Tag Archives: Kyoto

#atozchallenge X is for Xenophilia


by Lillian Csernica on April 27, 2019

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Welcome to one of the more unusual days in the A to Z Blog Challenge. X is a tricky letter.

My apologies for this post going up a bit later than the others. My in-laws from back east have been visiting and I got a bit behind.

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I have a confession to make: I am a Xenophile. This will come as no surprise to folks who have read this far in my A to Z. I love foreign people, places, and things.

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When did this start? I was in first grade. A family from Japan moved into the apartment across the big grassy yard from where I lived. Hiro Takahashi joined my class. Getting to know him, his sisters, and his parents gave me my first glimpse into a whole new world.

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From age 16 to 18, I worked as a professional Turkish-Moroccan belly dancer. My teacher, a marvelous lady from Saragossa, Spain, taught me so much about her part of the world. I still have the coin belt made for me by a Turkish man. 144 diamond-shaped silver coins, all stamped with the Venus di Milo.

As my high school graduation gift, my father sent me to the Netherlands. I spent the summer with the family of the girl who had been my Physics lab partner on a student exchange program. While I was there I took a weekend bus tour to Paris, France. I am now all the more grateful for that trip, given that it allowed me to see Our Lady of Notre Dame cathedral in its full glory.

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My fiction has been translated into German and Italian. (Ship of Dreams became In the Spell of the Pirate.) I’m looking for someone to translate a novella into Japanese. If you know anybody, drop me a line, won’t you?

And of course I’ve had some adventures in Yokohama and Kyoto.

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theconversation.com

Why am I so attracted to the Other? People fascinate me. How they think, what they think, and why they think it. Just the single concept of life after death has given rise to so many different schools of thought. The pursuit of happiness involves such a broad spectrum of effort depending on how one defines happiness.

Writing allows me to take apart some aspect of life and put the pieces back together in a new way. Am I trying to make some sense of what I’ve experienced? Probably. Am I trying to bring order to a chaos that leaves me frightened and bewildered? Probably. It’s not all one-for-one, of course. By the time I get to the final edit of a story, the pieces of me I’ve used undergo quite a process of transformation.

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Filed under #atozchallenge, Blog challenges, cats, Conventions, Family, fantasy, Fiction, Goals, historical fiction, history, Japan, Kyoto, memoirs, perspective, pirates, publication, research, romance, Writing

#atozblogchallenge L is for Location


by Lillian Csernica on April 13, 2019

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One of the key ideas in retail success is “Location, location, location.” Put your business in the right place, where the right customer base will find you, and you stand a much better chance of making a profit.

When writing stories, your setting is a vital element. I see a lot of stories with complex worldbuilding, but the setting is more like stage scenery or a rack of props. Where you locate your story, or which locations appear in your story, can be just as powerful a story element as plot or character.

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Consider some famous settings:

Mars — The Martian

A train — Murder on the Orient Express, Strangers on a Train

A bus — Speed

A deserted islandRobinson Crusoe, Lord of the Flies

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These settings have crucial aspects in common:

  • The physical location is very limiting, requiring quick thinking and immediate adaptation.
  • The main character is trapped in that setting. There is no easy way out.
  • The stakes are life or death.

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When I write historical fiction, location encompasses not just the physical setting but the time period as well:

Fallen Idol starts out in a mall food court, an ordinary, modern, nonthreatening setting. The main character, a photographer, notices a girl with elaborate and dramatic makeup. The rest of her skin is completely covered up by layers of clothing. The photographer follows this girl to a creepy abandoned factory, full of strange foreign folk art, where the rest of the story, rooted in a famous historical conflict, takes place.

Saving Grace is set in a chateau on a pilgrimage route in 14th Century France. The main character fled Russia during the Tatar invasion. She is a vampire. That makes daily living hard enough. She is also a member of the Russian Orthodox Church. At this time most of the Western world was controlled by the Pope of Rome. That puts my heroine in constant danger of arrest as a heretic and schismatic. That meant being burned at the stake.

The Kyoto Steampunk stories take place in Kyoto 1880. Dropping a Victorian physician into an Oriental environment where he can’t speak the language and knows nothing about the social protocol makes every problem I give him twice as difficult.

Make the most of your fictional location. It can make a huge difference!

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An All-New Kyoto Steampunk Story!


by Lillian Csernica on January 25, 2019

I am delighted to announce the release of Next Stop on the #13, the fourth steampunk anthology featuring stories by the authors of Clockwork Alchemy.

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In The Badger Epidemic, Dr. Harrington is forced to ride a train bound for Osaka through a region afflicted by a cholera epidemic. The Japanese workers needed for building the railways and telegraph lines believe the cholera is spread by the new technology from the West. The British officials insist Dr. Harrington ride the train and prove the superstition is nonsense.

What awaits Dr. Harrington out in the darkness on those lonely train tracks is a danger even greater than the threat of cholera itself.

