by Lillian Csernica on April 14, 2018
Madelaine Victoria Harrington is Dr. Harrington‘s nine year old daughter. She is his only child and his first priority in life. The fever that renders her critically ill is the crisis that sets in motion the first story, In the Midnight Hour (Twelve Hours Later).
Madelaine is a genius. She gets on well with everyone, making friends quickly among the Japanese staff at Dr. Harrington’s Kyoto residence. Madelaine is keen to understand the mechanics of everything, including the social etiquette so important to Victorian England. Her open mind and intense curiosity serve her well in learning about Japan.
She picks up languages quickly, which is essential when she begins studying the mythology and folklore of Japan. Her studies go a long way toward helping Dr. Harrington deal with the challenges he faces in each story.
Madelaine does a number of things that just happen while I’m writing. I had no idea she and the Abbot would develop such a close friendship. The Abbot loves children and Madelaine loves intelligent conversation, so they suit each other. There’s more to it, though. They both have a unique understanding of the supernatural. The respect goes both ways.
Then there’s the clockwork dragon in Blown Sky High (Thirty Days Later). I knew Madelaine was up to something, but I didn’t find out until her mother Constance discovered the secret project. I did have to work out the interior mechanics of the dragon. Fortunately, my husband is an engineer.