Category Archives: publication

#atozchallenge M is for Mentor


by Lillian Csernica on April 15, 2019

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One of the best things a writer can do is find a mentor.

Writing is a lonely business. We have to isolate ourselves, otherwise we’d never get any writing done. When it’s time to emerge from that productive isolation, it helps to have a supportive community of other writers. What helps even more is having a someone who’s been there and done that, who is doing it right now, and can offer support and advice about the process.

Joining a writers group can be one way of building a community and perhaps even finding a mentor. I discuss the pros and cons of writers groups here.

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Thotz.net

What can a writing mentor do for you?

Writing advice — The best way to find good guidance on how to improve your writing is to ask someone who has achieved at least some publishing success. Call me old-fashioned, but I respect the gatekeepers. Editors and publishers with established track records of professional success. Writers who have had fiction accepted by them have proven their level of skill. Both the Science Fiction and Fantasy Writers of America and the Romance Writers of America have mentor programs. If you’re writing in these genres, give them a look.

Professional etiquette — This can encompass everything from how to approach publishers and agents to coping with the perils of volunteering for a writers workshop. The experience and perspective of a good mentor can alert you to pitfalls and make sure you present your best polished professional demeanor.

Marketing tips — Writers who have a sales record will most likely acquire some familiarity with the tastes of the editors to whom they send their fiction. This familiarity arises in part from the submission process, but it can also be informed by face time at conventions. Getting the inside scoop on marketing trends is a wonderful thing.

Coping with rejection — There are three basic stages: form rejection, checklist rejection, personalized rejection. Given the speed of submission managers and email replies, the odds have gone up somewhat in terms of getting actual comments on submissions. That being said, it still takes experience to read such comments and understand their meaning. I was overjoyed the first time I got a rejection from Fantasy & Science Fiction Magazine that included a comment about looking forward to seeing more stories from me.

Coping with success — This can be worse than rejection. Why? Because while success breeds success, it also breeds anxiety and pressure to perform. Not every idea will turn into a winner. It becomes a numbers game, which means a lot of hard work. In retail, I learned the 80 20 Rule, aka the Pareto Principle, which says 80% of your results will come from 20% of your activities. Having a mentor will help you learn how to spend your available writing time wisely.

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Dreamstime.com

 

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Filed under #atozchallenge, Blog challenges, Conventions, creativity, editing, fantasy, Fiction, Goals, publication, science fiction, Writing

#atozblogchallenge L is for Location


by Lillian Csernica on April 13, 2019

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One of the key ideas in retail success is “Location, location, location.” Put your business in the right place, where the right customer base will find you, and you stand a much better chance of making a profit.

When writing stories, your setting is a vital element. I see a lot of stories with complex worldbuilding, but the setting is more like stage scenery or a rack of props. Where you locate your story, or which locations appear in your story, can be just as powerful a story element as plot or character.

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Consider some famous settings:

Mars — The Martian

A train — Murder on the Orient Express, Strangers on a Train

A bus — Speed

A deserted islandRobinson Crusoe, Lord of the Flies

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These settings have crucial aspects in common:

  • The physical location is very limiting, requiring quick thinking and immediate adaptation.
  • The main character is trapped in that setting. There is no easy way out.
  • The stakes are life or death.

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When I write historical fiction, location encompasses not just the physical setting but the time period as well:

Fallen Idol starts out in a mall food court, an ordinary, modern, nonthreatening setting. The main character, a photographer, notices a girl with elaborate and dramatic makeup. The rest of her skin is completely covered up by layers of clothing. The photographer follows this girl to a creepy abandoned factory, full of strange foreign folk art, where the rest of the story, rooted in a famous historical conflict, takes place.

Saving Grace is set in a chateau on a pilgrimage route in 14th Century France. The main character fled Russia during the Tatar invasion. She is a vampire. That makes daily living hard enough. She is also a member of the Russian Orthodox Church. At this time most of the Western world was controlled by the Pope of Rome. That puts my heroine in constant danger of arrest as a heretic and schismatic. That meant being burned at the stake.

