Tag Archives: Kit Reed

5 Reasons Why Readers Give Up


by Lillian Csernica on July 9, 2018

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First, my apologies for the drop in the frequency of my posts. I’ve been having technical difficulties with both my laptop and daily life.

Keeping readers entertained and loyal is essential in today’s marketplace. I get a lot of free Kindle e-books thanks to BookBub. Given how much I read, I can plow through two or three novels a week depending on my schedule. Doing so has sharpened my sense of what will make me stop reading a book. Life is too short to read bad fiction. I have such a library built up on my Kindle there’s no reason to go on reading a book that can’t hold my interest.

These are the Five Storytelling Flaws that will make me give up on a story:

0f7398a5-6eed-4f57-b412-757fa49d8849Talking Heads — The dialogue might be witty. It might be well-crafted. If it doesn’t move the story forward, what’s the point? Dialogue can be a form of action, yes. If all you’ve got is characters having lengthy conversations, that’s going to try your reader’s patience and make them lose interest.

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Redshirts — These are the minor characters who take a bullet for the hero or heroine. I once read a fantasy novel where the redshirt problem was so blatant it became more and more aggravating with every predictable death. The novel was clearly meant to be the first in a series. It did not surprise me to learn the sequel never saw the light of day.

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Low Stakes — The majority of mystery novels are about murder because the stakes don’t get any higher than life or death. The higher the stakes, the more the main character has to risk in order to solve the problem. More risk means tougher choices and that creates more reader sympathy. Make sure the stakes in your story are high enough to keep the reader turning pages.

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Too Much Thinking — This is the internal narrative equivalent of Talking Heads. Yes, the reader needs to know how the main character feels and what thought process leads to the next attempt to solve the story problem. Too much thinking means too little action. The pace of the story suffers and the reader will lose interest.

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Purple Prose — If the reader can tell the writer is trying to impress, then the writer is trying too hard. This results in convoluted syntax that breaks the suspension of disbelief and makes the reader aware of the act of reading. I must confess that I do walk a fine line when I’m writing romance. Purple prose is very nearly one of the protocols of the genre. Keep it simple. Clarity and precision are your friends.

For more tips on avoiding these mistakes, I recommend reading:

How to Write A Damn Good Novel series by James N. Frey

Scene and Structure by Jack Bickham

Beginnings, Middles, and Ends by Nancy Kress

Revision by Kit Reed

Bird by Bird by Anne Lamott

 

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