#atozchallenge E is for Experience


by Lillian Csernica on April 5, 2019

atoz2019e

One of the first rules of writing is “Write what you know.” Draw on your life experiences to bring fresh, original detail to your stories. I agree with this. I also believe it’s very important to write about what we don’t know. I am not Japanese. I was not born into the Japanese cultural matrix. That means in order to write about Japan, I have had to do a whole lot of research as well as visiting both Yokohama and Kyoto.

As writers we are often painfully aware of how much we don’t know. This can cause a problem referred to as a “poverty mentality.” Most often this term is associated with how we think about money and finance. I first heard the term used by Natalie Goldberg in Writing Down the Bones:

“People often begin writing from a poverty mentality. They are empty and they run to teachers and classes to learn about writing. We learn writing by doing it. That simple. We don’t learn by going outside ourselves to authorities we think know about it… Stay with your original mind and write from it.”(p30-31)

Sit down and make a list of all the experiences you’ve had that you like to talk about. Then list the ones you never talk about. And the ones you refuse to talk about. Don’t worry, nobody will see these lists but you. Just list the experiences in one or two sentences. You’re taking inventory to see what you have to work with. Here’s my list:

  • When I was nine years old, I came face to face with an armed robber in a sewer.
  • I helped some Greek Orthodox nuns go shopping for glasses at a mall in Fresno.
  • I took a battery-powered submarine ride around the coral reefs off Lahaina on Maui.
  • I once died in a car accident. I recovered, but I remember being dead.
  • At a steampunk convention, two identical twin female world class kendo masters taught me how to use a naginata.
  • I worked as a belly dancer from age 16 to age 18. Jobs included Father’s Day at a retirement home where only the men got to see my teacher and the rest of us.
  • When I was 18, I lived in Holland for two months one summer. I met a Dutch soldier at the disco one night. He walked me to the train station. Our goodnight kiss made me miss the last train.
  • I answer letters written to Santa Claus that come to the local post offices.
  • I’ve been through a Japanese haunted house. Much weirder than Western haunted houses.
  • I won a bottle of champagne in a storytelling contest after hours at the Northern Ren Faire.

Part of this is choosing the unusual experiences. Part of this is knowing how to make an experience unusual by the way you write about it. My friends know I have a talent for getting myself into strange circumstances.

Write the stories only you can tell. You will bring fresh wonder to the world!

"My creative writing professor suggested that I write about what I know...from my own experience!"

 

 

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7 Comments

Filed under #atozchallenge, Blog challenges, Conventions, Eastern Orthodox Christianity, fantasy, Fiction, hospital, Japan, Kyoto, Lillian Csernica, memoirs, research, steampunk, therapy, Writing

7 responses to “#atozchallenge E is for Experience

  1. I love that list idea, and am likely to borrow it. Thank you!

    Liked by 1 person

  2. Some things I can’t write about – in one case, the suspect in a series of murders is now on Death Row, and that kind of thing can end up coming back to court again and again, though it did make me laugh at that last cartoon. For the moment, though, I’m wading through the dead guy stories… we’ll see how well they resonate with editors!

    Liked by 1 person

  3. How do you remember being dead? Is this true? Do tell, I’m intrigued . Did you go home with the Dutch soldier when you missed your train? Your life is way more interesting than mine 😱

    Liked by 1 person

    • Yes, I do recall being dead. The short version: a voice said this was a mistake, I had to go back. It was not my time yet. I woke up in the ICU trying to change channels on my heart monitor. Re the Dutch soldier, he got a friend of his who had a car to drive us back to where I was staying. That was in the next town over, and it was after midnight. Everybody there was still up, figuring I’d have to walk back.

      Like

  4. That’s a good way of looking at ‘what we know’ and ‘what we don’t know’… which is alwasy a tricky matter.
    Personally, I think that as writers (and especially as fantasy writers) we often work with what we don’t know, at least not by experience. Which is – I suppose – what fascinates me the most about fantasy.

    Like

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