The Kyoto Steampunk stories take place in Kyoto 1880. Dropping a Victorian physician into an Oriental environment where he can’t speak the language and knows nothing about the social protocol makes every problem I give him twice as difficult.

Make the most of your fictional location. It can make a huge difference!

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Filed under #atozchallenge, Blog challenges, classics, fantasy, Fiction, historical fiction, history, Horror, publication, research, science fiction, steampunk, travel, Writing

I is for Instinct


by Lillian Csernica on April 10, 2019

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Today let’s talk about our creative instincts.

A lot of the creative process takes place on the intuitive level. I sit there in the creative trance, groping for the right word, waiting for my mind to zoom through all the possibilities until the word that feels right arrives. That one I grab and write down. There are times when I have to go look something up, especially if I want the foreign language equivalent of that right word.

Sometimes we come to a fork in the road. Which project do I pursue now? There are several business factors that will influence that decision such as contractual obligations, marketing, and agent advice. Many times it will all boil down to that intuitive push.

I once stood at that creative crossroads, torn between a medieval romance and a contemporary romantic suspense. I chose the latter, which prompted me to track down a martial arts star purely for the purpose of finding out where to get some of his promotional photos. (I like to work from photos of real people who resemble my heroes and heroines.) That led to a phone conversation that resulted in two screenplays.

It’s essential to feed the mind a strong and varied diet. If you’re going to have a compost heap in your imagination, you have to build it up, aerate it, turn it over, and let the natural processes achieve the decomposition. Only then will you get the transformed substance that will help you grow those prize roses or melons.

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My latest short story release is The Badger Epidemic in Next Stop on the #13. The key elements in the story are badgers, cholera, and steam trains. What could badgers and cholera have in common that could possibly bring them together in the context of Japan’s Industrial Revolution? Steam trains and telegraph lines.

Because I read so much, because I feed my mind so much history and folklore and strange news items, all of those ideas came together in a single short story.
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Filed under #atozchallenge, Blog challenges, creativity, Fiction, Japan, Kyoto, Lillian Csernica, publication, steampunk, Uncategorized, Writing

#atozchallenge H is for Haste


by Lillian Csernica on April 9, 2017

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In the UK they have a saying. “More haste, less speed.” Sounds paradoxical, right? The meaning is simple. The faster you rush through a task, the better the chances of making mistakes. You will then have to go back and correct the mistakes, slowing down your overall progress.

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tennismindgame.com

Way back at the beginning of my efforts to write stories for publication, I was so excited I would blaze through my drafts. I really didn’t have a solid grasp of proper story structure, and it showed. Oh boy, how it showed. I was also impatient to fire those stories off in the mail, hoping for my first acceptance letter. What I got was a lot of form rejection letters.

Don’t be in such a hurry. Take the time to learn your craft.

Here comes another paradox: Go ahead and power through that first draft. Don’t think too hard, don’t worry too much. Just get the story down on paper. The creative rush that makes you want to write a story is one of the best parts of this business.

Now that you have something written down, you’ve got something that can be pondered, expanded, rewritten, and cut back.

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Back in the beginning of my career, I wanted to dive right into writing a novel. I had no idea what I was doing. I tried to build a plot by reading how-to manuals and piecing together my ideas. What I quickly learned was how big and how daunting the work of writing a novel really is. It takes a lot longer than people realize, even when you know what you’re doing.

Fortunately, I made a good decision and let all the research I’d done implode into a short story. That story became Fallen Idol, which I sold to William Raley at After Hours Magazine. That story was later accepted by Karl Edward Wagner for The Year’s Best Horror Stories XXI.

You want to be a writer? Write. You want to be a published writer? Learn how to tell a story. Respect the art you want to create. Respect the craft that has been practiced, explored, and improved upon by great minds for centuries.

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#atozblogchallenge F is for Finish It!


by Lillian Csernica on April 6, 2019

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I can sum up the secrets of writing success in two words: Finish it!

Everybody loves the beginning. Even when it’s difficult and you don’t know where it start. That first flush of creativity, the excitement over a new idea, can be addictive. So addictive, in fact, that when the shine of a new idea wears off and the doldrums of rewriting set in, people often abandon a project for something new.