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Join us for Clockwork Alchemy 2019. Get your copy of Next Stop on the #13 and have it autographed by the authors of each story, including the master of alternate history, Harry Turtledove!

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Filed under Conventions, doctors, editing, fairy tales, Family, fantasy, Fiction, historical fiction, history, Japan, Kyoto, legend, Lillian Csernica, publication, steampunk, travel, Writing

The Imperial Palace (Kyoto Day Five)


by Lillian Csernica on December 6, 2015

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A train ride and a short hike brought us to the Imperial Gardens that are part of the Palace Grounds.  We had made a reservation for one of the tours given in English.  The Imperial Household Agency runs these tours.  We were directed to arrive twenty minutes ahead of time at a specific outer gate.  There we found something of a staging area in the form of a gift shop with tables outside and the usual array of vending machines offering a variety of drinks.

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Pat took the opportunity to sit for a while.  The tour is a walking tour that takes close to an hour.  I had a look inside the gift shop.  In Japan it’s traditional to wrap up gifts in furoshiki, large squares of fabric that come in many beautiful designs.  Much to my delight, this gift shop had a whole case devoted to furoshiki.  The young man behind the counter was very kind in helping me look through the variety of colors and patterns until I found two that would suit the gifts for my mother and my sister.

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This is where I got down to business in terms of serious research.  Most of the story in the third novel in the Flower Maiden Saga takes place at the Imperial Palace.  Tendo and Yuriko will be a long way from their allies in Satsuma, surrounded by the politics and prejudices that fill the Emperor’s Court.

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In an earlier post I mentioned not seeing many Caucasian people while I was in Kyoto.  As people began to assemble for the tour given in English, I heard French, German, Italian, and Russian.  At the appointed time, our passports were checked again as we passed through one of the huge gates and into the outer courtyard.  We assembled in a waiting room full of padded benches.  There were lockers available free of charge, which was quite considerate.  People with backpacks or heavy purses (like mine) could park them in a locker, the better to enjoy the tour.

Our guide was a wonderful lady named Yoshiko.  She introduced herself, then the tour began with a short audiovisual presentation that gave us more detailed information on the Palace.  Whoever wrote the tour guides’ script did a good job of providing more than just names, dates, and places.  I suspect Yoshiko brought her own personal flair to the tour.  As much Japanese history as I already know, there’s still so much more waiting for me.  Yoshiko and I had a nice chat about the writings of Murasaki Shikibu and Sei Shonagon.

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I am standing in front of the Kenreimon, the gate through which foreign dignitaries would be admitted to the outer courtyard of the Palace grounds.  George W. Bush entered through this gate during one of his official visits to Japan.

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The Jomeimon is the inner gate leading to the inner courtyard.  Notice that blazing orange color, vermillion.  It was at this point when our tour guide mentioned it that we learned the true purpose of this color.  A fixed form of sunlight or fire, the color serves to drive away evil spirits.  The structure visible through the pillars is the Shishinden, the building where the enthronement ceremonies of Emperor Taisho and Emperor Showa took place.

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In the Shodaibunoma, there are three waiting rooms. Officials who had business with the Emperor were sorted into one of these three rooms according to rank and priority.

The first has screens painted with sakura, or cherry blossoms.  I hope the people in the sakura room had packed a lunch, because they were probably sitting there for quite a while.

The middle room features tigers:

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Cranes decorate the third room waiting room, where the most important people sat drinking tea until their turn came.

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www.japantour.co

 This is the room where the Emperor sat at his writing desk, receiving messengers, officials, and conducting the business of the empire.  Inside the striped canopy is what amounts to the Emperor’s recliner where he could retire when he needed a break.

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Notice the fu dogs seated outside the canopy.  Fu dogs are the guardians of the sacred, which is why you see them at the gates of temples.  The Emperor, being divine, deserved the same kind of veneration, respect, and protection.

 

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See the heron?

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No koi in this part of the garden at that time.

 

To be there, looking at the rooms once occupied by the man believed to be descended from Amaterasu Omikami, the Sun Goddess herself, left me in a state of overwhelming awe.  A thousand years of history had happened, all those lives, all those hopes and dreams, on the grounds where I stood.  For a writer of historical fiction, it doesn’t get any better than this.

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The Meiji Emperor and the Royal Family in 1900.

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Emperor Akihito and the Royal Family, 2014.

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My Steampunk Debut!


by Lillian Csernica on May 6, 2015

 

 

I am delighted to announce the release of Twelve Hours Later.  Two of my stories appear here, “In the Midnight Hour” and “A Demon in the Noonday Sun.”  They are my first venture into the wonderful world of steampunk.  Instead of Victorian England, my stories are set in Kyoto, Japan.  The book blurb summarizes the plots nicely:

A devoted nursemaid braves mythical Japanese spirits to save a little girl’s life, only to bring down the wrath of a demon on the child’s father.

 

Kiyomizudera, the Pure Water Temple, which encompasses Otowa Falls.  This is the primary setting for both of my stories.

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