by Lillian Csernica on June 22, 2016
First you expand by writing. Then you compress by editing. Expand, compress. Expand, compress.
The trouble is, right now I’m compressing the synopsis for Sword Master, Flower Maiden while also expanding a short story that needs to get out to market.
Playing two separate accordions at once is no simple task. Just when I’ve settled into the mindset to murder my darlings in the synopsis, it’s time to switch gears and open the taps for the short story’s new scenes.
Can I work on one project at a time? Can I finish it and then move on to the other? I could, but that would slow down my productivity even more. I have to work on multiple projects at once. The satisfaction of completing a short story and getting it out to market helps me endure the day after day grind of writing a 100,000 word historical romance.
There are days when I do get tired of being neck deep in the details of Japan under the Tokugawa. I want to run away to modern day and drop some creature of folklore into a situation that causes havoc for all concerned. I like blowing things up. It’s very therapeutic.
Sex scenes aren’t as much fun as non-writers seem to think. Those scenes take a lot more work and attention to detail. This is why my favorite scenes in Ship of Dreams are the sea battles. I just loved figuring out how the Black Angel would disable Vasquez’s galleon so he could rescue Rosalind before sinking the ship.
So I’m back to my daily 1000 word quota. And I’m pushing forward on the support documents, so to speak. And I’m hauling short stories out of inventory, ripping out the seams, adding panels, and freshening the trim.
Whoops. Just mixed my metaphors. Oh well. Tell me you’ve never heard an accordion hit a wrong note!