That way lies disaster.

Most writers have several ideas sitting around in various stages of development. It’s what we do. Successful writers figure out which ideas have the most potential and invest time and effort in developing those projects. Agents won’t look at unfinished manuscripts. Editors don’t buy unfinished stories. Readers don’t read either of these because unfinished projects never get published.

Finish it.

When I wrote my first fantasy novel, I hit a rough patch about 3/4 of the way through. For three solid weeks I thought every word I wrote was worthless. Every single day I had to bully myself through my word quota. Eventually I got through it and completed the manuscript. When I got to that “worthless” section later during the editing process, it wasn’t really all that bad.

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When I wrote Ship of Dreams, my boys were both quite young. I wasn’t getting much sleep. There were lots of doctor appointments. When John was around 4 or 5 years old, we discovered he’s autistic. That was heartbreaking on top of all of Michael’s difficulties. Once again I hit that stage at the 3/4 mark where I couldn’t stand the story and wanted to give up. I also had a disk crash that cost me a chunk of work. Even with all this going on, and with the help of my agent, I completed the manuscript. That book sold.

Whatever you’re writing, finish it. Only when you get all the way to what you think is the ending, will you have a better idea of where the story should start. This is why they’re called roughdrafts. Just do it. Get it written. Throw everything at the page until you reach the end. Take a break. Step back. Let it cool. Then begin the edit and the rewrite.

Checkered, Chequered, FINISH

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#atozblogchallenge D is for Don’t


by Lillian Csernica on April 4, 2019

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Some of the lessons I’ve learned in my writing life have been firsthand experience, and some have come from observing the disasters other people have brought upon themselves. Since seven is widely considered a lucky number, I’ve distilled these “teaching moments” down to a list of seven Don’ts:

 

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Vecteezy

Don’t burn bridges.

I have written three different regular columns for three different magazines. More than once what I wrote became rather controversial. One of my editors decided it would be a wise move to show my column to someone in the field before the column was published. I did not know about this at the time. What I did know is the way the editor insisted I make changes to that column, all of which were later revealed as being specific points complained about by the person to whom the editor showed it. Were these valid editorial objections? No, they weren’t. They had nothing to do with The Chicago Manual of Style or proper grammar. They had everything to do with private personal agendas. That editor sold me out. Once I found out what had really gone on behind the scenes, I was quite angry. Did I call the editor out? I did not.

Notice, please, that even though this happened twenty years ago, I’m still not naming names. Why? Because in the writing field, which really is a small world, it’s not smart to burn bridges. You just never know where that editor might turn up next. Sure enough, this particular editor went on to work at a magazine that had considerable importance in my chosen profession. Burning that bridge would have had serious repercussions.

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Don’t forget to say thank you.

Nobody owes you anything. If somebody does you a favor, show appreciation in an equivalent and appropriate way. I’m always passing on market information to my fellow writers. At least two of those people made their first sales based on info I sent their way. Writers ahead of me on the career food chain have introduced me to my heroes such as Ray Bradbury and Robert Silverberg. Once a successful writer gave me a roll of gold foil Autographed Copy stickers. Years later there came a day when I met Joseph Malik, a newly published writer, in the SFWA Suite at WorldCon and made sure he had some Autographed Copy stickers for his books. What goes around, comes around. Let’s all help each other.

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Don’t waste energy on self-doubt, anger, jealousy or fear.

None of those will get you where you want to go.

I live with grief, depression, disappointment, and constant fear. I can let them suck all the strength out of me. I can point to all the reasons in my life, valid reasons, for why I don’t get more writing done. Or I can write. Make the time, make the effort, get it done.

Take those emotions and use them to power your writing. Even if all you do is spew your negative emotions into your personal journal, writing is writing. As my dear teacher Andy Couturier says, “Keep the pen moving!”

Don’t be afraid to offend people or make them angry.

