by Lillian Csernica on April 9, 2018
“The Lantern Ghost”
There is so much to know about Hokusai, about the various periods of his work and the wide scope of subject matter. Best known for his iconic drawing of The Great Wave Off Kanagawa, Hokusai’s work encompassed both the natural and the supernatural. He even drew shunga, or erotic art, most notably The Dream of the Fisherman’s Wife.
Fun fact: Shunga was enjoyed by both men and women of all classes. Superstitions and customs surrounding shunga suggest as much; in the same way that it was considered a lucky charm against death for a samurai to carry shunga, it was considered a protection against fire in merchant warehouses and the home. (Wikipedia)
“The Maple Trees”
Hiroshige is best known for his landscapes, such as the series The Fifty-three Stations of the Tōkaidō and The Sixty-nine Stations of the Kiso Kaidō; and for his depictions of birds and flowers. The subjects of his work were atypical of the ukiyo-e genre, whose typical focus was on beautiful women, popular actors, and other scenes of the urban pleasure districts of Japan’s Edo period (1603–1868). The popular Thirty-six Views of Mount Fuji series by Hokusai was a strong influence on Hiroshige’s choice of subject, though Hiroshige’s approach was more poetic and ambient than Hokusai’s bolder, more formal prints.
These two masters of their arts provide me with considerable inspiration. The landscapes of Japan and the eerie images of yokai fire my imagination and take me away to that place where my stories are born.
When I make appearances at conventions, I bring along bookmarks I make by hand which include the URL for this blog. Thanks to the folks at Dover Publications, I’m able to create bookmarks for the Kyoto Steampunk series featuring the works of Hokusai, Hiroshige, and a few of their contemporaries. Be sure to get yours!