave that other one sitting on your mental back burner. FINISH IT. The only way to learn how to write better, stronger stories is to get all the way through them one at a time.