When I was little, my mother taught me not to talk about politics or religion. Mom said that was the surest way to start a fight. What do I write about now? My historical novels involve a certain amount of political intrigue. My fantasy often has some kind of religious content. A while back I appeared on a lot of religion panels at conventions. I would often end up defending Christianity, which really upsets some people. Those people took a serious dislike to me because of my beliefs, and that had some career repercussions. Oh well. This is still the land of the free and the home of the brave, at least for the time being. St. John Maximovich, Archbishop of Shanghai and San Francisco, once said, “Where there is no adversity, there is no victory.”

Just write. Tell your story. You are not responsible for how people choose to react. If you let fear control your voice, you’ll never say anything dangerous or exciting. Who wants to read safe, boring, middle-of-the-road writing?

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laingan.com

Don’t think you’ll remember it later.

You won’t. Write it down.

Don’t stop learning.

There is so much out there to know. Learning opens doors, and not just in terms of a college degree or a certificate or a license. Like most writers, I know a little about a lot of things. More than once, when I’ve met someone new, I’ve been able to find some common ground almost immediately thanks to knowing about food or music or folk art from their part of the world. And if I know nothing? I ask questions. I listen. I get excited, because I love to learn something new. Just the other day, at the local dollar store, I heard a man speaking a language I thought I recognized. Sure enough, he told me it was Arabic. When I mentioned how beautiful the Arabic script is, the man told me something I did not know. Arabic is read right to left. See? Always learning!

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Don’t stop writing.

I lost my first baby. He’d just started kicking. I was so happy. Called my parents, called the in-laws, told them all about it. Three days later, I ruptured early and that led to a miscarriage. I stopped writing in my personal journal. There was no way I could write down what I was feeling. I could not live through it all again.

Two or three years later, something must have happened to break up the emotional log jam inside my mind. I began writing in my plain spiral notebook with my plain black ballpoint pen. Then I wrote a pirate romance novel for fun and escapism and maybe even profit. I got an agent, who sold that novel. And so Ship of Dreams came into the world.

Keep writing. Every day. Meet your time, fill your quota. It adds up, and you will become a better writer.

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#atozchallenge C is for Collaboration


by Lillian Csernica on April 3, 2019

Collaboration is not for the faint of heart. The creative process is a strange and mysterious thing that does not lend itself to easy explanation. To harness your creative process to another person’s method of producing a story requires patience, communication, and a solid commitment to see it through to completion.

If you want to audition somebody for the role of collaborator, take a long road trip with that person. Being stuck in a car together for hours on end will give you a golden opportunity to discuss the project itself, along with finding out whether or not you can tolerate the other person’s quirks. Writers are quirky people.

I have had the good fortune to collaborate on separate projects with two very talented writers.

KEVIN ANDREW MURPHY

Kevin and I have known each other for a very long time, close to thirty years. We have written three stories together and sold every one.

Special Interests

Death for Death

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The Restless Armadillo

Kevin Andrew Murphy writes for many worlds, most notably George R.R. Martin’s Wild Cards series. His story “Find the Lady” just received the Darrell Award for Best Midsouth Novella at MidSouthCon and he has other recent Wild Cards stories in Low Chicago, the expanded reissue of One-Eyed Jacks, and the upcoming (but out in Britain) Knaves Over Queens. He’s also just written “The Golden Cup” for Savage World’s Pantheon super hero game setting.
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PATRICIA H. MACEWEN

Pat and I have known each other since the night I drank the vodka tonic meant for her while hanging out with mutual friends at BayCon. Dragon’s Kiss is Pat’s novel. I was less a collaborator and more of a technical adviser. The hero of the book is based on my son Michael, who is wheelchair-bound with cerebral palsy and seizure disorder. We need more stories of people with special needs who fight the good fight, who continue to strive despite or because of their physical and cognitive limitations.

