Tag Archives: character

Three Top Tips to Put New Power in Your Writing


by Lillian Csernica on July 9, 2017

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When we’re in the process of writing, we sometimes reach a point where despite having a complete list of story elements on board, we feel like something is still missing. What we’ve written so far is good, but we want more. More depth. More intensity. More power.

Here are three simple, effective techniques to bring more power to your ideas and the ways you write about them.

 

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CHARACTER ORCHESTRATION

There are two parts to  proper character orchestration.

First, you make the protagonist and antagonist very different from each other. Create strong contrast with opposing traits, whether physical, emotional, spiritual, financial or all of the above!

Author James N. Frey provides an excellent explanation of this technique in How To Write A Damn Good Thriller.

Second, the events of your story leave these two characters tied together in what’s known as the “unity of opposites.” In his blog The Story Element, Paul Nelson explains:

The two opposite characters who are in conflict must be forced together, and neither of them can be allowed to leave the battle. For example, if Gandalf gives up and the ring isn’t destroyed, then Sauron wins and turns Middle Earth into hell. If Sauron gives up and lets the ring be destroyed, then he is also destroyed. Both Gandalf and Sauron are in danger of being destroyed, so they must destroy the other. They cannot both exist at the same time.

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JUXTAPOSITION

From Writing Explained:

What does juxtaposition mean? Juxtaposition is a rhetorical device that places two elements in close relationship for comparative purposes. Juxtaposition is a type of comparison. Typically, the two elements being juxtaposed have differences and the juxtaposition is meant to highlight contrasting effects.

In the long-awaited Wonder Woman movie, the juxtaposition of Diana and Steve Trevor serves to highlight the many layers of meaning in the story. Diana is a strong, independent warrior at a time when Steve Trevor sees a woman as being weak, needing his protection and guidance. Diana sees victims of the war who need help right now, while Steve knows they have to complete the mission to save the greatest number of people. Steve expects Diana to learn how to follow the rules of his world. Diana is committed to her sacred duty and says so in one of the movie’s best lines: “What I do is not up to you.”

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ASYMMETRY

Let’s start with symmetry. From Dictionary.com:

noun, plural symmetries.
1. the correspondence in size, form, and arrangement of parts on opposite sides of a plane, line, or point; regularity of form or arrangement in terms of like, reciprocal, or corresponding parts.
2. the proper or due proportion of the parts of a body or whole to one another with regard to size and form; excellence of proportion.
3. beauty based on or characterized by such excellence of proportion.

Sounds good, right? Symmetry has its value, but in writing a good story, asymmetry can be even more useful. Find out why here:

How to Blow Your Own Mind in Just Five Minutes

These three techniques can help you make the most out of any story idea. Write with power!

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The Voice of Inspiration — Special Bonus!


by Lillian Csernica on January 11, 2016

One of the most common pieces of editing advice is to read your manuscript out loud.  Hearing the narrative and the dialogue outside of your own mind will show you wear it’s rough or awkward.

The reverse of this technique is to improvise a scene by acting out the dialogue (and the narrative as well, if you like) in one or more character voices.  If sitting there staring at the blank page is inhibiting your flow of inspiration, get up and start moving around while you tell the story aloud.  It helps to have a recording device or a program such as Dragonspeak to capture all those off the cuff gems.

Writers often talk to themselves.  I do it when I’m grocery shopping, debating the selection of various items on my list.  I also do it when I’m watching TV by myself.  A few days ago this led to the beginning of my latest short story.

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So there I was, watching another one of those movies where the team of paranormal investigators seriously regrets hanging out in the haunted insane asylum overnight.  Me, I’d call this a bad idea on paper, never mind actually going inside the building.

It got to the point where I started yelling advice and criticism at the actors.  Having watched far too many of these movies, I can tell from the music and the timing when the next Scary Thing is about to happen.

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I was sitting there, being sarcastic at the characters onscreen, when it suddenly hit me:  This is great dialogue.  A few minutes’ thought gave me the basics I needed to set up a team of wannabe ghost hunters talking to an older relative of one of them who had some actual experience with the paranormal.  The older relative tries to make the kids see how little they really know about the risks involved in stirring up paranormal entities.

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Does it stop them?  It does not.

I’m having a lot of fun shaping the main character by using all of my own objections, all of my knowledge of folklore and superstitions, and what little experience I do have with the paranormal.  A few of my most successful stories have come from using my own voice for a character that I design to suit the needs of the story.  I’m thinking of “Fallen Idol,” “Music Lover,” and “The Family Spirit” in particular.

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Humor in paranormal writing is a happy thing.  Humor in most writing is a happy thing.

Do you find reading your work aloud helps the editing process?  Does acting out a scene just make you feel silly?  Let me know what works for you.

BONUS:  Since my new short story will fit the horror genre, the first three people to respond in the Comments section will receive a copy of my ebook The Fright Factory: Building Better Horror.

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