Pat MacEwen is an anthropologist. She sometimes works on bones from archaeological sites and does independent research on genocide, having worked on war crimes investigations for the International Criminal Tribunal, and done CSI work for a decade. Oddly enough, she was once a marine biologist at the Institute of Marine & Coastal Studies at USC. She has two novels out – Rough Magic, a forensic/urban fantasy, and Dragon’s Kiss, a YA fantasy about a crippled boy who finds he can talk to dragons but people? Not so much. She writes mystery, horror, science fiction, and fantasy. Her work has appeared in a Year’s Best SF anthology. It has also been a finalist for the Sturgeon Award, and made the Tiptree Honors List. Her hobbies include exploring cathedrals, alien-building via nonhuman reproductive biology, and trawling through history books for the juicy bits.

 

Tolstoy and Dostoevsky plan a collaboration - 'War and Punishment'... it'll make us a bundle.

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#atozblogchallege A is for Angle


by Lillian Csernica on April 1, 2019

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Welcome to my sixth year of participation in the A to Z Blog Challenge!

How I Learned To Be A Writer

This year I’m going to share with you 26 separate moments from my writing life, moments that taught me something worth remembering. Moments that helped shape my writing style. Moments that taught me how to endure the bad days and celebrate the triumphs.

A is for Angle

 

“Angle” is a term used by journalists when referring to the focus of the article they’re writing. It means which aspect of the subject matter they intend to emphasize as a means of making the article more relevant and interesting to the readers.

The concept of angle is quite useful to fiction writers. As the indie publishing market has exploded and competition for readership continues to increase, it’s becoming more and more essential to find a fresh approach, some new aspect of the stories we want to tell.

In my Kyoto Steampunk series, I chose to leave Victorian England behind and take my protagonist Dr. William Harrington to Kyoto, Japan. Once the Shogunate fell and the Meiji Emperor opened Japan to the West, Japan experienced its own Industrial Revolution, making it an excellent setting for steampunk stories.

Dr. Harrington’s adventures are a mixture of historical science fiction and Japanese fantasy. When I go to conventions to promote the anthologies where my Kyoto Steampunk stories appear, people are often surprised to hear I’ve chosen Japan for my setting. This fresh angle has resulted in a total of seven short stories so far, along with the novel that is my current work in progress.

Find that fresh angle! It will help you on your road to success.

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A to Z Blog Challenge 2019 Theme Reveal!


by Lillian Csernica on March 21, 2019

atoz2019tenthann

 

Hi there. Yes, I’m a trifle behind schedule on this. Tomorrow I run off to Clockwork Alchemy for the weekend. Con prep is such an adventure!

 

How I Learned To Be A Writer

This year I’m going to share with you 26 separate moments from my writing life, moments that taught me something worth remembering. Moments that helped shape my writing style. Moments that taught me how to endure the bad days and celebrate the triumphs.

Being a writer is not just about mastering the techniques of fiction. Nobody understands writers the way other writers do. That’s because you have to live inside a creative mind that constantly notices odd details and can’t stop thinking about certain exciting problems. Writers are not like everybody else.

Join me and take a look at a level of living that goes so much farther than just “behind the scenes.” You’ll get a glimpse into my creative process. More than that, you might help me figure out some of the mysteries about how my mind works!

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Clockwork Alchemy 2019


by Lillian Csernica on March 13, 2019

 

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Yes, it’s time once again for top hats and goggles, airships and submarines, international intrigue and more! Join me and the rest of my multi-talented colleagues as we celebrate all things steampunk!

Here’s where you can find me on each day of the con. I do hope you will stop by and say hello. It’s always a pleasure to hear what people think of Dr. Harrington’s adventures in Kyoto.

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Friday, March 22

1 p.m. in the  Harbour Room

DIALOGUE IN HISTORICAL FICTION: Nuts and bolts technique for layering characterization into dialogue.

Saturday, March 23

11 a.m. in the Sandpebble Room

MAGIC IN STEAMPUNK: Practical tips for working magic into a storyline where period technology is the hallmark of the genre.
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Sunday, March 24

1 p.m. in Authors’ Alley

Stop by my table and pick up your copy of Next Stop On The #13, which includes The Badger Epidemic. Dr. Harrington is forced to take a train to Osaka, where a cholera epidemic is killing the railway workers. Something is waiting for him en route that could prove even more dangerous than cholera itself!

See you there!

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